Acting in Commercials: A Guide to Auditioning and Performing on Camera [Paperback]

Joan See (Author)

Book Description

ISBN-10: 0823088022 | ISBN-13: 978-0823088027 | Publication Date: May 1, 1998 | Edition: 2nd

Acting in commercials can be among the most important types of work for an actor, both for the valuable visibility and the regular income involved. Despite this, few actors take the time to properly adapt and apply their skills for commercial work. This revised book provides hints addressing the challenges of appearing on camera, including: how to focus performance on the selling message; understanding and exploiting advertisers' stereotypes; balancing control and improvisation in a brief time; analyzing advertising copy; and vocal problems.

Product Details

• Paperback: 192 pages
• Publisher: Back Stage Books; 2nd edition (May 1, 1998)
• Language: English
• ISBN-10: 0823088022
• ISBN-13: 978-0823088027
• Product Dimensions: 8.9 x 6 x 0.5 inches
• Shipping Weight: 10.4 ounces
• Average Customer Review: 4.8 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #680,627 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, read author blogs, and more.

Customer Reviews

Most Helpful Customer Reviews

26 of 27 people found the following review helpful:

5.0 out of 5 stars A Graduate Course in Commercial Acting Excellence, March 26, 2000

By 

Voiceguy (Los Angeles, CA) - See all my reviews

Amazon Verified Purchase

This review is from: Acting in Commercials: A Guide to Auditioning and Performing on Camera (Paperback)

Joan See, a classically trained actor (Sanford Meisner, Wynn Handman), explodes numerous myths about acting in commercials, such as:

o Commercial acting is easy

o Commercial acting requires no craft or skill

o Commercial acting is selling

On the contrary, says See: the actor's job is not to sell. Actors "must bring little stories to life in a way that makes other people believe them. If you believe that your job is selling, you will feel that something other than acting is required. But don't forget what the advertisers hired you for - your acting skills. They want your ability to communicate ideas and feelings in such a way that their audience believes you." In other words, actors in commercials need to remain grounded in their foundation skills of acting.

The challenge for actors with a background in theater, says See, is that they don't understand the differing requirements of acting in front of a camera, and the challenge for all actors unfamiliar with the commercial genre is the need to turn in masterful performances in mere seconds in the somewhat bewildering formats and styles found in commercials. This book provides detailed help on both fronts.

The author begins by reviewing acting fundamentals that apply to the naturalistic stories actors are most often asked to bring to life in commercials, including the basic skills of relaxation, concentration, listening and responding, and physicalization. She then discusses the mechanics of acting before a camera, both in the audition and on the set, and lays out strategies for overcoming the most common traps in those settings.

Finally, in the meat of the book, See identifies the three most common forms that Madison Avenue tends to use in commercials -- slice-of-life, spokesperson, and MOS -- and the three most common styles in which those forms are expressed -- film-style, sitcom-style, and "Honeymooners" -- and lays out extensive strategies for practicing, auditioning, and performing in these forms and styles.

This is valuable information indeed: "Analyzing commercial scripts by pinpointing their form and style gives an actor the first chance to control the material. With this information, you suddenly have guidelines for your performance. You have something to work with. The directors and casting directors in the commercial advertising field know what results they want. They are not always skilled at helping actors obtain that result. Actors must be able to function as their own director and bring their performance into the audition with them."

This book provides an excellent set of tools for navigating these challenging but lucrative waters. It is full of practical information, example scripts, and helpful guidance, almost all of which is firmly rooted in classic acting. Practicing and using the techniques in this book, an actor should no longer be like a deer in the headlights at an audition or on the set. Highly recommended.

9 of 10 people found the following review helpful:

5.0 out of 5 stars Up-front, practical, informative, easy to grasp concepts, April 26, 1999

By A Customer

This review is from: Acting in Commercials: A Guide to Auditioning and Performing on Camera (Paperback)

I have had the pleasure of reading several books for actors aspiring to make commercials a part of their livelihood. This is an easily understood exposition of the many facets of commercial work and the transition from stage acting to camera. Many superb examples of eye-opening scenarios give the book life and energy. Anyone aspiring to make commercials should give this book thorough study. Ms. See offers several other sources for self study in the pages toward the end and examples of commercial copy and the mind set to make a performance count.

5.0 out of 5 stars Commercial acting help, February 4, 2011

By 

E. Franklin Evans (Georgia) - See all my reviews
(REAL NAME)   

Amazon Verified Purchase

This review is from: Acting in Commercials: A Guide to Auditioning and Performing on Camera (Paperback)

An excellent book for the would-be or aspiring actor wanting to make it in the broad word of commercials. Well written by an expert in the field. Fascinating information and good read.
Stand To ...: A Journey to Manhood