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18 of 24 people found the following review helpful:
3.0 out of 5 stars
3 stars, August 30, 2007
This review is from: From Achilles to Christ: Why Christians Should Read the Pagan Classics (Paperback)
C.S. Lewis has called Christianity the one myth that is true, and modern books such as the Gospel According to everyone from Harry Potter to Superman have noted the echoes of Christianity that are replete in today's myths. Typological shadows of the gospel message began to infuse literature as far back as the ancient Greeks. The author examines several classic works, including that of Homer, Vergil, and Sophocles, in light of Christianity. Such detailed analysis, while highly instructive, can at times be dry. However, in the final chapter, he makes the point of the entire exercise abundantly clear in a concise fashion. This is an excellent introduction to Greek classics for the Christian student.
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13 of 17 people found the following review helpful:
2.0 out of 5 stars
Markos omitted the comedies, thus a key theological focus, March 29, 2009
This review is from: From Achilles to Christ: Why Christians Should Read the Pagan Classics (Paperback)
This book was a great starting point for doing independent study on Greek & Roman Literature for my Masters degree (as recommended to me by my university). Because I was working on my own, "From Achilles to Christ" wonderfully guided me to the texts I needed to read for the module. However, because I was reading the original texts prior to each of Marko's chapters, I did lose the flow of Marko's argument along the way. Hence, I found the book somewhat dry. Yet when I was reading "From Achilles to Christ", I at times found myself agreeing with Markos, and at other times feeling a bit uneasy and even skeptical that maybe Markos is a bit too radical for my liking and pushing a point too far - I never quite got to decide that for myself (maybe a re-reading, now that I've read the texts concerned, would help me appreciate whether to agree or disagree). Nevertheless, my biggest problem with the book is that I found myself asking "What about the comedies?" (Obviously he found a distaste for them, just as Aristotle did.) Because the comedies are completely ignored, I found Marko's argument flawed. If he's going to encourage Christians to read the pagan classics, then he can't ignore an entire major genre. I believe the reason Markos deliberately ignores the comedies is because of their sexual 'vulgarity' and general absurdity - particularly the Old Comedy, which is quite 'peculiar' from a 21st century worldview and distasteful from a conservative Christian perspective. (One might be hard-pressed to justify encouraging Christians to read Old Comedy from a purely theological point of view.) Yet, after reading Marko's book, I had to discover the comedies for myself and was pleased to read Middle Comedy by Menander and New Comedy by Plautus and Terence - even though these newer comedies were still somewhat 'immoral' in that most stories are based on a man sleeping with / raping a girl in the dark, only to later find that the girl he loves next door is pregnant, and through a series of events, at the last minute discovers (through the recognition of a token) he's the father of her child and marries the girl. Doesn't the Bible have a precedent for this very plot in the story of Judah (one of Jacob's 12 sons) sleeping with his childless, twice-widowed daughter-in-law Tamar, and discovering later (through tokens given as pledges) that she was the one he'd slept with in the dark (see Genesis 38) - the result was twins, with Perez (the oldest), becoming an ancestor of Christ, included Christ's geneaogoly at the start of the New Testament! Further, as I'm going from this module to a thesis on Shakespearean Comedy, I found a great view expressed in Essential Shakespeare Handbook on p. 291. Basically, because Christ's death on the cross and subsequent covenant with God assures Christians with a special kind of happy ending, the ultimate generic character of human existence is therefore comic, rather than tragic. Yes, there is sin and death in the world. Markos' book concentrates on epics and tragedies in pagan classical literature - genres which are dominated by sin and death. Yet as Christians, our end is not tragic death. As Christians, we have hope. Just as the comedy genre ends in a marriage (and albeit, after an upside-down twist in the plot), so does this life for Christians. Thanks to God turning the plot of man's story on it's head by sending His own sinless-Son to die in our place (ie our need of redemption being a direct result of the Fall in the Garden of Eden), we have the Bible's promise of the Great Marriage Feast with the Lamb, where Christ will marry His Bride, The Church. Hence, Marko's "From Achilles to Christ" either needs a revision to include comedies, or a sequel which deals with this. Again, I appreciate the Christian fear which leads to an avoidance of pagan comedies (especially those by Aristophanes). But what an amazing theological feature has been missed by such avoidance, especially since the entire gospel-focus is on Christ's substitutionary death altering our eternal destiny, and Christ's ultimate wedding to His Church. As I write, I can't help think of the future-hope and Christ's majesty flavoured in CS Lewis' Chronicles of Narnia, even as portrayed in the movies made thus far. (Surely, Markos could have spent a chapter discussing the basic outline/formula of New Comedy and how it focusses entirely on marriage/weddings.) In summary, "From Achilles to Christ" was a good-starting point (text-wise) to guide a beginner into reading Classical Literature, but it was unbalanced (argument-wise) by entirely missing the Comedy genre all together, and therefore missed focussing in on a key theological doctrine for Christians.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Myth Made Fact!, December 14, 2009
This review is from: From Achilles to Christ: Why Christians Should Read the Pagan Classics (Paperback)
If there was ever a time for us Christians to rigorously examine our traditional roots, it is now in this epoch of radical skepticism and the relentless attack on Western Civilization that is not only eroding our historical, political, ethical and artistic legacy, but turning our religious foundations into sand.
In this excellent book Professor Markos is our tour guide through classics by Homer, Virgil, the Greek Tradedians and in the end Christ, the myth made fact. He shows us that while intellectually we may reside at the bottom of Plato's cave, the Ancient Greco-Roman writers contain a truth that Christian's should not shy away from. He compares their works to candles that might help to light the way out of the cave into the brilliant sunlight of Christ.
Professor Markos' superb scholarship alone is enough of a reason to delight in reading this outstanding book, but his writing style is very accessible,informative, inviting and engaging, these stories, outside of the Bible, are the greatest stories known to man, and you are in capable hands with Professor Markos as your guide. Don't pass this book up!
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