Who's Afraid of Virginia Woolf? [Paperback]

Edward Albee (Author), Edward Albee (Author)

Book Description

ISBN-10: 0822212498 | ISBN-13: 978-0822212492 | Publication Date: January 1998 | Edition: 1St Edition

This modern American play watches an evening with two couples and the lies they fabricate about themselves to keep on living. It is a vicious and haunting drama.

--This text refers to an out of print or unavailable edition of this title.

Editorial Reviews

Review

“Albee can…be placed high among the important dramatists of the contemporary world theatre.”—New York Post



“An irreplaceable experience…a crucial event in the birth of contemporary American theater!”—The Village Voice

--This text refers to an alternate Paperback edition.

From the Back Cover

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Product Details

• Paperback: 115 pages
• Publisher: Dramatists Play Service Inc.; 1St Edition edition (January 1998)
• Language: English
• ISBN-10: 0822212498
• ISBN-13: 978-0822212492
• Product Dimensions: 7.6 x 5.2 x 0.3 inches
• Shipping Weight: 4.2 ounces (View shipping rates and policies)
• Average Customer Review: 4.4 out of 5 stars  See all reviews (53 customer reviews)
• Amazon Best Sellers Rank: #454,441 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

34 of 37 people found the following review helpful:

5.0 out of 5 stars one of the best modern plays, May 9, 2000

By 

Maria from London (London UK) - See all my reviews

This review is from: Who's Afraid of Virginia Woolf? (Paperback)

A play in three acts, a very simple setting, and only four characters who live in a small, university town in America: a middle-aged couple, Martha and George. And a "young and innocent" couple, Nick and Honey. They all meet in a room, in Martha and George's house, very late one night, for a nightcap. And then...all hell breaks lose.

The play tears apart both marriages: the middle aged couple, who seem to hate each other and in the end turn out to be much more devoted to each other as it would seem. The young, seemingly perfect couple, who turn out to have lots of problems of their own. In three heart-breaking scenes, using dialogue that cuts like a knife, Edward Albee has written a masterpiece. He manages to give a clear-cut, honest picture of the reality of marriage, the reality of love, and the fears that go hand in hand with love and intimacy. At some point, in act three, Martha talks about her husband- and it's probably one of the best pieces of literature I've read:

"...George who is out somewhere there in the dark...George who is good to me, and whom I revile; who understands me, and whom I push off; who can make me laugh, and I choke it back in my throat; who can hold me, at night, so that it's warm, and whom I will bite so there's blood; who keeps learning the games we play as quickly as I can change the rules; who can make me happy and I do not wish to be happy, and yes I do wish to be happy, George and Martha: sad, sad, sad."

What more can I say? just read the play, and if you get the chance, watch it performed in the theatre, too.

22 of 24 people found the following review helpful:

5.0 out of 5 stars The Most Beautiful Modern Drama, July 5, 1999

By A Customer

This review is from: Who's Afraid of Virginia Woolf? (Paperback)

Looking past the rough language and the slew of verbal insults, one can see a sheer literary masterpiece. It wonderfully shows the struggle of George and Martha trying to come to terms with the reality they have created for themselves. When George discloses the secret of their son's nonexistence, he is forcing he and his wife to forfeit their mind games and live as functional human beings. By the way, in rebuttal, the title is absolutely perfect. Anyone with literary knowledge knows that Virginia Woolf was a realist who tried to present life as it truly is. Martha, at the end, is afraid of Woolf, or the symbol of life without pretenses.

12 of 13 people found the following review helpful:

4.0 out of 5 stars Communication Problem, May 13, 2001

By 

Ronnie Khoury (Arlington) - See all my reviews

This review is from: Who's Afraid of Virginia Woolf? (Paperback)

Edward Albee truly explores and humiliates the human fallacy of communication and insecurity in Who's Afraid of Virginia Woolf? with the use of repetition and a critical and satirical tone. In the play, Albee creates a tension between the two main characters of George and Martha. Throughout the play, Martha repeatedly sings "Who's Afraid of Virginia Woolf?" Although this song correlates to the title of the play, it also contains a deeper and more stylistic purpose to it. It basically means "Who's Afraid of life without false illusions?" according to Albee. When Martha sings George this very song, she is really asking him if he can continue life without lying to himself, but rather be honest with himself and live with the truth. This repetition of questioning with the song creates the feeling of insecurity within the characters. It arrives to the question if they can really handle the situation. In another example of repetition, Albee repeatedly has the characters of George and Martha suspiciously talk of and mention about their son. The repetition of this illusion by these characters creates the fantasy, which they live by, and how they carry on with this fantasy to fulfill their happiness. This correlates to the problem of insecurity Albee wishes to create through the use of the characters. Not only does Albee use this repetition to carry out his philosophical views on human existence, but he also validates the communicable issues with the satirical and critical tone throughout the play. The satirical tones of the sick games the couples fancy during the play spark a disturbing appearance toward the characters and their disgusting communication. Albee truly makes a disturbing communication problem when Martha plays "Humiliate the Host". She picks and edges at George's weakest aspects and embarrassments. This satirical tone demeans the couple's communication as Martha humiliates her husband in front of the guests. These disturbing game shows the true disgust of the American society as Albee demonstrates. Not only does his writing open a new door for us to look in to, but it also helps to pinpoint our nation's problems. The use of the character's insecurities not only relate to Albee's purpose of demonstrating a couple's in ability to cope and deal with life, but it also deals with society's problems. The stylistic strategies of Albee aid in our discovery of his purpose in the play but also in society.