11 of 11 people found the following review helpful:
5.0 out of 5 stars
An Awesome Presence, March 3, 2008
This review is from: About My Life and the Kept Woman: A Memoir (Hardcover)
Novelist. Playwright. Essayist. Hustler. John Rechy has been all those things and much, much more. He has written, deeply, about a range of subjects - male-perpetuated myths of `fallen women' (Our Lady of Babylon), an immigrant's descent through Los Angeles (The Miraculous Day of Amalia Gómez) - and has crafted his work in a breadth of masterful styles. This includes the sexually explicit works - Numbers, Rushes and, most famously, City of Night - that have defined him for generations of readers.
With fierce vulnerability and brave delicacy, his memoir About My Life and the Kept Woman depicts his poor childhood in El Paso's Mexican enclave; years in the numbing U.S. Army; life as a street hustler; and - always - of the alluring woman who intrigues, and then shadows his life, for forty years. Here is how he first encounters the Kept Woman at his sister's wedding:
"When my head resisted being turned away from the kept woman, my mother's hands directed it back to the nuptials, but not before I knew that my life had been invaded by an awesome presence."
The memoir takes its rightful place alongside Proust (an influence) and the best works of speculative fiction.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
Rechy remembers, March 30, 2008
This review is from: About My Life and the Kept Woman: A Memoir (Hardcover)
As a preface to his compelling new memoir, El Paso native John Rechy offers a two-line caveat:
"This is not what happened; it is what is remembered. Its sequence is the sequence of recollection."
In this day of scandalously false memoirs, it is certainly refreshing to read such words. But Rechy's story is, by now, well known to those who have read his critically acclaimed 1963 autobiographical novel, "City of Night," which caused a literary sensation in part because of its subject matter: male prostitution, or hustling, as Rechy calls it.
In the new book, "About My Life and the Kept Woman" (Grove Press, $24 hardcover), Rechy revisits many of the events that wound up in that first novel and in subsequent novels -- but with an overarching theme to assist him in explaining decisions that led to a seemingly contradictory life of literature and sex-for-hire.
That theme is the "kept woman" of the title, the glamorous Marisa Guzman, mistress of the rich and powerful Mexican politician Augusto de Leon. It seems that Guzman's younger brother was engaged to Rechy's sister, Olga. Guzman had "conveyed her intention to travel from Mexico City and return to El Paso to attend her younger brother's wedding, thus challenging (her father), who had banished her years ago."
Intrigued by this alluring outsider, the young Rechy could barely contain himself when he caught a glimpse of the kept woman at the wedding reception. Throughout his memoir, Rechy repeatedly returns to this image of Guzman's defiant yet elegant appearance in the midst of those who were both fascinated and repulsed by her unashamed disregard for social norms.
Rechy struggled with his own outsider status, arising, in large part, from a mixed heritage as the son of a Mexican mother and a half-Scottish father.
Moreover, growing up in El Paso during the Depression and World War II, Rechy's budding sexuality and precocious literary tastes put him at odds with the socially conservative mainstream.
Rechy enlisted during the Korean conflict, which allowed him to travel in Europe while avoiding actual combat. After a two-year stint, he began his wanderings (and hustling) in New York, New Orleans and Los Angeles. But he kept alive the desire to express himself through the written word, a desire he possessed from a young age. He eventually wrote fictionalized accounts of his life as a hustler that appeared in a small but prestigious literary journal. These shockingly honest stories resulted in his first book deal.
In the memoir, Rechy tries to explain why he became a hustler. At one point, he turns to a vague and uncertain memory of sexual abuse at the hands of his father and father's male friends. But he pulls back and is unwilling (or more likely, unable) to give a definite justification.
As Rechy became more famous, he encountered other luminaries including, in one hilarious passage, the beat poet Allen Ginsberg, who told Rechy to "relax, take your clothes off." "Why?" asked Rechy. Ginsberg answered: "Because you said you'd never grow undesirable. I hope that is true, really. For now, I want to see your body when I know it's beautiful -- and then it will be so forever in my memory." Rechy declined to disrobe.
As one reads this book, Rechy's warning that his memoir "is not what happened; it is what is remembered" often comes to mind. Whether each word is the unvarnished truth is of no matter: Rechy's life has been remarkable by any standard.
With 45 years of publishing both fiction and nonfiction under his belt, Rechy continues to create memorable and vital works of literature that honestly explore the importance of creating one's own destiny.
Marisa Guzman would be proud.
[This review first appeared in the El Paso Times.]
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