African Art and the Colonial Encounter: Inventing a Global Commodity (African Expressive Cultures) [Hardcover]

Sidney L. Kasfir (Author)

Book Description

ISBN-10: 0253348927 | ISBN-13: 978-0253348920 | Publication Date: October 3, 2007

Focusing on the theme of warriorhood, Sidney Littlefield Kasfir weaves a complex history of how colonial influence forever changed artistic practice, objects, and their meaning. Looking at two widely diverse cultures, the Idoma in Nigeria and the Samburu in Kenya, Kasfir makes a bold statement about the links between colonialism, the Europeans' image of Africans, Africans' changing self representation, and the impact of global trade on cultural artifacts and the making of art. This intriguing history of the interaction between peoples, aesthetics, morals, artistic objects and practices, and the global trade in African art challenges current ideas about artistic production and representation.

Editorial Reviews

Review

To help alter and broaden the meaning that some of her western professional colleagues associate with African objects, art historian and curator Kasfir (Emory Univ.) applies and draws lessons from certain anthropological practice from the 1980s and literary theory from the 1990s to two examples of African artifacts. "Sustained fieldwork" undergirds her study of the spears of the pastoralist Samburu of the Rift Valley, in Kenya, East Africa, and of the masks of the agricultural Idoma in Nigeria, West Africa. The comparison of these two quite different tribes and their artifacts unfolds in four parts: warriors and warriorhood, "artists" and their products, "the objects themselves," and commodification and globalization. Practicing anthropologically, Kasfir digs into the cultural fabric of the tribes and applies it to their artifacts. She recognizes the different impacts of varied British colonial policy upon the tribes and records some of the misreadings of tribal culture by European explorers, colonial officials, and settlers. As historian, she underlines cultural change and the consequent meaning of embedded artifacts over time--something that western artists and curators (let alone tourists) do not always apply to their reading of African objects. A provocative and useful addition to postcolonial analysis. Summing Up: Highly recommended. Faculty and specialists. --Choice J. L. Cooper, emeritus, DePauw University, Choice, January 2009

"A provocative and useful addition to postcolonial analysis. Summing Up: Highly recommended. Faculty and specialists." -- Choice, January 2009

"A rich and highly informative account of the many factors that impact artistic production in Africa." -- Victoria RovineUniversity of Florida

"A rich and highly informative account of the many factors that impact artistic production in Africa." -- Victoria Rovine, University of Florida

"... there is little doubt that [this book]... will be compulsory reading for critical African art history syllabi for years to come... This book takes history very seriously, and in doing so, it brings a properly researched post-colonial critical discourse to bear on histories - those of the Samburu, the Idoma and African art history itself. In doing so it shows how art (artefact, material culture, objects... whatever) can both make those histories and be a vital part in our understanding of how the world is represented." -- Will Rea, University of Leeds, Leeds African Studies Bulletin, #70 Dec. 2008

"... well organized, analytically rich, elegantly written and a compelling read." -- Mary Jo Arnoldi, Smithsonian Institution, RESEARCH IN AFRICAN LITERATURES, Vol. 40.3 August 2009

"... it is highly recommended with its emphasis on the three Cs--colonialism, commodity, and complexity of representation." -- Joseph Nevadomsky, H-AfrArts, September 2009

"... persuasively demonstrates the degree to which colonialism reshaped artistic production and meaning, and also how artists were agents of resistance through creativetransformation." -- Mary Nooter Roberts, University of California, Los Angeles, AFRICAN STUDIES REVIEW, Vol. 52.2 Sept. 2009

From the Publisher

"A rich and highly informative account of the many factors that impact artistic production in Africa." --Victoria Rovine, University of Florida

See all Editorial Reviews

Product Details

• Hardcover: 408 pages
• Publisher: Indiana University Press (October 3, 2007)
• Language: English
• ISBN-10: 0253348927
• ISBN-13: 978-0253348920
• Product Dimensions: 9.5 x 6.6 x 1.2 inches
• Shipping Weight: 1.4 pounds (View shipping rates and policies)
• Amazon Best Sellers Rank: #5,186,241 in Books (See Top 100 in Books)

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