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Acid Tongue CD


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Audio CD, CD, September 23, 2008
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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Black Sand 2:53$0.99  Buy MP3 
listen  2. Pretty Bird 3:46$0.99  Buy MP3 
listen  3. The Next Messiah 8:45$0.99  Buy MP3 
listen  4. Bad Man's World 3:40$0.99  Buy MP3 
listen  5. Acid Tongue 3:50$0.99  Buy MP3 
listen  6. See Fernando 3:33$0.99  Buy MP3 
listen  7. Godspeed 4:33$0.99  Buy MP3 
listen  8. Carpetbaggers 3:33$0.99  Buy MP3 
listen  9. Trying My Best To Love You 3:07$0.99  Buy MP3 
listen10. Jack Killed Mom 5:27$0.99  Buy MP3 
listen11. Sing A Song For Them 4:17$0.99  Buy MP3 

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Jenny Lewis - Just One Of The Guys

Biography

Jenny Lewis returns with her new album, The Voyager, on July 29th. The Los Angeles artist’s first solo LP since 2008’s Acid Tongue, The Voyager is Lewis’s most deeply personal, and her most musically robust. Featuring production work from Ryan Adams, Beck, as well as Lewis and her longtime collaborator Johnathan Rice, The Voyager finds Lewis at her sharp-witted best, singing ... Read more in Amazon's Jenny Lewis Store

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Product Details

  • Audio CD (September 23, 2008)
  • Original Release Date: 2008
  • Number of Discs: 1
  • Format: CD
  • Label: Warner Bros.
  • ASIN: B001CFQO7U
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (53 customer reviews)
  • Amazon Best Sellers Rank: #163,485 in Music (See Top 100 in Music)

Editorial Reviews

Product Description

Femme fatale Jenny Lewis has never sounded so passionate and her songs never so hard-hitting and acerbic as on her aptly titled solo disk, Acid Tongue. The album follows 2006's Rabbit Fur Coat (which Spin named among the best albums of that year) and a series of acclaimed albums with indie rock fave Rilo Kiley. Featuring collaborations with A Band Called She & Him and guest appearances by Elvis Costello and Chris Robinson of The Black Crowes, Acid Tongue proves to be wicked good.

Amazon.com

Jenny Lewis and the Watson Twins took their cues from legendary singer/songwriter Lauro Nyro in crafting the intimate, gospel-country Rabbit Fur Coat. The all-star Acid Tongue represents something bigger and darker. Without abandoning her roots, Rilo Kiley's front woman adds more soul and jazz weaponry to her musical arsenal, culminating in a record that combines the folky introspection of Joni Mitchell, circa Court and Spark, with the bluesy rock of the Rolling Stones, circa Sticky Fingers, i.e. slide guitar, Hammond B3 organ, and funk-oriented bass (Lewis contributes piano, vibraphone, and guitar). Even her voice sounds richer; deeper and smokier on some songs, like the noirish, nine-minute medley "The Next Messiah," and lighter and brighter on others, like the soaring "Black Sand" and yearning, Bowie-ish "Trying My Best to Love You." Recorded live to tape, the 11 tracks come hurtling out of the speakers like Wild Horses. Duet partners and backing vocalists include Jonathan Rice, Chris Robinson, and Lewis super-fan, Elvis Costello. Frequent collaborator M. Ward drops by to add acoustic licks to the slinky "Pretty Bird." With this second album, Lewis strikes a masterful balance between tough sounds and tender sentiments. --Kathleen C. Fennessy

Customer Reviews

I really like it and the songs are great!
Jill B.
So please enjoy Acid Tongue whether you are new to Jenny Lewis or have worn through 3 copies of Rabbit Fur Coat.
Lindsay J. Diedrich
I can't stop listening to this cd, hope you feel the same way too after you purchase it, enjoy!!
ADRIENNE MILLER

Most Helpful Customer Reviews

22 of 27 people found the following review helpful By Erin E. Kiker on September 24, 2008
Format: Audio CD
Okay, so I KNOW there are those who can't stop waving the Rilo Kiley torch, or the Watson Twins torch as well, but this album is about Jenny Lewis and that's who I'm reviewing. She shines, to keep it simple.

The album starts slowly, with the whimsical flirting chords of "Black Sand" and then the dark, slow churning "Pretty Bird" keeps the flow going smoothly, finishing with a strum that shakes you and fades into silence. Not for long, cause what comes next is "The Next Messiah", which is one of those few album tracks that feels live but isn't, and therefore this meandering jam achieves the ultimate level of polished iridescence.

"Bad Man's World" brings you back out of that shake your butt drumbeat with another of Lewis's paradigms of songbird vocal melancholia, the likes of which we haven't seen I think since before Joni Mitchell's balls dropped (I refer to the effect her smoking has had on her voice over the years that has rendered her from soprano to tenor, which is still beautiful, don't get me wrong, I love Joni, but its no longer that crystal clear soprano you hear as the ghost voice on Neil Young's contribution to The Last Waltz).

But onward, to the meat of this album. "Acid Tongue" softly wails the tale of the road tripper, a road Lewis and so many hundreds of thousands out there have been on. She sings the song of no regrets, but simply having had her fill, despite her soul attraction to that particular journey and the places it has taken her. Following is "See Fernando", a song I must admit I prefer live with the Watson Twins, but it's still a great track and worth it. Had I never heard the live version before, I might have been all about this one.
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12 of 15 people found the following review helpful By Aly on October 10, 2008
Format: Audio CD
I've been a Rilo Kiley fan since 2003, and like someone else had said, I wanted to like this album. I really did. I thought Rabbit Fur Coat was pretty good, but this was a real disappointment. There are a lot of hipster kids who will say that this album is genius, and I really question whether they would listen to something like this if it wasn't Jenny Lewis. I'm leaning more towards no, they wouldn't. I saw her a few times on her 2006 solo tour, and "Carpetbaggers" and "Acid Tongue" were fantastic, but the studio versions disappointed me. Elvis Costello sounds out of place on "Carpetbaggers" and the backing/chorus vocals on "Acid Tongue" stick out too much and take away from what would otherwise be a flawless song. "Jack Killed Mom" is okay, as is "The Next Messiah," but I can't really listen to the others. The first two tracks are weak openers, and Jenny's voice takes on an odd pitch. The rest aren't all bad; I just can't get into them.

Sorry. I tried to like it, but ultimately, this record is less than what I have come to expect from Jenny.
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4 of 5 people found the following review helpful By Gregory William Locke on November 9, 2008
Format: Audio CD
"I wear a ponytail like a waterfall / Loudspeaker cause a landslide / I got a room key and a Johnny / A good buzz, feelin' alright," sings Jenny Lewis on the swingin' "See Fernando," the immediate standout track from her second solo album, Acid Tongue. Those rhythmic one-liners, penned while touring for her breakout debut, 2006's Rabbit Fur Coat, say an awful lot about the Rilo Kiley front woman. She's somewhat of a girly girl; she likes rock n' roll and isn't afraid of its time-tested clichés; she's got a man (singer/songwriter Johnathan Rice) and wont flinch at the chance to tease her listeners about closed doors; and she likes to shamelessly knock a few back whenever possible. Whether that's the real Lewis or not hardly matters, it's her stage and studio persona, and it - along with her gift-from-heaven voice - has brought her a long way in the last five years.

Rabbit Fur Coat put the Lewis namesake on the map, elevating her from her longtime standing as the fire-haired indie-rock darling who fronts Rilo Kiley to the level of respected adult solo artist who gets consistent plan on NPR. It must be said that using the term "solo," however, has never felt right with Lewis. Rabbit Fur Coat not only prominently featured two backing vocalists (those creepy Watson Twin gals) on every song, but also M. Ward, Mike Mogis, Rice, Conor Oberst, Ben Gibbard, Jason Boesel and many others. Likewise, Acid Tongue features a cast of heavy hitters, including Elvis Costello, Rice, Paz Lenchantin, Ward, Zooey Deschanel, Chris Robinson, Benji Hughes, Farmer Dave Scher and, well, many others. But that's okay; nothing wrong with calling in the pros.
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2 of 2 people found the following review helpful By Joker in the Pack on May 21, 2010
Format: Audio CD
I was never a big fan of Rilo Kiley and never heard Rabbit Fur Coat when I first checked out this album. Some of the songs blew me away from the first listen. Others grew on me slowly. There's not a bad or boring moment on this album, except for Elvis Costello in Carpetbaggers, who makes me wish I was deaf for 15 seconds. There's a perfect mix of rock, country, folk, and soul here that sounds timeless. Jenny Lewis' voice goes from high and eerie (Black Sand) to low, tough and sultry, and she masters everything.

The Next Messiah is just about the smoothest, most energetic, rocking song I've ever heard, and it's basically three songs. See Fernando and Jack Killed Mom are in the same vein.

Acid Tongue sounds like a classic folk song. It's simple and powerful, as are Godspeed and the other low-key songs here.

I've gone back and heard some great songs from RFC and Rilo Kiley's albums but nothing compares to this one.
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