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African-American Traditions in Song, Sermon, Tale, and Dance, 1600s-1920: An Annotated Bibliography of Literature, Collections, and Artworks (The Greenwood Encyclopedia of Black Music)
 
 
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African-American Traditions in Song, Sermon, Tale, and Dance, 1600s-1920: An Annotated Bibliography of Literature, Collections, and Artworks (The Greenwood Encyclopedia of Black Music) [Hardcover]

Eileen Southern (Compiler), Josephine Wright (Compiler)


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Book Description

September 11, 1990 0313249180 978-0313249181 annotated edition
African-American Traditions in Song, Sermon, Tale, and Dance is undeniably the most valuable resource available to scholars engaged in Afro-American folk culture research. An untapped wealth of primary information has been chronologically cataloged within this comprehensive, annotated guide. It covers a period of over 300 years of African-American cultural history in the United States. Materials fall into three categories: literary publications, iconographical records, and collections of song, tale, and sermon texts. Focusing on folk culture, 2,328 items were chosen for their historical relevance as well as to insure broad representation. Eileen Southern and Josephine Wright's bibliography provides researchers with the tools needed to shatter myths and stereotypes and to form concise theses supported by extensive evidence. The bibliography is divided into four major chronological sections: "Colonial-Federalist", "Antebellum", "Post-Emancipation", and "Early Twentieth Century". A fifth section, "The WPA Slave Narrative Collection", includes materials (collected in the 1930s) that are essential to a serious discussion of American slavery. Within these five sections materials are classified as literature, artwork, and/or collections. Literature and artwork subsections are further divided into social activities, religious experience, song, and tale. Iconographical entries often compliment the literary ones and some themes run throughout the book. The materials are indexed by names of authors and artists, by subject, and by first lines of songs.

Editorial Reviews

Review

“As any well-organized, carefully annotated bibliography does, this work by Southern (Harvard, emerita) and Wright (College of Wooster) brings order out of chaos. The 2,328 entries identify books, articles, sermons, pamphlets, and broadsides, among other formats, all centered on black folk culture with emphasis on the manifestations of that culture from 1600 to 1920 through song, dance, games, sermons, and illustrations. A volume in the "Greenwood Encyclopedia of Black Music," the book is organized chronologically into four major sections and then subdivided into publications grouped around the topics "Social Activities," "Religious Experience," "The Song," and "The Tale." The annotations not only describe the item listed but provide a note to indicate whether it includes the text of a particular song, sermon, or game. As a supplement to the enumeration of textual sources the compilers have supplied an extensive and unique annotated listing of iconographic materials--drawings, paintings, sketches, and photographs that illustrate the various facets of black folk culture. Indexes supply access by author, subject, illustrator, and first line of both chorus and verse of songs. The text is presented in camera-ready copy. This carefully done and useful bibliography is recommended for libraries on all campuses where there is an interest in the black experience.”–Choice

About the Author

EILEEN SOUTHERN is Professor Emerita of Music and Afro-American Studies at Harvard University and Editor/Co-publisher of The Black Perspective in Music.

JOSEPHINE WRIGHT is Professor of Music at the College of Wooster.

Product Details

  • Hardcover: 416 pages
  • Publisher: Greenwood Press; annotated edition edition (September 11, 1990)
  • Language: English
  • ISBN-10: 0313249180
  • ISBN-13: 978-0313249181
  • Product Dimensions: 10.9 x 8.5 x 1.4 inches
  • Shipping Weight: 3 pounds
  • Amazon Best Sellers Rank: #2,262,222 in Books (See Top 100 in Books)

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Inside This Book (learn more)
First Sentence:
In correspondence sent by James Oqlethorpe to Harman Vereist, dated 9 October 1739, Savannah (Georgia), there are references to the dancing, singing, and beating on drums by Negroes participating in the Stono (South Carolina) insurrection (234). Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, South Carolina, New Orleans, North Carolina, Brer Rabbit, Lost Cause Press, Uncle Remus, Fisk University, Port Royal, Negro Universities Press, Post-Emancipation Era, Buh Rabbit, Museum of Fine Arts, Ann Arbor, Historical Society, Joel Chandler Harris, Bernard Katz, Buh Wolf, John Jasper, Paul Laurence Dunbar, Fortress Monroe, New Haven, Putnam's Sons, Christmas Eve, Helena Island
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