Customer Reviews

To the Actor

5 star:		(3)
4 star:		(1)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

Michael Chekhov was considered by many to be the greatest actor of the 20th century. Famous for his ability to create fantastic, and even grotesque, characterization with immense inner life. He left audiences stunned. Many well established Actors, directors and teachers have commented on the influence the Chekhov technique has had on them. Including Stella Adler, Lee Strassberg, Sanford Meisner, Gregory Peck, Harold Clurman, Anthony Quinn, Clint Eastwood, Jack Nickolson, Anthony Hopkins, Marilyn Monroe, Yul Bryner, Elia Kazan, and the list goes on. Many of these individuals where even taught by him. Stanislavsky himself called Michael Chekhov his greatest pupil. The Chekhov Technique is founded on each actors own creative individuality. Looking beyond the limitations of using your own experiences to call forth truth. He moves into the realm of the Imagination. From psycho-physical movement based work to expressing universal ideas in emotionally truthfull behavior. This book covers it all in a free, creative and nurturing way. It covers the use of atmospheres, quality of movement, objectives (aka: actions, intentions, verbs), calling forth emotion with ease, imaginary center and imaginary body, images, behavior, psychological gesture (as applied to the overall character, individual scenes, objectives, atmospheres, and moments), radiating and receiving, working off your partner, working off the audience, working with the director, improvisation, ensemble, styles from clown to tragedy, and much more. Everything in this book is both practical and fun to apply to the art of acting. Finally to the actor is available in it's entirety. If your an actor, director or teacher, it should be required reading. If your just someone interested in what's involved in the actor's craft, this book will show you the point of view of one of the greatest actor's in history. Highly Recommended.

Some of the techniques I learned from "Respect for Acting" by Uta Hagen were causing me serious problems in my acting. I was trying to balance too many notions in my head at once, and it was compounding anxiety and tension, and hampering my awareness on stage.

This book gave me a lot of useful replacements for those cumbersome method techniques. Imagination is ultra-important and this book teaches you how to develop it. Chekhov will teach you how to find true honesty from your imagination, and how to connect your physical body with your imaginative powers.

This is a brilliant man, who devoted his life to finding and sharing a hopeful approach to acting. Stanislavsky openly regarded his great talent, and told him he had a great responsibility to try to share what he knew with future generations. He took that to heart and now we have this book.

I only give it 4 stars, because I believe that a quest for an acting technique is personal, and this can't be the solution for everyone, nor was it the complete boxed-up solution for me. If you have had problems with "The Method" give this a shot, though.

Check out his other book, "On the Technique of Acting." It provides some useful complimentary information.

Thank you so much! The book is absolutely amazing! A classic! It's also in as good, if not better, condition than advertised. Probably the most used book by actors in the world, and I can see why. The techniques, especially "psychological gesture", have been admired an used by the best... Jack Nicholson, Anthony Quinn, Gregory Peck, Johnny Depp, Anthony Hopkins, Marilyn Monroe, and Clint Eastwood... just to name a few. Again, thank you so much.

This is an outstanding introduction to the technique of Michael Chekhov. The principles listed in this book are invaluable to any actor in training, auditions or in the professional world. With companion texts, such as THE MICHAEL CHEKHOV HANDBOOK & LESSONS FOR THE PROFESSIONAL ACTOR, this book is invaluable in its description of exercises as well as foundation activities of this technique. A vastly spiritual and energetic technique, the philosophy of Michael Chekhov is phenomenally freeing to one's personal imagination and encourages the student and professional to celebrate "creative individuality" through images, visions and use of the sensory imagination. As well, Chekhov's philosophy of beauty as internal to each artist is explored, discussed and made concrete. Overall, this is also a great source of inspiration to all artists concerning the courage to believe and create and express their inner lives --and how these discoveries and expressions of self can be employed in the living of roles and in the analysis of dramatic text.