Acid Tongue

September 23, 2008 | Format: MP3

$9.99
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3:46
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8:45
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3:40
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3:50
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3:33
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3:07
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5:27
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Product Details

  • Original Release Date: September 23, 2008
  • Release Date: September 23, 2008
  • Label: Warner Bros.
  • Copyright: 2008 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside the U.S.
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 47:24
  • Genres:
  • ASIN: B001GCZNF8
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (53 customer reviews)
  • Amazon Best Sellers Rank: #40,603 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

I was overwhelmed by the beauty and simplicity of the album.
Guy Gillor
This is one of those albums that I can't listen to just once, even though nearly every song could stand alone.
Erin L. Martin
I just got this cd today and immediatly stuck it in the car cd player.
W. Dietrich

Most Helpful Customer Reviews

22 of 27 people found the following review helpful By Erin E. Kiker on September 24, 2008
Format: Audio CD
Okay, so I KNOW there are those who can't stop waving the Rilo Kiley torch, or the Watson Twins torch as well, but this album is about Jenny Lewis and that's who I'm reviewing. She shines, to keep it simple.

The album starts slowly, with the whimsical flirting chords of "Black Sand" and then the dark, slow churning "Pretty Bird" keeps the flow going smoothly, finishing with a strum that shakes you and fades into silence. Not for long, cause what comes next is "The Next Messiah", which is one of those few album tracks that feels live but isn't, and therefore this meandering jam achieves the ultimate level of polished iridescence.

"Bad Man's World" brings you back out of that shake your butt drumbeat with another of Lewis's paradigms of songbird vocal melancholia, the likes of which we haven't seen I think since before Joni Mitchell's balls dropped (I refer to the effect her smoking has had on her voice over the years that has rendered her from soprano to tenor, which is still beautiful, don't get me wrong, I love Joni, but its no longer that crystal clear soprano you hear as the ghost voice on Neil Young's contribution to The Last Waltz).

But onward, to the meat of this album. "Acid Tongue" softly wails the tale of the road tripper, a road Lewis and so many hundreds of thousands out there have been on. She sings the song of no regrets, but simply having had her fill, despite her soul attraction to that particular journey and the places it has taken her. Following is "See Fernando", a song I must admit I prefer live with the Watson Twins, but it's still a great track and worth it. Had I never heard the live version before, I might have been all about this one.
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12 of 15 people found the following review helpful By Aly on October 10, 2008
Format: Audio CD
I've been a Rilo Kiley fan since 2003, and like someone else had said, I wanted to like this album. I really did. I thought Rabbit Fur Coat was pretty good, but this was a real disappointment. There are a lot of hipster kids who will say that this album is genius, and I really question whether they would listen to something like this if it wasn't Jenny Lewis. I'm leaning more towards no, they wouldn't. I saw her a few times on her 2006 solo tour, and "Carpetbaggers" and "Acid Tongue" were fantastic, but the studio versions disappointed me. Elvis Costello sounds out of place on "Carpetbaggers" and the backing/chorus vocals on "Acid Tongue" stick out too much and take away from what would otherwise be a flawless song. "Jack Killed Mom" is okay, as is "The Next Messiah," but I can't really listen to the others. The first two tracks are weak openers, and Jenny's voice takes on an odd pitch. The rest aren't all bad; I just can't get into them.

Sorry. I tried to like it, but ultimately, this record is less than what I have come to expect from Jenny.
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8 of 11 people found the following review helpful By Lindsay J. Diedrich on September 24, 2008
Format: Audio CD
I first listened to this record (at least 5 times) when it was posted on Jenny Lewis's myspace page. Then I purchased the CD the day it came out and gave it another 4 listens. Here is my conclusion:
Acid Tongue isn't a carbon copy of Rabbit Fur Coat. Why would we want what we've already heard? What Jenny brought us here is not only a collection of exciting new material but also a variation of the aesthetic found on Rabbit Fur Coat. For me, the biggest difference between Rabbit Fur Coat and Acid Tongue is that on Acid Tongue, Jenny is not holding back vocally. This is evident on tracks such as (but not limited to) The Next Messiah, Trying My Best To Love You, and Jack Killed Mom. Her voice is so dynamic, especially when she alternates from her higher register where her voice is sweet with a beautiful vibrato, to the middle of her range where her sharp-tongued lyrics benefit from her country twanged snarl.
And yes, The Watson Twins are absent from this record but Jenny has such a talented group of friends singing backup/harmonies that I honestly don't miss The Watson Twins (they are very talented, too). My one gripe is on the track Carpetbaggers where Elvis Costello duets with Jenny. I don't think his voice matches the bluegrass style of the song and wish Jonathan Rice would've done the duet instead (as he did on the RFC tour).
Finally, what makes this record so appealing is its ability to offer slower, mellow tracks as well as some very rocking, dance-worthy ones (not in the night club sense but rather, an alt.country hoedown).
So please enjoy Acid Tongue whether you are new to Jenny Lewis or have worn through 3 copies of Rabbit Fur Coat.
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2 of 2 people found the following review helpful By Joker in the Pack on May 21, 2010
Format: Audio CD
I was never a big fan of Rilo Kiley and never heard Rabbit Fur Coat when I first checked out this album. Some of the songs blew me away from the first listen. Others grew on me slowly. There's not a bad or boring moment on this album, except for Elvis Costello in Carpetbaggers, who makes me wish I was deaf for 15 seconds. There's a perfect mix of rock, country, folk, and soul here that sounds timeless. Jenny Lewis' voice goes from high and eerie (Black Sand) to low, tough and sultry, and she masters everything.

The Next Messiah is just about the smoothest, most energetic, rocking song I've ever heard, and it's basically three songs. See Fernando and Jack Killed Mom are in the same vein.

Acid Tongue sounds like a classic folk song. It's simple and powerful, as are Godspeed and the other low-key songs here.

I've gone back and heard some great songs from RFC and Rilo Kiley's albums but nothing compares to this one.
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