- Also available: the Across the Universe soundtrack featuring songs from the greatest songwriters of all time, performed by the cast including Evan Rachel Wood, Jim Sturgess, Dana Fuchs, Martin Luther McCoy, Bono, Joe Cocker, and Eddie Izzard.
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Special Features
- Commentary with Director Julie Taymor & Music Producer/Composer Elliot Goldenthal
- Two live performances of "Being for the Benefit of Mr. Kite"
Editorial Reviews
Amazon.com
Given a track record littered by misfired oddities like the Bee Gees starring in the 1978 movie version of Sgt. Pepper's Lonely Hearts Club Band, successfully transforming The Beatles' epochal oeuvre into film musicals has been an elusive alchemy. Yet director Julie Taymor's 1968-centered, socio-political romance is more than just a stunning visual achievement. Its soundtrack brings a crucially intimate, emotionally engaging sensibility to its rich catalog of Beatles source material. Using an approach she rightly dubbed "organic," Taymor never gets too ambitious with the original arrangements, balancing the plaintive, often stark performances of central young stars Jim Sturgess and Evan Rachel Wood with equally compelling turns by supporting players Carol Woods and Joe Anderson. The stars successfully evoke early Beatlemania via the energetic charms of Sturgess' "All My Loving" and Wood's "It Won't Be Long," then get straight to the canon's often melancholy heart on his take of "In My Life," and her gentle cover of "Blackbird." Taymor's use of star turns--the entire point of too many Beatles-rooted projects--is as sparing as it is deft. Eddie Izzard's effusive "Being for the Benefit of Mr. Kite" is the product of several edited improvisations, while U2's Bono and Edge re-imagine "Lucy in the Sky With Diamonds" by way of Pink Floyd. Joe Cocker's swamp-dirge "Come Together" shows why he's long been one of the best interpreters of the Lennon-McCartney catalog, and Dana Fuchs alternately evokes the heavenly and hellish via her tender "Dear Prudence," as well as her manic, Joplin-channeling burn through "Helter Skelter." Elsewhere on the CD, Bono teams with Secret Machine for the straightforward "I Am the Walrus," while the Dallas indie rockers also take dream-pop turns on the instrumental "Flying" and George Harrison's haunting "Blue Jay Way." Remarkably, Taymor claims the bulk of the performances here were not lip-synced, but recorded live as the cameras rolled. --Jerry McCulley
Product Description
Across the Universe, from director Julie Taymor, is a revolutionary rock musical that re-imagines America in the turbulent late-1960s, a time when battle lines were being drawn at home and abroad. When young dockworker Jude (Jim Sturgess) leaves Liverpool to find his estranged father in America, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy (Evan Rachel Wood), a rich but sheltered American girl who joins the growing anti-war movement in New York's Greenwich Village. As the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad. With a cameo by Bono, Across the Universe is "the kind of movie you watch again, like listening to a favorite album." (Roger Ebert, Chicago Sun-Times)
Customer Reviews
Most Helpful Customer Reviews
201 of 211 people found the following review helpful
Format:DVD
Julie Taymor once again uses her considerable innovative magic to create a film that not only is mesmerizingly beautiful to watch, but also a 'semi-documentary' about the world changes that occurred in the late 1960s and early 1970s as young people for the first time spoke out against the war in Vietnam, the death of Martin Luther King, and the senseless mayhem that extended from the battlefields of Vietnam to the streets of America, all set to the significant, timely music of the Beatles. It sounds like an impossible juxtaposition of themes and ideas, but in Taymor's hands it succeeds.
Opening in Liverpool, England (where the Beatles began their impact on music and thought) we met Jude (Jim Sturgess), a working class boy with the gifts of an artist who decides to set off on a sea journey to meet the father he has never known. Once in New York he meets Max (Joe Anderson) and Lucy (Evan Rachel Wood) who represent the wealthy class, but who both show roots of rebellion against the comfortable norm and an objection to the war that is festering like an abscess in the rice paddies of Vietnam. Jude meets his janitor father in a union that is anticlimactic, and in disappointment he falls in with Max, living the artists' life in the Village with free-wheeling singer Sadie (Dana Fuchs), her beau/guitarist JoJo (Martin Luther) and their newest tenant Prudence (T.V. Carpio), an Asian girl trying to find her place in a confusing world. The group eventually bond with music and rebellion mixed with free love and the passion that they can make a difference, while around them racial crises are at a peak and the draft tags many of the young men (including Max) for the war they cannot condone. From all of this turmoil the story builds to a climax leading to some very touching scenes that convey the spirit of the times and the overriding importance of love and understanding in a world torn apart by political and racial crises.
The cast is strong with each of the actors singing their own versions of various Beatle songs very well (the division between singing and spoken dialect favors the former). But the real magic comes from Julie Taymor's mixture of hallucinogenic visuals, wonderfully choreographed crowd scenes, and ingenious movement from reality scenes displayed on the television to the reactive scenes of the world as viewed through the eyes of the youths and the lyrics of the songs. It is at once touching in its ability to recreate a particular period of history and wholly entertaining in the inventive use of music/dance/visual effects/drama. This film is important now and will only increase in stature as a document of that troubled but exciting time in the history of the world. We can only wonder why the youth of today are not responding to the Iraq War in a like manner, or, more uncomfortable to consider, why we, now as adults, can't muster the same degree of distress about the myriad traumas that are still happening 'Across the Universe'. Grady Harp, April 08
Opening in Liverpool, England (where the Beatles began their impact on music and thought) we met Jude (Jim Sturgess), a working class boy with the gifts of an artist who decides to set off on a sea journey to meet the father he has never known. Once in New York he meets Max (Joe Anderson) and Lucy (Evan Rachel Wood) who represent the wealthy class, but who both show roots of rebellion against the comfortable norm and an objection to the war that is festering like an abscess in the rice paddies of Vietnam. Jude meets his janitor father in a union that is anticlimactic, and in disappointment he falls in with Max, living the artists' life in the Village with free-wheeling singer Sadie (Dana Fuchs), her beau/guitarist JoJo (Martin Luther) and their newest tenant Prudence (T.V. Carpio), an Asian girl trying to find her place in a confusing world. The group eventually bond with music and rebellion mixed with free love and the passion that they can make a difference, while around them racial crises are at a peak and the draft tags many of the young men (including Max) for the war they cannot condone. From all of this turmoil the story builds to a climax leading to some very touching scenes that convey the spirit of the times and the overriding importance of love and understanding in a world torn apart by political and racial crises.
The cast is strong with each of the actors singing their own versions of various Beatle songs very well (the division between singing and spoken dialect favors the former). But the real magic comes from Julie Taymor's mixture of hallucinogenic visuals, wonderfully choreographed crowd scenes, and ingenious movement from reality scenes displayed on the television to the reactive scenes of the world as viewed through the eyes of the youths and the lyrics of the songs. It is at once touching in its ability to recreate a particular period of history and wholly entertaining in the inventive use of music/dance/visual effects/drama. This film is important now and will only increase in stature as a document of that troubled but exciting time in the history of the world. We can only wonder why the youth of today are not responding to the Iraq War in a like manner, or, more uncomfortable to consider, why we, now as adults, can't muster the same degree of distress about the myriad traumas that are still happening 'Across the Universe'. Grady Harp, April 08
261 of 277 people found the following review helpful
If it were possible to go into the mind and film the imagination, if one could actually get a glimpse of a creative spark and present it as a movie, the end result would look something like "Across the Universe." Here is a film so vibrant, colorful, and imaginative that it practically flies off the screen. It's not something you simply watch; this richly detailed musical fantasy is something you fully experience, from the stunning visuals to the brilliant soundtrack. Few films have successfully incorporated previously written song material into an original story; one notable exception is Baz Luhrmann's "Moulin Rouge," in which songs by Elton John, David Bowie, Madonna, The Police, and many others were interwoven. "Across the Universe" gets its inspiration from the music of The Beatles--every song fit the story so naturally, it's almost as if they were specially written for the film.
But as much as I enjoyed it, I can't help but feel that I'm the wrong person to review it; not only have I never listened to the music of The Beatles, I also never lived through the 1960s. "Across the Universe" explores the dynamic atmosphere of that era, from the artistic movements to the social unrest to the turbulent political climate. I can't pretend that I know what the filmmakers were saying or why they were saying it, and I certainly don't know what point The Beatles were trying to make. But I can still appreciate this movie. And I do; "Across the Universe" thrives on energy and ingenuity, and it isn't afraid to tell a simple yet effective love story through music.
The plot focuses on Jude (Jim Sturgess), a young dockworker and artist from Liverpool. He travels to America in search of his father, who was stationed in England during the Second World War. Jude is led to Princeton University, and it's there that he meets Max (Joe Anderson), a freewheeling college student with no apparent goals and no apparent desire to reach any goals. The two instantly click, and for a while, they have a lot of fun. So does Max's sister, Lucy (Evan Rachel Wood), a college freshman whose clean-cut appearance masks a progressive mind. As soon as life in New Jersey gets boring, Max and Jude decide to leave for New York, where the Bohemian life can be lived to the fullest. They take residence in a small apartment, already inhabited by Sadie (Dana Fuchs) and her band.
After a while, Lucy joins the group, much to the dismay of her conservative parents. She and Jude quickly fall in love. But as the social climate gets more intense, their relationship gets more complex. The Civil Rights Movement is in full swing, as is the Vietnam War; such unrest cannot be ignored. Ever since losing her high school sweetheart to the War, Lucy's political views have taken a sharp turn to the left--she's now a militant activist, dedicated to bringing about social reform and an end to war and violence. Her feelings only grow stronger when Max is drafted and shipped off to Vietnam. All this puts a strain on Jude and Lucy's relationship, and it only gets worse when Lucy begins collaborating with a radical organization. Can their love survive this turmoil?
Woven all throughout is a myriad of songs, all of which perfectly capture the emotional impact of a given scene. When Max and Jude first meet, "With a Little Help from My Friends" accentuates their high-spiritedness. The drama of "Let It Be" overflows during a race riot, in which a young boy is killed. Confusion and frustration overwhelm as Jude and Max sing "Strawberry Fields," and images of dripping strawberries make an especially strong impact. A love-struck cheerleader named Prudence (T.V. Carpio) sings "I Wanna Hold Your Hand" with regret, knowing that the girl she's dreaming of will never feel the same way. The power of "I Want You" is felt as Max is dragged through an army recruitment center; dancing, squared-jawed soldiers are prominently featured, as are half naked draftees. At one point, they forcefully carry a miniature Statue of Liberty into the jungles of Vietnam.
The four most creative song-numbers feature cameo appearances. Joe Cocker sings "Come Together" just as a guitarist named JoJo (Martin Luther McCoy) enters the city. It's a highly choreographed sequence, featuring a chorus line of prostitutes and office workers. "I Am the Walrus" is a psychedelic trip featuring Bono as the leader of a busload of hippies. Eddie Izzard plays a showman named Mr. Kite, whose circus--"The Benefit of Mr. Kite"--is a bizarre mixture of the fantastic and the frightening, featuring a cast of blue-skinned performers that are anything but human. Salma Hayek appears as a nurse during Max's rendition of "Happiness is a Warm Gun." As he lies on a hospital bed, he tries to get a handle on the fear, anger, and physical pain that have been holding him back.
By the time we hear "Hey Jude" and "All You Need Is Love," the sentimental side of the story hits us like a ton of bricks. And that's exactly what we want. One of the simplest pleasures imaginable is to be young, in love, and free; this movie does a masterful job of giving the audience that same feeling, if only for a little while. "Across the Universe" is one of the most delightful, inventive, and refreshing films of the year, a perfect blend of music, story, and character. To see it is to be emotionally rejuvenated.
But as much as I enjoyed it, I can't help but feel that I'm the wrong person to review it; not only have I never listened to the music of The Beatles, I also never lived through the 1960s. "Across the Universe" explores the dynamic atmosphere of that era, from the artistic movements to the social unrest to the turbulent political climate. I can't pretend that I know what the filmmakers were saying or why they were saying it, and I certainly don't know what point The Beatles were trying to make. But I can still appreciate this movie. And I do; "Across the Universe" thrives on energy and ingenuity, and it isn't afraid to tell a simple yet effective love story through music.
The plot focuses on Jude (Jim Sturgess), a young dockworker and artist from Liverpool. He travels to America in search of his father, who was stationed in England during the Second World War. Jude is led to Princeton University, and it's there that he meets Max (Joe Anderson), a freewheeling college student with no apparent goals and no apparent desire to reach any goals. The two instantly click, and for a while, they have a lot of fun. So does Max's sister, Lucy (Evan Rachel Wood), a college freshman whose clean-cut appearance masks a progressive mind. As soon as life in New Jersey gets boring, Max and Jude decide to leave for New York, where the Bohemian life can be lived to the fullest. They take residence in a small apartment, already inhabited by Sadie (Dana Fuchs) and her band.
After a while, Lucy joins the group, much to the dismay of her conservative parents. She and Jude quickly fall in love. But as the social climate gets more intense, their relationship gets more complex. The Civil Rights Movement is in full swing, as is the Vietnam War; such unrest cannot be ignored. Ever since losing her high school sweetheart to the War, Lucy's political views have taken a sharp turn to the left--she's now a militant activist, dedicated to bringing about social reform and an end to war and violence. Her feelings only grow stronger when Max is drafted and shipped off to Vietnam. All this puts a strain on Jude and Lucy's relationship, and it only gets worse when Lucy begins collaborating with a radical organization. Can their love survive this turmoil?
Woven all throughout is a myriad of songs, all of which perfectly capture the emotional impact of a given scene. When Max and Jude first meet, "With a Little Help from My Friends" accentuates their high-spiritedness. The drama of "Let It Be" overflows during a race riot, in which a young boy is killed. Confusion and frustration overwhelm as Jude and Max sing "Strawberry Fields," and images of dripping strawberries make an especially strong impact. A love-struck cheerleader named Prudence (T.V. Carpio) sings "I Wanna Hold Your Hand" with regret, knowing that the girl she's dreaming of will never feel the same way. The power of "I Want You" is felt as Max is dragged through an army recruitment center; dancing, squared-jawed soldiers are prominently featured, as are half naked draftees. At one point, they forcefully carry a miniature Statue of Liberty into the jungles of Vietnam.
The four most creative song-numbers feature cameo appearances. Joe Cocker sings "Come Together" just as a guitarist named JoJo (Martin Luther McCoy) enters the city. It's a highly choreographed sequence, featuring a chorus line of prostitutes and office workers. "I Am the Walrus" is a psychedelic trip featuring Bono as the leader of a busload of hippies. Eddie Izzard plays a showman named Mr. Kite, whose circus--"The Benefit of Mr. Kite"--is a bizarre mixture of the fantastic and the frightening, featuring a cast of blue-skinned performers that are anything but human. Salma Hayek appears as a nurse during Max's rendition of "Happiness is a Warm Gun." As he lies on a hospital bed, he tries to get a handle on the fear, anger, and physical pain that have been holding him back.
By the time we hear "Hey Jude" and "All You Need Is Love," the sentimental side of the story hits us like a ton of bricks. And that's exactly what we want. One of the simplest pleasures imaginable is to be young, in love, and free; this movie does a masterful job of giving the audience that same feeling, if only for a little while. "Across the Universe" is one of the most delightful, inventive, and refreshing films of the year, a perfect blend of music, story, and character. To see it is to be emotionally rejuvenated.
167 of 177 people found the following review helpful
Format:DVD
There have been several movies that have tried to make the music of The Beatles a central focus of their reason d'existence. Some - like The Beatles' own A Hard Day's Night and Yellow Submarine - are perfect, some are not (the dismal "All This and World War Too"). Even the camp classic Sgt. Pepper's Lonely Hearts Club Band was so bad it was worth seeing because of the music. Heck, even the forgettable I Am Sam raked in a killer soundtrack thanks to John, Paul, George and Ringo.
But they've got nothing on "Across The Universe." Taking the turmoil and tumult of the sixties and re-imagining it through the lyrics of Beatle's songs, it is a trippy, hallucinogenic ride that is a visual and sonic feast. Jude (from Liverpool, naturally) comes to the US to find his American soldier dad (Robert Clohessy, a regular from Oz - The HBO prison drama) only to collide with rich kid renegade Max and then to fall for his sister, Lucy. Suddenly, they find themselves in NYC with a Janis Joplinish landlady, Sadie, and her Jimi Hendrixian boyfriend, Jojo.
The sixties then take their turn into the war, and the drama unfolds as Jude falls for Lucy ("I've Just Seen a Face"), Max finds himself drafted ("I Want You") and Lucy falls under the spell of the anti-war movement leader. Each point is often brilliantly illustrated, and director Julie Taymor tosses subtlety out the window for several of the film's best sequences. In particular, when Prudence sings "I Want To Hold Your Hand" as a lament for a love that can't speak out loud, football players fly through the air and collide as she walks through them. When Max gets to his indoctrination and the exaggerated GI Joes march in "stomp dance" style to "I Want You," it's breathtaking. While the narrative occasionally falters, the visuals and set pieces never do.
Of course, there is the music. While there's nothing earth-shattering here, all the actors acquit themselves just fine. The small handful of cameos are great, especially Joe Cocker singing "Come Together" as three different characters, and Bono playing the Ken Keasey Electric Kool-Aid guru Dr Robert on the magic bus, promoting his new book titled (heh heh) "I Am The Walrus." (I could have done without Eddie Izzard's "Being for The Benefit of Mr Kite," even if the sequence is sufficiently madcap.) But this isn't a sloppy kaleidoscope like the Sgt. Pepper's Lonely Hearts Club Band 1978 Soundtrack was; other than the three men mentioned prior, there are no stars here. In particular, Sadie (Dana Fuchs) and Jojo (Martin Luther McCoy) give dynamite performances, and other than Evan Rachel Wood, the cast is relatively unknown.
I really can't say enough about the pleasure I got from "Across The Universe, and it may be the first time you walk into a theater humming the songs. I was skeptical at first, because many of the reviews I'd read were not kind. But I have a feeling many of them were written by folks of a more tender age, lacking the comprehension of the times portrayed on screen. One of the most fun things about this movie was catching the goofy Beatles' homages sprinkled in the film's dialog (favorite, when Prudence sneaks into the Sadie's communal apartment and someone asked where she comes from, Jude replies "she came in through the bathroom window").
This is also a recommendable movie for one other reason. It isn't. When I say 'it isn't,' I mean, not a sequel, not a rip-off of a TV series (old or new), not a remake and some lowbrow teen sex-romp. There isn't anything cloying or coy, and while the movie is certainly political, the politics you get from it will be what you read out on your own. "Across The Universe" is as relevant today as it was when when The Beatles sang "But if you go carrying pictures of Chairman Mao, you ain't gonna make it with anyone anyhow." Grab your popcorn, sit back, relax and float downstream.
But they've got nothing on "Across The Universe." Taking the turmoil and tumult of the sixties and re-imagining it through the lyrics of Beatle's songs, it is a trippy, hallucinogenic ride that is a visual and sonic feast. Jude (from Liverpool, naturally) comes to the US to find his American soldier dad (Robert Clohessy, a regular from Oz - The HBO prison drama) only to collide with rich kid renegade Max and then to fall for his sister, Lucy. Suddenly, they find themselves in NYC with a Janis Joplinish landlady, Sadie, and her Jimi Hendrixian boyfriend, Jojo.
The sixties then take their turn into the war, and the drama unfolds as Jude falls for Lucy ("I've Just Seen a Face"), Max finds himself drafted ("I Want You") and Lucy falls under the spell of the anti-war movement leader. Each point is often brilliantly illustrated, and director Julie Taymor tosses subtlety out the window for several of the film's best sequences. In particular, when Prudence sings "I Want To Hold Your Hand" as a lament for a love that can't speak out loud, football players fly through the air and collide as she walks through them. When Max gets to his indoctrination and the exaggerated GI Joes march in "stomp dance" style to "I Want You," it's breathtaking. While the narrative occasionally falters, the visuals and set pieces never do.
Of course, there is the music. While there's nothing earth-shattering here, all the actors acquit themselves just fine. The small handful of cameos are great, especially Joe Cocker singing "Come Together" as three different characters, and Bono playing the Ken Keasey Electric Kool-Aid guru Dr Robert on the magic bus, promoting his new book titled (heh heh) "I Am The Walrus." (I could have done without Eddie Izzard's "Being for The Benefit of Mr Kite," even if the sequence is sufficiently madcap.) But this isn't a sloppy kaleidoscope like the Sgt. Pepper's Lonely Hearts Club Band 1978 Soundtrack was; other than the three men mentioned prior, there are no stars here. In particular, Sadie (Dana Fuchs) and Jojo (Martin Luther McCoy) give dynamite performances, and other than Evan Rachel Wood, the cast is relatively unknown.
I really can't say enough about the pleasure I got from "Across The Universe, and it may be the first time you walk into a theater humming the songs. I was skeptical at first, because many of the reviews I'd read were not kind. But I have a feeling many of them were written by folks of a more tender age, lacking the comprehension of the times portrayed on screen. One of the most fun things about this movie was catching the goofy Beatles' homages sprinkled in the film's dialog (favorite, when Prudence sneaks into the Sadie's communal apartment and someone asked where she comes from, Jude replies "she came in through the bathroom window").
This is also a recommendable movie for one other reason. It isn't. When I say 'it isn't,' I mean, not a sequel, not a rip-off of a TV series (old or new), not a remake and some lowbrow teen sex-romp. There isn't anything cloying or coy, and while the movie is certainly political, the politics you get from it will be what you read out on your own. "Across The Universe" is as relevant today as it was when when The Beatles sang "But if you go carrying pictures of Chairman Mao, you ain't gonna make it with anyone anyhow." Grab your popcorn, sit back, relax and float downstream.
Most Recent Customer Reviews
5.0 out of 5 stars
Beatles fans
We bought this because we had seen the movie before on t.v. We wanted our own copy of it. I loved how they used the names of the songs to name the characters in the movie.
Published 4 days ago by Margaret Hobein
5.0 out of 5 stars
Best Musical movie ever
I loved the flow of this Musical. The songs were perfomed so naturally they didn't interupt the story line but aided the story. Read more
Published 5 days ago by Glenda Robbins
5.0 out of 5 stars
I LOVE THIS MOVIE!
This movie is one of my all time favorites. I am a huge Beatles fan and it was so cool to watch a movie that puts all their songs together to make one story. Read more
Published 8 days ago by bburt21
5.0 out of 5 stars
A great visual depiction of the Vietnam era!
Backed up with some of the best covers of Beatles songs, this is a great visual representation of the Vietnam era. Read more
Published 12 days ago by bobbie
5.0 out of 5 stars
Best Musical Ever
I love the soundtrack. I have never been interested in musicals, not one. This story and the soundtrack are beautiful
Published 13 days ago by Letha
5.0 out of 5 stars
Great music
Perfect gift for the Beatles lover. My fiancée loved it. And it being in blu-ray format makes it even better
Published 14 days ago by Christopher Archuleta
5.0 out of 5 stars
Can't Go Wrong!!
I love the music and the actors are wonderful and attractive. Beatles music is always classic. Can't go wrong with Across the Universe!
Published 14 days ago by Robbie
5.0 out of 5 stars
awesome
awesome movie. great actors. good songs. definitely is one of my favorite movies. Who doesn't love the Beatles or Jim Sturgess?
Published 15 days ago by Mika
5.0 out of 5 stars
Great concept movie
I usually don't like musicals...especially if I think they will wreck my view of the actors and/or band it portrays. But this movie is different and has landed in my top favorites! Read more
Published 17 days ago by Charlene
5.0 out of 5 stars
Incredible
This movie is beautiful. The cast is great and they did all their own singing. If you love The Beatles you will love this movie.
Published 19 days ago by Sean O'Brien
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