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Audio, Cassette, June 2, 1998
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The Smashing Pumpkins were one of the most popular alternative rock bands of the 1990s, mostly thanks to the success of second and third albums Siamese Dream and Mellon Collie and the Infinite Sadness. At the height of their fame they guest-starred in a memorable episode of The Simpsons.

The line-up of American alt-rock band the Smashing Pumpkins has altered over the years since their ... Read more in Amazon's Smashing Pumpkins Store

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Product Details

  • Audio Cassette (June 2, 1998)
  • Number of Discs: 1
  • Label: EMI Distribution
  • ASIN: B000006NPZ
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (658 customer reviews)
  • Amazon Best Sellers Rank: #516,969 in Music (See Top 100 in Music)

1. To Sheila
2. Ava Adore
3. Daphne Descends
4. Once upon a Time
5. Tear
6. Crestfallen
7. Appels + Oranjes
8. Pug
9. The Tale of Dusty and Pistol Pete
10. Annie-Dog
11. Shame
12. Behold! The Night Mare
13. For Martha
14. Blank Page

Editorial Reviews

Cassette edition .Out of Print and extremely rare.

Customer Reviews

Anyone, alterna fan or not, who appreciates spectacular music should buy this album now!
Erica Hemphill (
It is by far the best of the Smashing Pumpkins albums and Shame is the most lush, beautiful and profound song I have ever heard.
J. Murphy
It captures the essense of darkness, beauty, longing, melancholy, love, pain, danger, and sadness.
Jason Gonella

Most Helpful Customer Reviews

41 of 41 people found the following review helpful By "noashtray" on June 3, 2000
Format: Audio CD
I'm sad to hear the Pumpkins may break up at the end of the year, but they will never be forgotten because of works such as ADORE. Nobody bought this album and it seemed to signal the band's dominance was coming to an end. Although the horrible boy groups and unoriginal teen singers were partly to blame, the quality of the music certaintly isn't. This is diverse, melodic, and dark introspection that was appropriate during a time when the Pumpkins were dealing with death and a seperation from drummer Jimmy Chamberlain. Still, without his intense drums and the usual guitars and pounding bass, these songs have power and meaning. "Ava Adore" is a light rocker with clever lyrics, "Perfect" expands upon the genius of MELLON COLLIE's "1979," while "Daphne Descends" is a dreamy track containing some guitar-rock rarely heard elsewhere on ADORE. Some of the other enjoyable moments come from the 70's sounding "Tear," which sounds like Corgan is singing with Led Zeppelin behind him, and the light pop in "The Tale Of Dusty And Pistol Pete." Another interesting element is the use of piano in several songs and this is best seen in "For Martha," an appropriate ode to Corgan's late mother. In time, more people will discover the brillance of ADORE because this is definitely music that's just too good to go unnoticed forever.
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23 of 24 people found the following review helpful By E. A Solinas HALL OF FAMETOP 500 REVIEWERVINE VOICE on September 10, 2004
Format: Audio CD
"Twilight fades/through blistered Avalon," is the ethereally dismal line that opens "Adore"'s first song, and sets the mood for the Smashing Pumpkins' quietest album, with the hard-rock guitars and percussion giving way to a gentler sound and some swippy electronica. It's not what you expect from the Pumpkins, but it's still enticing.

It opens with the lullaby-like "To Sheila," a shimmering little composition. Then Corgan stretches his music to include some symphonic, raw electronica in "Ava Adore," the fast "Appels + Oranjes," and the darkly shimmering "Daphne Descends." The saddening "Once Upon A Time" even sounds whimsical if you don't listen to the words, with that light melody and those bells.

Don't worry, the Pumpkins sound is retained in songs like the guitar-driven "Perfect," the hollow-sounding "Tear," and the balladic "Crestfallen." The second half sounds a little more acoustic and less electronic, with some lingering piano kicking off some of the songs. But lurking in the back is a hint of electronica that seeps in from time to time. One example is the haunting sounds at the back of "For Martha," a wrenching tribute to Corgan's late mother.

"Adore" is one of the most controversial Smashing Pumpkins albums -- rather than merely sticking to what he had already done, Corgan experimented with electronic music and melded it in. But the core of the music is the same -- pain and anger from the losses of life, the struggle with one's emotions, and finally letting go of that pain and anger.

Don't expect the Chemical Brothers in here -- Corgan's take on electronic music is dark, melancholy, almost gothic at times.
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34 of 38 people found the following review helpful By "dr_raze" on December 5, 1999
Format: Audio CD
For some reason, a majority of the people don't know that Billy Corgan's mother, Martha, passed away somewhat recently. From that, I get the impressiont that this CD is full of mixed emotions that came about as a result of this tragic loss. For example, a lot of the songs range from a feeling of longing, helplessness, anger, and deep frustration, to a more forgiving sound. All the previous Pumpkins CDs I have are more in-your-face (Siamese Dream, MCIS) but Adore is my all-time favorite.
From a music lover's perspective, the best part about this great CD is that it's not the same instruments or same style/rythm throughout the entire CD. Every song has a different sound, and in my humble opinion it's about time for the music industry to look for new, different and above all, ORIGINAL music.
I'm finding that plenty of new artists are just using a style previous "greats" before them originated. (I'm not praising nor bashing them, but take for example, the new kids on the block...nsync...98degrees....back street boys...britney spears...cristina aguilera...all these teen idols produce the same thing....and it gets old FAST.)
To be a great band, it is essential that you bring new ideas and concepts to make you stand out from every one else. It's only logical right? To me, The Smashing Pumpkins do it every time they release a new album. And without a doubt, Adore certainly meets this expectation. So if you're tired of the same ol same ol give this CD a try. The greatest thing about this band is that you grow to like and maybe appreciate their music. The more you listen the more you'll enjoy their originality. DEFINETLY check them out.
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13 of 13 people found the following review helpful By Lauren on June 16, 2004
Format: Audio CD
The Smashing Pumpkins have always been a band that I've known of and been able to recognize on the radio (how could you not?) but I never truly "got into" them. However, after hearing "Thirty-three" (from "Mellon Collie") on the radio, I finally said, "Okay, I have to listen to these people." Over the past few days, I've listened to all of the Smashing Pumpkins' major studio releases. Based on my impression of them, I have to say "Adore" is my favorite. I don't understand why it was poorly received, both by fans and critics, when it came out. It shows a huge step both forward both musically (for the Pumpkins as a whole) and lyrically (for Billy Corgan). It shows far much more ambition than "Mellon Collie" -- ask yourself, how many alternative bands would attempt to make an album without a drummer? But they attempted and they pulled it off beautifully.
The album opens with the absolutely gorgeous "To Sheila" -- I knew from the first notes that I was going to love the album. It's followed by the electronically-driven and -- dare I say -- catchy "Ava Adore." The two opening songs do what opening songs should do -- they set the tone for the album, as the rest of the album is full of electronics and beautiful piano-driven songs. Don't worry, the guitar isn't absent -- it's still there, it's just not the overpowering force it once was. It blends easily here. Beyond the opening tracks, some standouts are "Daphne Descends," "Annie-Dog," "Blank Page," and "For Martha," Billy Corgan's tearjerking tribute to his deceased mother.
"Adore" proves the musical genius of Billy Corgan.
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