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African American Satire: The Sacredly Profane Novel [Hardcover]

Darryl Dickson-Carr (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

July 30, 2001

Satire's real purpose as a literary genre is to criticize through humor, irony, caricature, and parody, and ultimately to defy the status quo. In African American Satire, Darryl Dickson-Carr provides the first book-length study of African American satire and the vital role it has played. In the process he investigates African American literature, American literature, and the history of satire.

Dickson-Carr argues that major works by such authors as Rudolph Fisher, Ishmael Reed, Ralph Ellison, Langston Hughes, and George S. Schuyler should be read primarily as satires in order to avoid misinterpretation and to gain a greater understanding of their specific meanings and the eras in which they were written. He also examines the satirical rhetoric and ideological bases of complex works such as John Oliver Killens's The Cotillion and Cecil Brown's The Life and Loves of Mr. Jiveass Nigger—books that are currently out of print and that have received only scant critical attention since they were first published.

Beginning with the tradition of folk humor that originated in West Africa and was forcibly transplanted to the Americas through chattel slavery, Dickson-Carr focuses in each chapter on a particular period of the twentieth century in which the African American satirical novel flourished. He analyzes the historical contexts surrounding African American literature and culture within discrete crucial movements, starting with the Harlem Renaissance of the 1920s and ending in the present. He also demonstrates how the political, cultural, and literary ethos of each particular moment is manifested and contested in each text.

By examining these texts closely within their historical and ideological contexts, Dickson-Carr shows how African American satirical novels provide the reader of African American literature with a critique of popular ideologies seldom found in nonsatirical works. Providing a better understanding of what satire is and why it is so important for fulfilling many of the goals of African American literature, African American Satire will be an important addition to African American studies.

 



Editorial Reviews

About the Author

Darryl Dickson-Carr is Assistant Professor of English at Florida State University in Tallahassee.


Product Details

  • Hardcover: 248 pages
  • Publisher: University of Missouri; 1 edition (July 30, 2001)
  • Language: English
  • ISBN-10: 0826213251
  • ISBN-13: 978-0826213259
  • Product Dimensions: 9.3 x 6.4 x 1 inches
  • Shipping Weight: 1.3 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,820,632 in Books (See Top 100 in Books)

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Average Customer Review
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6 of 6 people found the following review helpful:
5.0 out of 5 stars Studies the role and purpose of satire as a literary genre, September 9, 2001
This review is from: African American Satire: The Sacredly Profane Novel (Hardcover)
Darryl Dickson-Carr's African American Satire is recommended for college-level audiences; this studies the role and purpose of satire as a literary genre in African-American writings. Afro-American literature and the history of satire are concurrently studied in chapters which argue that major works by Hughes, Ellison and other should be viewed as satires in order to fully appreciate their meaning.
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0 of 9 people found the following review helpful:
5.0 out of 5 stars My, my, my, what an excellent book., April 17, 2002
By A Customer
This review is from: African American Satire: The Sacredly Profane Novel (Hardcover)
Wow! I could not believe how remarkably crispy this book was. I mean the pages were just crisp with crispness. You know how when sometimes you're reading a book and you think to yourself "Dam! This book is crispy!"? Well, when you read this book, it will make you think that. Are you ready to ascend to new levels of crispiness? Then reading this handsome man's audacious study of the crisp. I found particularly interesting the area where he compares Lacan's mirror stage to Ralph Ellison's novel: "THE CRISP FACTOR". What a tight, irresistable thriller!
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