Customer Reviews

Adventures in Afropea 1

5 star:		(8)
4 star:		(3)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

This first album by Zap Mama is their purest. It's almost entirely a capella, and is the least influenced by American pop culture. It's a fine balance between European and African influences, and the songs span 400 years of composition history.

To know Zap Mama is to love them. This group tackles every song with energy and enthusiasm, and their live performances are such a visual feast that you hardly know where to look at any moment. Their repertoire is so geographically diverse that I get cabin fever just listening to them.

When this album was recorded, Zap Mama was a core group of five singers, with additional guest vocals. The singers, especially Marie Daulne, have rich voices with a husky timbre. One at a time they are a delight to listen to; in harmony, they make me delirious.

The songs on this album all good, but there are a few standouts. "Brrrlak!," released as a single, is a fast tempo charmer with sophisticated rhythms. "Plekete" is an onomatopoetic road trip (literally), complete with car horns, a squeal of tires, and an ambulance siren. Three themes are presented one at a time, and the song culminates with a cleverly crafted overlay of all three. (This was the first Zap Mama song I ever heard; my then-toddler and I saw them perform it on, of all things, Sesame Street. I bought the album post-haste.) "Bottom," the only song with lyrics entirely in English, tells a story that is as understated as the film "Titanic" is over-the-top (and it's way shorter, at only one minute and twenty-nine seconds). "Din Din" shows off the group's remarkable intonation and precision. The introductory section of "Ndje Mukanie" does likewise.

Many of the songs on this album don't follow the standard popular song structure of verse-chorus-verse, and most of the time that's quite refreshing. But "Babanzele" leaves me longing for that familiar form; it's just a bit too static for something that long (seven minutes and thirty-five seconds). "Mizike" also seems a little long to me, and perhaps dated (hard to tell when you don't have a clue about the lyrics).

Lead singer and founder Marie Daulne is of both Belgian and Zairean descent, and musically, she's all over the globe. Most of what's on this album isn't in English, but that's actually an advantage; you can revel in the sounds and rhythms undistracted by the message of the songs. But even if these women were singing the contents of the phone book (and who knows? maybe they are), I'd be glued to the CD player till they were finished. I bet you will be too, when you hear Adventures in Afropea 1.

I know, shameless puns derived from the song titles. Anyway, I couldn't think of a better way to express the delight I have for this album everytime I play it in my stereo! Zap Mama's style is hard to describe. It is a fusion of sounds. We have improvisational harmonies, chants, latin elements, a pygmy chant and African-derived percussion and rhythms. But, guess what? The only instruments are the voices of the five magnificent women who are Zap Mama.

Some of my favorite tracks are "Brrrlak!" (hence, the title of my review), "Abadou (a Syrian song about a man crying over the loss of his favorite woman from his harem)," "Din Din (an original, abbreviated interpretation of a traditional Spanish song from the 16th century)," and "Guzophela (an anti-apartheid song)." Not only do these women have a flair for harmony, intepretation and unbridled spontaneity, they are also fine artists. I am so glad that this innovative musical quintet has continued to perform and collaborate together. Can't wait to hear the other albums!
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Beaiutiful yet simple music. Zap Mama ia a group of five women of African/European origin. Their music is very harmonious acappella. The songs are verymulticultural (including some french interpretationstraditional african songs). This is great world music, very novel. It is a great change from the manufactured and uninspiring pop that one hears on radio.

I recently had the pleasure of hearing Zap Mama perform live. The perfection heard on this album is certainly on par with one's most stringent expectations. This album is especially unique thanks to the vocal instruments employed. If you listen carefully you will realize that Zap Mama does not require any "instruments" to make the most incredible music one might hear.

The cd is simple. Simple cover art, and all the performers are using their voice. It's a cd that flows great. This is unlike anything else in my collection. You get sounds and chants from Africa and Europe, with some English thrown in. Just sit back, relax and let the sounds take you where they may. The sounds do sound familiar in a way. This is probably the best way I can describe this cd. Most other music is easy to review, but you just have to experience this cd.

Like nothing I've heard before. These women are phenominal. I've listened to this CD over a dozen times.

I first heard Zap Mama on NPR and went out and bought this album right away. Like looking at a favorite picture, I never get tired of listening to the songs. And I defy anyone to hear it and not want to get up and dance.

Wide variety of styles for sweet African voices, all distinct from one another. Most songs draw on Afro-pop, but they capture bits of disco, doo-wop, madrigal, and Arab lament. Some are more sound effects than songs. Some are static chants without real lyrics. One or two are too sweet. The closest parallel is Sweet Honey in the Rock, but Zap Mama is uniformly happier, lighter, even on Apartheid songs. Sample of variety: tr 1-Mupepe (closest to ethnographic); tr 6-Plekete (closest to Bobs); tr 9-Din din (sounds like a madrigal); tr 11-Guzophela (South African doo-wop). Stand-outs: tr 5-Take me CoCo. tr 13-Marie-Josée (classic polyrhythmic, sweet Afro-pop). tr 14-Ndje Mukanie (Afro-pop rich and smooth as herbed honey).

This is a great album by a group of five African and European women. It features the original instrument "the human voice". A cappella at its best. African, French influence. A must listen! C'est magnifique.

Zap Mama's Adventures in Afropea is new, original, yet polished. The a capella style is delightful and rich. The concept (European/African fusion) works effectively. If one likes modern a capella music, this is a good edition to an eclectic collection.