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Act One: An Autobiography
 
 
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Act One: An Autobiography [Paperback]

Moss Hart (Author), Woody Allen (Introduction)
5.0 out of 5 stars  See all reviews (24 customer reviews)

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Book Description

October 15, 1989
The Dramatic Story that Capitvated a Generation

With this new edition, the classic best-selling autobiography by the late playwright Moss Hart returns to print in the thirtieth anniversary of its original publication. Issued in tandem with Kitty, the revealing autobiography of his wife, Kitty Carlisle Hart, Act One, is a landmark memoir that incluenced a generation of theatergoers, dramatists, and general book readers everywhere. The book eloquently chronicles Moss Hart's impoverished childhood in the Bronx and Brooklyn and his long, determined struggle to his first theatreical Broadway success, Once in a Lifetime. One of the most celebrated American theater books of the twentieth centure and a glorious memorial to a bygone age, Act One if filled with all the wonder, drama, and heartbreak that surrounded Broadway in the 1920s and the years before World War II.

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Editorial Reviews

Amazon.com Review

Moss Hart was in the thick of American theater when everyone wore black tie on opening night and the world's most witty people entertained each other around a grand piano at late-night supper parties. It's an era of glamour that will never come again, but we have Hart's words on paper, and that is no small thing. A renowned director and theatrical collaborator, the brilliant Hart died too soon after the curtain went up on Act Two. If you want to know what it was like to be on the inside track in NYC in the '30s, '40s and '50s, here's a good place to find out.

Review

"This is the best book on 'show business' as practiced in this century in our time..." --The New York Times Book Review

"One of the best memoirs of this or any other theatrical generation." --Time

"Thoroughly absorbing and genuinely entertaining... Moss Hart knows how to hold an audience spellbound." --Christian Science Monitor

Product Details

  • Paperback: 456 pages
  • Publisher: St. Martin's Griffin (October 15, 1989)
  • Language: English
  • ISBN-10: 0312032722
  • ISBN-13: 978-0312032722
  • Product Dimensions: 9.2 x 6.1 x 1.1 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (24 customer reviews)
  • Amazon Best Sellers Rank: #156,684 in Books (See Top 100 in Books)

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Customer Reviews

24 Reviews
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Average Customer Review
5.0 out of 5 stars (24 customer reviews)
 
 
 
 
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17 of 18 people found the following review helpful:
5.0 out of 5 stars THE BEST, July 20, 2002
By 
MOVIE MAVEN (New York, NY USA) - See all my reviews
This review is from: Act One: An Autobiography (Paperback)
Whenever I teach a class for actors, I recommend Moss Hart's autobiography, ACT ONE. It is simply the finest book I know about the theatre and what it was like to work on Broadway in the 1920's thru the 1950's. It was a true tragedy that Hart died so young, robbing not only his family of husband and father, but the world of a great playwright and director and chronicler of his times.

This is a funny, perceptive, first-hand account of life in the fast lane of one of the best playwrights Broadway has ever produced. An obsessive worker (it was the stress of his constant work that ultimately killed him), a perfectionist, a brilliant upstart, Hart teamed with George S. Kaufman to write some of the best and funniest plays of the first half of the 20th century...and even today. Is there really a better play about a family coping through love during the Depression than "You Can't Take It With You?" (That was a rhetorical question). And as Nathan Lane proved only two years ago, "The Man Who Came To Dinner" is very much worth reviving in a first class production even if you have already seen it in your local community or dinner theatre. The autobiography doesn't so much end as it stops and it is obvious that Hart meant to write a second and, perhaps, a third volume that would include his other writing partners, his Hollywood career, his directing, etc.

Steven Bach has written a biography of Hart's entire life called DAZZLER, THE LIFE AND TIMES OF MOSS HART that is a fine companion to Hart's own, unbeatable ACT ONE. HIGHLY RECOMMENDED.

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9 of 9 people found the following review helpful:
5.0 out of 5 stars "Act One" : Required Reading for All Artists with a Goal, April 28, 1998
This review is from: Act One: An Autobiography (Paperback)
"Act One," Moss Hart's timeless autobiography, is not only the story of a man's life and dreams, but of an era that feels as legendary and distant to us as Camelot. All of the theatrical giants are there, peppered in among a cast of characters that include Hart's painfully dysfunctional family as well as his colorful array of employers and cohorts as he scratches out a living in pursuit of a seemingly impossible goal: life in the legitimate theatre. More than anything, it is an inspirational tale of taking charge, of setting out to rise above oppresive beginnings and follow the soul's destiny, no matter how foolhardy that may seem. We know the outcome, but Hart's ability to spin the tale and build the tension is impeccable! Will he really make it? Of course he will, or we wouldn't be reading this wonderful book, but so involving is Hart's journey, that one can't help but get pulled along for the ride. Like the last drops of water in a scorching desert, I wanted to stretch this book out, greedily reading only a few paragraphs at a time so that tomorrow I'd have some left over. If you love the art of live theatre, or if you're an artist in need of a creative jump-start, "Act One" will provide the juice.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars A one-way ticket to another time and place, April 10, 1998
This review is from: Act One: An Autobiography (Paperback)
ACT ONE is not just the engrossing story of a remarkable life -- its a precious gift from an author who captures the spirit of his past and passes it on to us. Moss Hart brings the New York of the early 20th Century to life, immersing the reader in the everyday life of that lost world. The despair of his family's poverty, the challenge of survival, the long-gone Catskill resort camps where he got his start, and the glamour of Broadway in its glory years -- all of these things Hart recalls with such vivid impact that they become tangible realities for us in ACT ONE. While Hart was justly acclaimed as a master playwright and director, ACT ONE proves that he also had a gift for superlative, irresistibly readable prose -- you feel you are listening to this man in warm, intimate conversation. Theatrical legends like Sam Harris and the inscrutible George S. Kauffman become three-dimensional and fascinating. Most importantly, this is one autobiography where the author shares a piece of his soul with the reader. Instead of just telling about his family being poor, he gives us a sense of how poverty can crush the soul -- and, conversely, how escaping from such poverty can set the soul free. The result is an autobiography that is not just interesting or entertaining, but genuinely moving. Hart's passion radiates throughout ACT ONE -- passion for success, for New York, for the theatre. And oh, how he brings you into the world of the theatre as he knew it -- the maddening and eccentric personalities, out of town tryouts, exhausting re-writes, soul-breaking failures and sky-high triumphs. If theatre or New York interest you, you canot afford to miss this book. If you simply love a great read, you also cannot afford to miss this book. We all owe ourselves a little joy, and ACT ONE is a joy from start to finish.
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Inside This Book (learn more)
First Sentence:
he was in a rage or fit of depression he would punish my grandmother by not reading for days and sometimes weeks at a time and would sit evening after evening without uttering a word. There would be silence throughout the evening meal and complete silence afterward, for he would talk to no one and would allow no word to be spoken by his wife or daughters. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
social directing, social staff, theatrical office, social director, camp season, social hall, first dress rehearsal, white flannel trousers, train scene, camp owners, subway steps, wardrobe trunk
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Sam Harris, New York, Max Siegel, Jed Harris, Aunt Kate, George Kaufman, Joe Hyman, Music Box, The Beloved Bandit, Half Moon Country Club, Atlantic City, Times Square, Beatrice Kaufman, Priestly Morrison, Labor Day, Brighton Beach, Decoration Day, Dore Schary, Miss Fishbein, Moss Hart, Camp Utopia, Jean Dixon, Augustus Pitou, Labor Temple, Pigeon's Egg
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