If Russell Banks hadn't become a writer, he thinks he would have wound up stabbed to death in a barroom brawl. He is the son of a two-fisted, drunken New England plumber, and the grief of fatherly combat resonates through his work like the background radiation of the big bang. Banks became a violently drinking plumber himself--and then a Pulitzer Prize-nominated Princeton literary giant and one of the luckiest Oscar-buzzed writers in Hollywood history.
(The Atom Egoyan adaptation of Banks's brilliant novel The Sweet Hereafter perfectly captures its brooding beauty, and Affliction may be Paul Schrader's finest film since he wrote Taxi Driver.)
Affliction transmutes Banks's painful past into fiction. His divorced protagonist, Wade Whitehouse, 41, is imprisoned by fate in Lawford, New Hampshire, a hell frozen over. He digs wells for chump change, lives in a trailer, drinks, and alienates his daughter by dragging her to a miserable Halloween costume party. In two weeks' time, Wade demolishes his pitiable hopes of family happiness, drawn into a rigorously plausible series of disastrous deaths. In flashbacks to his Dad-abused youth, we see how Wade wound up such a Dostoyevskian clown.
Banks has a mind of winter: when Wade sees his dead parent, the scene unfolds with the cold logic of ice-crystal formation. The story is narrated by Wade's kid brother, the family's sole escapee to college, in a cool, distanced way. Both brothers contain aspects of Banks, but each breaks free of autobiography. This is one haunting novel.
From Publishers Weekly
Divorced, inept, confused and stubborn Wade Whitehouse, harrowed by snow and bone-freezing cold for the several days of the novel's duration, is afflicted with a nostalgic, romantic streak. Wade's dream of marrying Margie, a goodhearted waitress, and making a home for his angry daughter Jill, slowly erodes. PW called this a "masterful novel."
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