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Adam Bede (Oxford World's Classics) [Paperback]

George Eliot (Author), Carol A. Martin (Editor)
3.5 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

Oxford World's Classics June 16, 2008
George Eliot's first full-length novel, Adam Bede paints a powerful portrait of rural life, seduction, faith, and redemption. First published in 1859, this innovative novel carried its readers back sixty years to a time of impending change for England and the wider world. Eliot's penetrating portrayal of the interaction of ordinary people brought a new social realism to the novel, in which humor and tragedy co-exist, and fellow-feeling is the mainstay of human relationships. This is the first edition based on Eliot's final revision of the novel in 1861, using the definitive Clarendon text. It includes Eliot's journal entry on the real-life origins of the story and broadsheet accounts of Mary Voce, whose execution provided the germ of the novel. Carol Martin's superb Introduction sheds light on the novel's historical context and some of the main issues it explores: the role of work, class, and relations between the sexes, and Eliot's belief that the artist's duty is "the faithful representing of commonplace things." The book includes comprehensive notes that identify literary and historical allusions.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Editorial Reviews

Review

`Review from previous edition 'Carol Martin demonstrates that the first edition will not do and persuasively makes the case for taking as copy-text the corrected 'eighth edition' of 1861...the notes are the best available'' Stephen Gill, The George Eliot Review, No. 33, 2002 [n.b. Gill is editor of the Penguin edition, which uses the first edition text]

About the Author


Carol A. Martin is Professor of English at Boise State University.

Product Details

  • Paperback: 624 pages
  • Publisher: Oxford University Press, USA (June 16, 2008)
  • Language: English
  • ISBN-10: 0199203474
  • ISBN-13: 978-0199203475
  • Product Dimensions: 7.8 x 5.1 x 1.1 inches
  • Shipping Weight: 9.6 ounces (View shipping rates and policies)
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #194,247 in Books (See Top 100 in Books)

More About the Author

Born Mary Ann Evans, Victorian novelist George Eliot (1819-1880) is the author of a number of remarkable works, including the masterpiece Middlemarch.

 

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5.0 out of 5 stars An old favorite, December 9, 2011
This review is from: Adam Bede (Oxford World's Classics) (Paperback)
Adam Bede, like Bleak House, Middlemarch, and yes, David Copperfield, is one of the books that sits on my nightstand for years. To me it's like reviewing homemade bread-- you either like it or you don't. Bring on Adam Bede, a cup of tea and a pot of jam, please.
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7 of 11 people found the following review helpful:
2.0 out of 5 stars James Was Right, September 4, 2010
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This review is from: Adam Bede (Oxford World's Classics) (Paperback)
"Adam Bede", Eliot's first novel, reminds me of something Rossini once said of Wagner's music: "Lovely moments followed by awful quarters-of-an-hour." Indeed, the awful bits of this work drag on for much longer than quarters of an hour, for even Wagner's longest opera ("Gotterdammerung" can clock in at a hair-pulling, teeth-gnashing five or six hours) doesn't demand quite so much of a time investment of its audience.

Henry James's 1866 criticisms of the work (which even include proposed alternate resolutions for the various characters) are spot-on. In the first place, James takes Eliot's work to task for the highly intrusive narrator, constantly inserting himself (herself?) and offering all sorts of nudges and helpful guides to reader sympathy. James's objection to this sort of thing should come as no surprise, insofar as James himself was the master of non-intrusive narration (and was even not above a bit of misleading of his readers for artistic purposes). As for his suggested plot revisions, particularly that one about the novel's hopelessly Pollyanna-ish linking up of Adam and Dinah, are spot-on. He also correctly points out that Adam's misery at Hetty's end is not a good enough reason to engage our own sympathy.

Furthermore, James's assessment of the character of Hetty, for which he praises Eliot, is correct. Most of the dramatic tension of the novel is supplied by the contrast between Hetty's fantasy-life of carriages and ball-gowns, and the quiet farm life of Hall Farm (which she despises). Some of the novel's other finer moments have to do with the young squire Donnithorne, who finds his own fantasies crushed (but rather more by his own doing).

As for the titular character, at every page I kept waiting for the "other foot to drop," as it were, for Eliot to pull back the stolid curtain of Adam's wholesomeness (as James would have, for instance). The moment never came, and for this reason, Adam remains but "half made-up" (as Shakespeare put in), only unlike Richard III, there is no "deformity" for us descant upon. For this reason, his lovelife remains weirdly static and unconvincing, and unlike that of any male ever to walk this earth. By contrast, Donnithorne's on-again, off-again pursuit of Hetty, with all of its nervous, guilty sexuality, is far more true to life, and absorbing as a result.

In sum, this book suffers from a bad case of bloat, as though Eliot were being paid by the word, particularly in those additional chapters following Hetty's imprisonment. Frankly, the last fifteen chapters of this novel were a pretty hard slog.
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Inside This Book (learn more)
First Sentence:
WITH a single drop of ink for a mirror, the Egyptian sorcerer* undertakes to reveal to any chance comer far-reaching visions of the past. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
thee mustna, thee wouldstna, thy feyther, thee wast, thy supper, harvest supper
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Hall Farm, Book First, Bartle Massey, Adam Bede, Martin Poyser, Book Fifth, Captain Donnithorne, Arthur Donnithorne, Book Second, Book Fourth, Book Sixth, Hetty Sorrel, Will Maskery, Book Third, Miss Lydia, Mary Burge, Jonathan Burge, Seth Bede, Dinah Morris, Chase Farm, Joshua Rann, The Journey, Willow Brook, The Preaching, Bessy Cranage
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Front Cover | Table of Contents | First Pages | Surprise Me!
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