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The Actor's Encyclopedia of Casting Directors: Conversations with Over 100 Casting Directors on How to Get the Job
 
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The Actor's Encyclopedia of Casting Directors: Conversations with Over 100 Casting Directors on How to Get the Job [Paperback]

Karen Kondazian (Author), Eddie Shapiro (Author), Richard Dreyfuss (Foreword)
4.5 out of 5 stars  See all reviews (15 customer reviews)


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Book Description

2000
Karen Kondazian has compiled inside information from talking to the premier casting directors in film, television, and commercials from New York to Los Angeles.


Editorial Reviews

About the Author

Karen Kondazian

Product Details

  • Paperback: 475 pages
  • Publisher: Lone Eagle; 1st edition (2000)
  • Language: English
  • ISBN-10: 1580650139
  • ISBN-13: 978-1580650137
  • Product Dimensions: 8.9 x 6 x 1 inches
  • Shipping Weight: 1.4 pounds
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (15 customer reviews)
  • Amazon Best Sellers Rank: #953,566 in Books (See Top 100 in Books)

More About the Author

Karen Kondazian's career as an actor, author and journalist is as diverse as it is long. She was born in Boston, Massachusetts. At the age of eight Karen was chosen to be one of the infamous children on Art Linkletter's KIDS SAY THE DARNDEST THINGS. The opportunity to miss school during tapings was all it took for Karen to abandon her life's goal of becoming a CIA spy and focus on acting.

She completed her schooling at The London Academy of Music and Dramatic Arts (LAMDA), The University of Vienna and San Francisco State University, where she received her B.A., after which she began her acting career in New York. Her first professional work was in the award winning production of Michael Cacoyannis' THE TROJAN WOMEN at the Circle in the Square Theatre.

In 1979, she won the Los Angeles Drama Critics Circle Award for Best Actress in THE ROSE TATTOO, (in which her work as actor and producer so impressed Tennessee Williams that they became friends, and he gave her carte blanche to produce any of his work in his lifetime).

Her theater career has included starring opposite Ed Harris in SWEET BIRD OF YOUTH, Richard Chamberlain in RICHARD II (dir. Jonathan Miller), Stacey Keach in HAMLET, (dir. Gordon Davidson). She also starred in the world premiere of MIXED BLESSINGS with Raul Esparza, and in Eduardo Machado's off-Broadway play, BROKEN EGGS (world premiere). Her latest awards have been through her work at the Fountain Theatre in Los Angeles where she played Maria Callas in the Ovation Award winning, MASTER CLASS, ORPHEUS DESCENDING, NIGHT OF THE IGUANA, and THE MILK TRAIN DOESN'T STOP HERE ANYMORE, all directed by Simon Levy.

She has appeared as series regular lead in CBS's SHANNON and guest starred in over 50 television shows and films including, TNT's JAMES DEAN with James Franco (dir. Mark Rydell), NYPD BLUE, FRAISER, YES GIORGIO with Luciano Pavarotti, and played Kate Holiday in THE SHOOTOUT AT OK CORRAL.

She is a lifetime member of the Actors Studio and a member of the Academy of Television Arts and Sciences. She is also a member of Women in Film. She occasionally teaches at the Lee Strasberg School of Theater and Film in Hollywood.

Kondazian is a published writer. She is the author of the best-selling book THE ACTOR'S ENCYCLOPEDIA OF CASTING DIRECTORS. Her long running weekly column, "Sculpting Your Own Career" appeared in BACK STAGE WEST. THE WHIP, published November 2011, is her debut novel.

 

Customer Reviews

15 Reviews
5 star:
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4 star:
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3 star:
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Average Customer Review
4.5 out of 5 stars (15 customer reviews)
 
 
 
 
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11 of 11 people found the following review helpful:
5.0 out of 5 stars Accurate and Insightful, April 10, 2000
This review is from: The Actor's Encyclopedia of Casting Directors: Conversations with Over 100 Casting Directors on How to Get the Job (Paperback)
While I'm not in the habit of recomending industry books, I do praise Karen Kondazian's, The Actor's Encyclopedia of Casting Directors. It's a highly practical, intelligently written work that will be an asset to any working actor or newcpmer who hopes to find work. The information dispened in the Q&A format will help you prepare for any auditon wheter it be for the particular casting director profiled or someone else you may be reading for. A quick note; not one day after reading the book I stepped into an elavator and came face to face with one of the casters profiled in the book, I'd actiually read for this person two years before but for the life of me couldn't remember her name. Then, miracle of miracles I somehow saw her face and name from the book, and was quickly able to make a proper introduction. I use the book regularly before auditons to refresh my memory as to what each casting directors' likes and dislikes are.
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11 of 12 people found the following review helpful:
3.0 out of 5 stars good concepts, but not enough depth or variety, September 12, 2001
By A Customer
This review is from: The Actor's Encyclopedia of Casting Directors: Conversations with Over 100 Casting Directors on How to Get the Job (Paperback)
This is a well intentioned book, and has 100 interviews with real life Casting Directors. But after repeating the basics over and over with 100 interviews, there is not alot of depth or additional details. The basic teachings, such as being early to the audition, being prepared, being polite, being a professional, being an enthusiastic auditioner.....well, this is repeated for the 100 interviews. It could have been a much better book, with more details, so 3 stars.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars Indispensable Knowledge, March 4, 2000
By 
David (Huntsville, AL) - See all my reviews
This review is from: The Actor's Encyclopedia of Casting Directors: Conversations with Over 100 Casting Directors on How to Get the Job (Paperback)
What a book! I'm a young actor(who just blew an audition) and this book showed me everything I did wrong. The best part is, w/over 100 c.s.a.'s, the same topics(what they love and hate)keep coming up, and most of them have the same likes and dislikes, so it's not the opinion of just one nut casting director. I've only read half of the book so far and I am psyched for my next audition. I believe this book could be responsible for taking my career to the next level-and anybody else who reads it and takes it seriously. Just about every c.s.a. in there has major TV, film, and commercial credits under their belts. Also, each one tells you if they accept unsolicted headshots, tapes, ect. So buy it!
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