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The Adventures of Amos 'n' Andy: A Social History of an American Phenomenon
 
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The Adventures of Amos 'n' Andy: A Social History of an American Phenomenon [Paperback]

Melvin Patrick Ely (Author)
4.9 out of 5 stars  See all reviews (7 customer reviews)

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Book Description

0813920922 978-0813920924 October 22, 2001 2 Sub

Forty million Americans indulged in a national obsession in 1930: they eagerly tuned in Amos 'n' Andy, the nightly radio comedy in which a pair of white actors portrayed the adventures of two black men making a new life in the big city. Meanwhile, some angry African Americans demanded that Amos 'n' Andy be banned, even as others gathered in the barbershops and radio stores of Harlem to chuckle over the adventures of Amos, Andy, and the Kingfish.

Melvin Patrick Ely unveils a fascinating tale of America's shifting color line, in which two professional directors of blackface minstrel shows manage to produce a series so rich and complex that it wins admirers ranging from ultra-racists to outspoken racial egalitarians. Eventually, the pair stir further controversy when they bring their show to television.

In a preface written especially for this new edition of his acclaimed classic, Ely shows how white and black responses to his Adventures of Amos 'n' Andy since 1991 tell a revealing story of their own about racial hopes and fears at the turn of the twenty-first century.


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Editorial Reviews

From Kirkus Reviews

To Ely (African-American Studies & Southern History/Yale), Amos 'n' Andy, the first radio comedy series to portray an all- black world, provides a ``small but clear window which, like all windows, reveals more and more as one draws closer to it.'' Here, Ely looks closely at the changing responses of both blacks and whites to Amos 'n' Andy and examines what they reveal about the evolution of racial attitudes during the decades from the 1920's, when the series first aired, to the 50's, when it was transplanted to network TV. Born too late to experience the phenomenon except through TV reruns in the 1950's and 60's, Ely nevertheless writes knowingly of Amos 'n' Andy, having pored over hundreds of old scripts, newspaper clippings and fan letters. He looks at its roots in the minstrel shows in which its white writers (and radio performers) Charles Correll and Freeman Gosden learned their trade, and he examines how it won the hearts of millions and created dismay and antagonism in the minds of many. Although it had a huge following among both blacks and whites, thoughtful blacks were always divided in their appraisal--some seeing it as harmful to black self-respect and poisonous to whites' perceptions of blacks, and others finding no racism in its humor. Nor were its critics consistent--some who had praised it in the 30's damned it in the 50's, and vice versa. Ely traces the history of the show and its impact on a changing society with diligence, providing an extensive paper trail for future researchers in American social history. An earnest and thoughtful contribution to the growing literature documenting the development of black consciousness in American society. -- Copyright ©1991, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

Review

Compelling... a stunningly objective look at the history of the program and how it affected, and was affected by, the culture at large.... Remarkable.

(Boston Globe )

Amos 'n' Andy was an instant success, and went on to become both a national institution and a subject of racial controversy; Mr. Ely's sensitive and scholarly work shows us why.

(New Yorker )

Engaging.... [Ely] does a brilliant job of sorting out what is in many ways a hellishly complex story.... With exemplary scholarship and well-reasoned eloquence, he advances us a long way toward understanding, while also vividly revealing some unsettling aspects of our culture that shouldn't be forgotten.

(San Francisco Examiner and Chronicle )

An engrossing, perhaps definitive, account of one of the most fascinating episodes in popular entertainment.



Painfully funny... ironic.

(Maureen Corrigan, "Fresh Air," National Public Radio )

Product Details

  • Paperback: 322 pages
  • Publisher: University of Virginia Press; 2 Sub edition (October 22, 2001)
  • Language: English
  • ISBN-10: 0813920922
  • ISBN-13: 978-0813920924
  • Product Dimensions: 9.3 x 6.2 x 0.9 inches
  • Shipping Weight: 1.3 pounds (View shipping rates and policies)
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #116,470 in Books (See Top 100 in Books)

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Customer Reviews

7 Reviews
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Average Customer Review
4.9 out of 5 stars (7 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

13 of 14 people found the following review helpful:
5.0 out of 5 stars Thoughtful and Well-Written, January 13, 2002
By A Customer
As the title indicates Ely's work is frankly a work of social history, not a performance biography, and is less interested in exploring "Amos 'n' Andy's" significant impact on the broadcasting medium than in viewing it as window into mid-20th Century American racial attitudes. Analysis of the program's content focuses on that perspective to the exclusion of all others, and detailed examination of the original scripts is confined primarily to the first two years of "Amos 'n' Andy."

Ely therefore fails to discuss in any detail the evolution of the characters and their relationships beyond 1929 -- and this is perhaps the book's greatest flaw, given that the characterizations and the dramatic sophistication of the program evolved substantially between 1929 and the mid-1930s It's unfortunate that Ely shortchanges this period of the program's history, as it in fact coincided with the peak of the program's popularity, and in my view an understanding of the evolution of the characters during the 1929-35 period is essential to an understanding of the series' appeal. (I have, in fact, read all of the scripts for the first decade of the series as part of my own research into "Amos 'n' Andy's" history.)

While Ely occasionally draws conclusions regarding the program's content that are contradicted by a detailed reading of the original 1930s scripts, and sometimes tends to over-interpret in his examination of public reaction to the program, in general his account is balanced and thoughtful, and his research into the African-American response to "Amos 'n' Andy" presents the definitive study of this aspect of the series.

Ely also deserves much praise for avoiding the self-indulgent deconstructionist jargon which tends to dominate current academic studies of popular culture -- his book is a rare example of an academic work which is both scholarly and extremely well-written. I'm very pleased to see the book is back in print.

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9 of 9 people found the following review helpful:
5.0 out of 5 stars Thorough, balanced, fair, insightful, October 17, 2001
By A Customer
There are few phrases in the English language as divisive as "Amos 'n' Andy." It is frequently a euphamism for humor at its most racist and simplistic. Yet could a program based on little more than a handful of stereotypes be able to thrive on radio for more than 30 years? This book answers that question by putting "Amos 'n' Andy" into perspective, through the evolution of the program, its roots in the minstrel shows, and its context within its own time. Freeman Gosden and Charles Correll, the white creators of the program, are portrayed quite fairly in this book, and their motives are also presented in a fair way. Their goal was not to offend, though inevitably they did, but rather to entertain. This book shows how the core characters were portrayed in their own circle, the mythical Mystic Knights of the Sea lodge, and how they were portrayed beyond that inner circle, as the characters would intermingle with other blacks, and also whites. Also worth reading is the efforts by the Pittsburgh Courier and a few other black newspapers to boycott the show as early as 1931. More interesting, is how those attempts stalled, only to regain momentum 20 years later, with the advent of the television version. The phenomenon of "Amos 'n' Andy" is more complex than it would seem, as it tells us more about American society and racial relations than perhaps any othe program ever. This book is not just about "Amos 'n' Andy," but rather about ourselves. And for that, it should be a must-read. I was able to finish this book in two days it was so engrossing.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars History, well-written is more intriguing than fiction, October 5, 1998
By A Customer
History, well-researched and engagingly written, is as fascinating as the greatest fiction, if not more so. Melvin Ely combines a professor's concern for factualness with thorough, ground-breaking research and a novelist's way with narrative into an unfailingly entertaining work that is also of great and lasting academic, social and cultural importance. Ely has delivered a fascinating show business yarn with absorbing insight into human nature, sometimes noble, often naive, and occasionally downright repugnant. While not afraid to add an edge of attitude or a clear point of view when he chooses, the author still eschews easy answers and the predictable pedantics and prejudice of an ideologue of any political persuasion. With subtle surety, and never a trace of condescension, Ely ultimately shows us ourselves--good, bad and ugly--in an absorbing saga of American life and culture.
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