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Acting Power [Hardcover]

Robert Cohen (Author)
5.0 out of 5 stars  See all reviews (4 customer reviews)


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Book Description

0874844088 978-0874844085 January 1, 1978 1
Designed for courses in beginning or intermediate acting, this text is a contemporary, personal, and provocative resource for students who strive to become great—not merely good—performers.


Editorial Reviews

About the Author

ROBERT COHEN was the founding chair Drama at the University of California at Irvine, where he continues to serve as the department's Claire Trevor Professor of Drama. He has also been a resident acting teacher at the Actors Center in New York, the Shanghai Theatre Academy, the Korean National Arts University, and the national theatre academies of Hungary, Finland, and Estonia. He is an accomplished stage director, scholar, playwright, drama critic, and teacher. A director by training (Doctor of Fine Arts, Yale Drama School), Cohen has staged thirteen professional productions at the Utah and Colorado Shakespeare Festivals, plus well over a hundred productions at Stages Theatre Center (Hollywood), Virginia Museum Theatre (Richmond), Theatre 40 (Beverly Hills), Image Theatre (Boston), Summer Repertory Theatre (Santa Rosa), the Medieval Drama Project (Irvine), the Manhattan Theatre Source, various universities, and several operas, videos and films. In addition to Theatre and Theatre: Brief Edition, he is also the author of many theatre books, including Acting One, Advanced Acting, Acting in Shakespeare, Acting Professionally, Acting Power, More Power to You, Giraudoux: Three Faces of Destiny, Creative Play Direction, and two dramatic anthologies. His essays have appeared in Theatre Journal, Theatre Topics, Theatre Forum, Theatre Survey, Modern Drama, Theater der Zeit, Essays in Theatre, On Stage Studies, The Drama Review, Contemporary Literature, Contemporary Literary Criticism, Slavic and East European Performance, Experiment and Innovation, and Dramatic Theory and Criticism. Cohen's play, The Prince, published by Dramatic Publishing Company, has been professionally produced in Long Beach, Pittsburgh, Budapest, and in staged readings in New York and Los Angeles; his dramatic translations (The Bourgeois Gentleman, The Misanthrope, Clizia, Tibi's Law) and opera translations (The Magic Flute, Carmen) have been both produced and published widely. For the past twenty years, Cohen has been the Southern California drama critic for Plays International, reviewing over two hundred plays. In 1999, he received the national Career Achievement award from ATHE - the Association for Theatre in Higher Education.

Product Details

  • Hardcover: 266 pages
  • Publisher: McGraw-Hill Humanities/Social Sciences/Languages; 1 edition (January 1, 1978)
  • Language: English
  • ISBN-10: 0874844088
  • ISBN-13: 978-0874844085
  • Product Dimensions: 9.5 x 6.4 x 1.2 inches
  • Shipping Weight: 1.4 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #113,590 in Books (See Top 100 in Books)

More About the Author

Robert Cohen was the founding chair of Drama at the University of California at Irvine, where he continues to serve as the department's Claire Trevor Professor of Drama. He has also been a resident acting teacher at the Actors Center in New York, the Shanghai Theatre Academy, the Korean National Arts University, and the national theatre academies of Hungary, Finland, and Estonia. He is an accomplished stage director, scholar, playwright, drama critic, and teacher.

A director by training (Doctor of Fine Arts, Yale Drama School), Cohen has staged thirteen professional productions at the Utah and Colorado Shakespeare Festivals, plus well over a hundred productions at Stages Theatre Center (Hollywood), Virginia Museum Theatre (Richmond), Theatre 40 (Beverly Hills), Image Theatre (Boston), Summer Repertory Theatre (Santa Rosa), the Medieval Drama Project (Irvine), the Manhattan Theatre Source, various universities, and several operas, videos and films.

In addition to Theatre and Theatre: Brief Edition, he is also the author of many theatre books, including Acting One, Advanced Acting, Acting in Shakespeare, Acting Professionally, Acting Power, More Power to You, Giraudoux: Three Faces of Destiny, Creative Play Direction, and two dramatic anthologies. His essays have appeared in Theatre Journal, Theatre Topics, Theatre Forum, Theatre Survey, Modern Drama, Theater der Zeit, Essays in Theatre, On Stage Studies, The Drama Review, Contemporary Literature, Contemporary Literary Criticism, Slavic and East European Performance, Experiment and Innovation, and Dramatic Theory and Criticism.

Cohen's play, The Prince, published by Dramatic Publishing Company, has been professionally produced in Long Beach, Pittsburgh, Budapest, and in staged readings in New York and Los Angeles; his dramatic translations (The Bourgeois Gentleman, The Misanthrope, Clizia, Tibi's Law) and opera translations (The Magic Flute, Carmen) have been both produced and published widely.

For the past twenty years, Cohen has been the Southern California drama critic for Plays International, reviewing over two hundred plays. In 1999, he received the national Career Achievement award from ATHE - the Association for Theatre in Higher Education.

 

Customer Reviews

4 Reviews
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Average Customer Review
5.0 out of 5 stars (4 customer reviews)
 
 
 
 
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7 of 7 people found the following review helpful:
5.0 out of 5 stars Simply the Best, August 16, 2002
By 
sean "scpllck" (new york, NY USA) - See all my reviews
This review is from: Acting Power (Hardcover)
The above reviewer was probably an acting student at The Boston Conservatory. There, the standard text for senior year is Acting Power. That aside, the reviewer is correct. The book is the best you'll ever read on the techniques of acting. Forget Uta, forget Stanislavski, this book puts you in the mindset that what your scene objectives are are playable. You don't worry about what's behind you, you focus on what's ahead. Read the book and you'll see what I mean. Having written that, realize that you cannot really learn to act from a book. You have to work at it. This book just helps you come from a realistic standpoint.
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8 of 9 people found the following review helpful:
5.0 out of 5 stars Just the Best, December 23, 1999
By A Customer
This review is from: Acting Power (Hardcover)
"The best book on how to act yet written" is how this book is described on more than one "recommended books for actors" list. Aimed at the College Senior/Conservatory level. Some find it easier to follow if read backwards -- starting with the Appendix, then Chapter Six, then Chapter Five, etc.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Bring it Back!, August 9, 2011
This review is from: Acting Power (Hardcover)
Why on earth has this book gone out of print? It is the best, many say "only", acting text an actor needs. Nowhere else are the essential elements of acting (such as; "private audience"; cybernetic approach; cognitive dissonance; style as action; "what for" replacing "why"; relacom victory; the myth of character) revealed for the student actor to know, believe and use. The quotes throughout by respected working professionals are priceless. The first edition in 1978 got it absolutely right. This is an acting text for the 21st century and it is criminal that today's theatre students are unable to access it.
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