I have been to hundreds of concerts in my time and at a very few of them did I feel privileged to be in the presence of a gifted vocalist. Adam Lambert's concerts were in that rare category. And yes, I did say concerts in the plural because if you love superior vocal talent, one concert will not be enough -- you will want to experience that voice again and again. Sadly, monetary and time constraints prevent many of us from hearing this extraordinary voice live as often as we might wish.
Luckily, Lambert has released this Acoustic LIve EP so we can experience his vocal gifts over and over again.
The best track is Whataya Want From Me, this live recording of which is so perfect, so pristine and yet, amazingly, also so emotionally-driven, that your heart would have to be petrified not to feel the need, pathos and hope Lambert conveys. Soaked is nothing less than the vocal masterclass he taught to rapt audiences around the world --watching an audience go from shrieking insanity to appreciative silent admiration was itself a stunning example of showmanship. Stripped of the theatrical orchestration and bombast of the album version, Lambert's voice -- surely one of the best in the world -- soars. Only when the song concludes, can the listener breathe again. Lambert co-wrote Aftermath; the rock treatment on his original For Your Entertainment cd will now be overshadowed by the quiet conviction and hope of this far superior acoustic treatment. Mad World is, of course, Lambert's signature tune -- at least for right now -- and hopefully its inclusion here will satisfy fans upset over its exclusion on FYE.
If you loved Lambert's FYE cd, you will enjoy the opportunity to hear songs re-conceived in a way that allows this amazing voice to shine and soar and grip you with its emotion. If you didn't like FYE and thought it was overproduced and hid Lambert's vocals, then this acoustic EP is the album for you. If you've never paid attention to Lambert's voice -- then start!
What a lovely gift to us all in this dark season and amidst the sludge of autotuned dreck that masquerades as music today. Lambert brings us back to real music, again.