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Adobe After Effects 6.5 Studio Techniques
 
 
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Adobe After Effects 6.5 Studio Techniques [Paperback]

Mark Christiansen (Author)
4.4 out of 5 stars  See all reviews (28 customer reviews)

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Book Description

0321316207 978-0321316202 May 2, 2005

Ready to learn the visual effects secrets used at such leading-edge studios as Industrial Light + Magic and The Orphanage? Adobe After Effects 6.5 Studio Techniques inspires you to take your work to the next level with realworld examples and insider techniques. Get blockbuster results without the big budget as you delve deep into the essence of visual effects. This book goes beyond conventional step-by-step instruction, teaching you bread-and-butter effects that you can adapt and combine for countless projects.

• Real solutions from real professionals: Nobody does it better, and now they’ll show you how. Discover the keys to analyzing your shots from Stu Maschwitz, Visual Effects Supervisor for Star Wars, Episode One and Sin City. Unlock the mysteries of linear color space with Brendan Bolles, co-creator of the eLin plug-ins. Master fundamental effects techniques with Mark Christiansen, After Effects specialist for The Orphanage on The Day After Tomorrow.

• Compositing essentials: No matter how sophisticated the effect, they all start from the same building blocks. Find out what you’ve been missing about color and light matching, keying, motion tracking, rotoscoping, working with film, and more.

• Advanced techniques: Your goal should be effects so good that no one notices them. From sky replacement to explosions, from smoke to fire, learn to bring your shots to life and enhance scenes without anyone ever knowing what they’re seeing isn’t 100% real.

• Companion CD-ROM: Professional tools produce professional results. Demo versions of plug-ins from Andersson Technologies, Red Giant Software, Frischluft, and Trapcode will enhance your work. Stop relying on ready-made solutions and pre-built effects. Learn how to build up and customize your own effects with the tools at hand–you’ll be amazed at how much better the results look!


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Editorial Reviews

About the Author

Mark Christiansen has created visual effects and animations for feature films, television, computer games, and an array of companies. Recent feature film effects credits at The Orphanage include The Day After Tomorrow and The Adventures of Shark Boy and Lava Girl in 3-D. His studio, Christiansen Creative (www.christiansen.com), produces effects, motion graphics, and written content. His independent directing work has been featured at film festivals including the LA Shorts Festival in 2004. Named the number-one beta tester for After Effects 6.0 by the After Effects development team, Mark has written and lectured about After Effects extensively. He is a co-author of After Effects 5.5 Magic with Nathan Moody and a contributing editor for DV Magazine. He has been a guest speaker at NAB, DV Expo and GDC.


Product Details

  • Paperback: 544 pages
  • Publisher: Adobe Press (May 2, 2005)
  • Language: English
  • ISBN-10: 0321316207
  • ISBN-13: 978-0321316202
  • Product Dimensions: 9.1 x 7.3 x 0.9 inches
  • Shipping Weight: 2.4 pounds (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (28 customer reviews)
  • Amazon Best Sellers Rank: #1,434,752 in Books (See Top 100 in Books)

More About the Author

Like so many authors, I reached the point with the first edition of my book where I never, ever thought I would get it done... and I still thought so until about 2 days before I finally stopped working on it. Five editions later, I'm glad I stuck with it that first time - even re-writing a book is hard work, but it has never seemed quite so impossible as that first time.

 

Customer Reviews

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Average Customer Review
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Most Helpful Customer Reviews

21 of 22 people found the following review helpful:
5.0 out of 5 stars For professionals only!!!, May 15, 2005
By 
This review is from: Adobe After Effects 6.5 Studio Techniques (Paperback)
Do you want to know how to create visual effects in detail?Then buy this excellent book that demistifies the realm of visual effects,this book is full of magic (isn't that what you'll want to be "a visual effects magician?")
Section I "Working foundations" reviews fundamentals of AE ,from page 4 till 133 he revisited the effects toolset,the timeline,selections(the key to compositing)and in chapter four(page115)"Optimizing the pipeline"the author examines the flow of data trough AE in specific detail;understanding how to use multiple compositions,knowing when to pre-compose and optimizing the rendering time;this is a great chapter while he explains you the workflow of your project(s) and time saving techniques to organize multiple compositions.
At the end of section I you'll be able to wring the most out of AE and continue in Section II with "Effects Compositing Essentials"(page 137-353)Color and light:adjusting and matching,color keying,rotoscoping and paint,effective motion tracking,virtual cinematography,expressions and issues specific to film and HDR images(chapter wrote by Brendan Bolles).
After this section(where you learned all the stuff and tips and tricks) jump to the final "Creative explorations"(page 375-497)
and meet the "real world"where you apply all the techniques you learned in the 371 previous pages.
Work with light and then create natural elements: replacement skies,mist,fog,smoke,effects of wind and water; create fire effects and explosions,sci-fi weaponry a.s.o(all believable footage!)In the final chapter wrote by Stu Maschwitz)"Learning to See" he focuses on some techniques for honing your eye; this means no compositing techniques but "lifestyle techniques" seeing the shot every time as if for the first time and using the left brain to understand what the right brain sees.
AE Studio Techniques is an amazing book,extremely well colour illustrated and full of notes and tips in the margin and the author Mark Christiansen, the number-one beta tester for AE6.5 gives you a professional approach from within the program,he knows what a visual effects artist needs and he tells it all to us like a magician who want to deal with his public all his knowledge.Thanks Mark!
ps:demo versions of professional tools like AE 6.5 ,Andersson technologies,Red Giant,Artbeats and Trapcode are on the companion cdrom to enhance our work.
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22 of 25 people found the following review helpful:
5.0 out of 5 stars After Effects 7 Studio Techniques: An Expert Guide from an After Effects Expert, August 14, 2006
Buy this book; its cost (particularly here at Amazon) is trivial compared to the software, and you'll get some important independent opinions and expert advice that, from what I understand, isn't available anywhere else.

In general, I've found the book to be pedagogical, informative and entertaining at the same time. What makes the book unique is Mark Christiansen's opinions. You get the voice of a great deal of experience, giving an independent evaluation of features and organization of After Effects itself, and how this impacts real-world usage. Reading that how certain features were implemented were "weird" was a pleasant surprise in a book published by Adobe Press. In contrast with the user manuals and canned tutorial materials, the book does not automatically assume that how After Effects works is the best way to accomplish certain tasks---in some instances, other software applications are better (e.g. rotoscoping), and Christiansen doesn't hesistate to point that out. What makes the book so useful is that you get an evaluation of After Effects, instead of an automatic assumption that it must be all things to all people. That being said, Christiansen does give it a fair Shake (pun intended :), and the general thrust is that After Effects is no younger sibling to node-based compositors, and it's capable of a lot more than typical users think.

The other major strength to the book is that it's NOT a user manual. Those books, and many about how to use software in general, are feature-descriptive, and organized like the software program in how things are explained. This certainly makes the organization easy to follow (and, I daresay, easier on the authors to write), but isn't necessarily useful for working professionals. What Christiansen has done is give his take on what After Effects can do, as related to a real production environment, and then describes how to do it. Again, it's his evaluative paradigm coming into play here, as he's made a number of decisions on what to cover. This is particularly evident at the beginning, as he explains all of the basic features as relating to how they influence real production. It's eminently practical, and an extremely useful addition to any set of reference materials, since it provides a real-work-driven guide to the entire program.

The shortcomings to the book are few, and ultimately may just be matters of taste. The flipside to having so many opinions is that people will inevitably disagree. My personal preference is to try to have all of the information and opinions at my disposal, which I'm then free to accept or reject, but others may find his opinionated style to be too judgmental; you have been warned. Also, the choice of topics in this book is, as clearly stated in the introduction and its subtitle "definitive guide to creating visual effects", heavily weighted toward visual effects. You will not learn much more about the traditional motion graphics, such as how to apply text effects, than what's in the Classroom-in-a-Book targeted toward absolute beginners. As such, entitling the text "Studio Techniques" may be a bit broader than the book actually delivers. And, finally, the language is strongly weighted toward the jargon in the visual effects community, and is used from the beginning of the book, which total beginners may find somewhat difficult to navigate at the outset.

That being said, I strongly recommend this book to anyone using After Effects at all. It's a detailed reference with a lot of information that will teach you how After Effects is operating beneath the hood. And all of this information, really the entire book, are geared practically toward getting the job done in a real production environment. That will surely be useful, no matter how you choose to operate the program. And, to me, the independent (and entertaining) opinions are extraordinarily valuable in judging both what After Effects can do, and how well it does them.

Overall, I've read very few books about commercial software that are anywhere near as good. It will be a well-used reference on my shelf for a long time to come.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars Excellent book!, July 21, 2006
Excellent book! Good quality examples and excellent instruction for those who are looking for a slightly more advanced book and don't want to read 1/2 book on the interface. The author really knows his stuff and it's evident in the text. There are lost of useful things on the DVD too
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Inside This Book (learn more)
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Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
creative explorations, color correction, virtual cinematography, color keying, shutter angle, render settings, project working space, energy phenomena, first vertex, screen gain, focus distance, disk cache, composition settings, camera raw, shift channels, slider control, input profile, screen balance, destination mask, matching tolerance, graph options, full aperture, collapse transformations, difference matte, box blur
Key Phrases - Capitalized Phrases (CAPs): (learn more)
After Effects, Effects Compositing Essentials, Graph Editor, Output White, Working Foundations, Input White, The Orphanage, Effect Controls, Input Black, Render Queue, Effective Motion Tracking, Output Black, Time Remap, Fast Blur, Mask Shape, Output Module, Work Area, Color Profile Converter, Optimizing Your Projects, Star Wars, Camera Settings, Angle of View, Time Stretch, Stu Maschwitz, Industrial Light
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