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The Actor and His Double: Mime and Movement for the Theatre of Cruelty
 
 
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The Actor and His Double: Mime and Movement for the Theatre of Cruelty [Paperback]

Mark V. Rose (Author)
3.0 out of 5 stars  See all reviews (2 customer reviews)


Out of Print--Limited Availability.



Product Details

  • Paperback: 56 pages
  • Publisher: Actor Training Research Inst Pr (January 1986)
  • Language: English
  • ISBN-10: 0961608706
  • ISBN-13: 978-0961608705
  • Product Dimensions: 8.2 x 5.5 x 0.3 inches
  • Shipping Weight: 4 ounces
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #2,836,796 in Books (See Top 100 in Books)

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Average Customer Review
3.0 out of 5 stars (2 customer reviews)
 
 
 
 
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5.0 out of 5 stars Excellent scholarly resource, November 24, 2008
By 
K. Lowe "Reader of the Open Range" (the Midwest, a satellite in the Rusty Way) - See all my reviews
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This review is from: The Actor and His Double: Mime and Movement for the Theatre of Cruelty (Paperback)
I checked this book out because it was considered one of the best overviews of Artaud's philosophy. I think it hits the mark well. I have no idea who wrote that last review, but he's out of his mind. I found this book thought provoking and revealing, and a good foray into studying the mind of a rather complex artist.
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0 of 1 people found the following review helpful:
1.0 out of 5 stars Just . . . no., October 6, 2008
By 
Jonathan (United States) - See all my reviews
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This review is from: The Actor and His Double: Mime and Movement for the Theatre of Cruelty (Paperback)
This book is utterly . . . what's the word? Unhelpful? Moronic? Wrong? I have rarely read a work so mistaken about its object of study. This is beyond bad - it threatens to weaken and distort an understanding of mime and Artaud. Blech.
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Inside This Book (learn more)
First Sentence:
An actor's work begins with his breath. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
mime play, ritualistic gestures, movement concepts
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Antonin Artaud, Tulane Drama Review, Collected Works, Report of The Royal Commission, University of California, Penguin Books, Martin Esslin, Peter Brook, Ruby Cohn, Timothy Wiles, William James, Alan Hymes, Charles Lam Markmann, Dream Play, Jean-Louis Barrault, Jerzy Grotowski, Les Cenci, Poor Theatre, Practical Guide, Rudolph Ballentine, Science of Breath, The Living Theatre, Theatre Arts Books, University of Chicago Press
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