From Publishers Weekly
There's no pumpkin coach or glass slipper in sight, but Cinderella fans will find much to like in dePaola's (26 Fairmount Avenue) original twist, infused with Mexican warmth and color. Following her father's sudden death, Adelita is left to suffer the abuse of her cruel stepmother and stepsisters. Adelita's kindly nanny/housekeeper takes on the role of fairy godmother, making certain that the girl has something to wear to the party thrown by a local wealthy family to honor their (eligible bachelor) son, Javier. Adelita makes an unforgettable impression at the gala, draped in a dramatic red shawl that was her mother's; Adelita uses it to signal to Javier when he comes looking for her the next day. DePaola tweaks just enough details to make his version fresh; his liberal use of Spanish phrases (translated within the text) and cultural details enlighten as they enliven. He humorously winks at readers, too, by having his characters refer to the classic story ("All Do¤a Micaela and her two daughters could talk about was `the mysterious Cenicienta' [Cinderella] who had appeared and then disappeared from the fiesta, just like the fairy tale"). His vibrant acrylics incorporate folk art motifs as well as rustic domestic items. The jazzy design features mosaic-like tile backgrounds of varying shades that frame smaller panels and portraits throughout. Ages 5-up.
Copyright 2002 Cahners Business Information, Inc.
From School Library Journal
Kindergarten-Grade 3-In this folktale variant, lovely Adelita gains a family when her father remarries. Following the traditional story line, Dona Micaela and her daughters, Valentina and Dulce, are utterly impossible, but all is well as long as Adelita's father is alive. However, when he dies, she is relegated to helping in the kitchen. Eventually, Dona Micaela evicts old Esperanza, and her stepdaughter is left to do all the work. On the night of the fiesta at the Gordillos' hacienda, it is Esperanza who takes the fairy godmother role, sends Adelita to the party, and sees to it that young Javier is smitten. True to form, he locates the young woman when she flees, and they marry. The prose is straightforward and crisp, though the habit of including a Spanish phrase that is translated immediately afterward (e.g., "Soy yo-only me-" or "-mi peque-ita-my little one-") interrupts the narrative flow. However, this is a minor quibble given the beauty of dePaola's signature artwork. Making perfect use of clear, warm hues, the full-color acrylic illustrations are a feast for the eye. Depth and brilliance in composition combine with economy of line and form to create a true tour de force. Use this with either Robert D. San Souci's Little Gold Star (HarperCollins, 2000) or Joe Hayes's Little Gold Star/Estrellita de oro (Cinco Puntos, 2000) for different looks at "Cinderella" through Mexican eyes.
Ann Welton, Grant Elementary School, Tacoma, WACopyright 2002 Cahners Business Information, Inc.
