|
|
46 of 46 people found the following review helpful:
5.0 out of 5 stars
Richard Thompson -- Genius, March 27, 2001
By A Customer
Richard Thompson is one of the most gifted musicians and songwriters of the past 40 years, but remarkably (and for reasons that defy understanding) he is largely unknown other than to a devoted coterie of fans and to a slew of serious musicians in the know (Bonnie Raitt, David Byrne, Los Lobos, Michael Stipe, Bob Mould). This new collection, which covers the past 12 years of his 35 year career, is a fine introduction to an incomparable talent.It's hard to compare him to anyone, because his talents are so broad and his sound so distinctive. (The Amazon review of this disc invokes Eric Clapton, but that comparison does a disservice to Thompson -- Clapton, as we all know, is a fine guitarist, but he isn't in the same league as Thompson as a singer or songwriter, and he lacks the originality, wit, fire, darkness, richness, complexity and depth that are hallmarks of the Thompson sound.) Thompson is also unlike his peers in that, at the age of 50+, he continues to crank out records that sound fresh and bold, most recently the wonderful "Mock Tudor." He has been around for a long time -- in the 60s he was a young guitar prodigy with the legendary Fairport Convention, before embarking on a brilliant solo career that included session work for the late, great Nick Drake and a series of magical albums with his ex-wife Linda culminating in the magnificent "Shoot Out the Lights". (The recent "Best of Richard and Linda Thompson" is a decent introduction to this period.) His extraordinarily fertile Capitol period began with 1989's "Amnesia" and concluded with his most recent release, "Mock Tudor." The enduring mystery is how a talent like this can have eluded the ears of so many over the years. What makes the guy so great? His guitar playing alone would suffice as his ticket to Olympus. He is a brilliant technician (accoustic or electric), but unlike the countless slick session men out there, his sound is utterly original and distinctive, a stunning synthesis of Celtic scales, Django Reinhardt, rock, folk and blues that sounds like nobody else. He can do blazing and blistering, he can do delicate and haunting, but there's never a wasted or empty note. Being one of the greatest guitarists of his (or any other) generation would be enough for most folks, but, amazingly, the guy is a stupendously good songwriter to boot. His songs run the gamut from heartbreakingly beautiful ballads to dark, jagged, angry rock, but all are characterized by an exquisite musical and lyrical grace and intelligence. His singing -- perhaps a little on the gruff, unschooled side early on -- has grown richer and stronger over the years. And as a live performer -- well, just buy a ticket next time he's in town and you won't be disappointed. So, how about this new collection? On the whole, I think it's a dandy selection that hits many of the peaks of the last 12 years. I could quibble with a few omissions (the absence of "Dry My Tears" and "The Sights and Sounds of London Town", both from "Mock Tudor", is perplexing), but any disc that has the likes of "Vincent Black Lightning", "Beeswing", "Bathsheba Smiles" and "Keep Your Distance" in one place is a keeper. If you're a neophyte, this is probably as good a place as any to start; but just remember that the man has been recording for more than 30 years and no single disc can do him justice. Happy listening!
|