Han Coray (1880-1974) was one of the first and most important European collectors of African art. His extensive collection was procured by the Museum for Ethnology in Zurich in 1940 and is one of the highest quality collections in Europe. "African Art: The Han Coray Collection 1916-1928" contains a selection of approximately 200 of the most impressive objects presented in beautiful illustrations and accompanied by informative texts. Featured are not only sculptures and wooden masks, but also ivories, textiles and works in metal. The art of many regions is represented here, with a special focus on that of Central Africa. Coray's African collection was a product of his interest in art, not in anthropology, and it was in fact artists, art lovers and art historians with whom he associated. This explains and justifies the predominance of contributors from the world of art in this volume, including commentaries and essays by Georg Baselitz, Daniel Spoerri and Harald Szeemann. Anthropological contributions discuss the problem of universal visual experience and address the aesthetics of traditional African art.
Book Description
Editorial Reviews
From Library Journal
These two books by the same publisher are very similar in a number of ways?they are designed to accompany major European exhibitions; contain hundreds of visually impressive photos of some of the finest works of African artistry; and cover the art of Africa while emphasizing the sculpture of West and Central Africa. These similarities aside, the books differ significantly in terms of the nature of the text and the focus of the content. Early in the 20th century a small number of European collectors acquired significant collections of African art. Han Coray (1880-1974), a modern art dealer in Zurich, was one of the earliest of those collectors, and his extensive collection eventually became the property of the Zurich University Ethnographic Museum. African Art is a catalog of that collection, with over 300 photographs of the objects. While most of the catalog entries provide useful information about the objects, some are unsatisfyingly only descriptive. More than a dozen essays are also provided, while some are scholarly and informative, many are personal reflections on and reactions to the collector and the collection, which some readers may not find especially enlightening. African Masks explores the nature of one of the most important categories of art in Africa. An excellent introductory essay by scholars Maria Kecskesi and Lazlo Vajda succinctly discusses the roles of masks in African societies and explains variations in their form and aesthetics. Almost 250 masks in the Barbier-Mueller Museum collection are cataloged with brief entries and small but fine black-and-white photos. The major portion of the book consists of large-format color plates of selected masks with extensive, scholarly notes by Hahner-Herzog. Many of the plates are accompanied by outstandingly useful field photos of the masks as worn by fully costumed performers in their indigenous context. Both books are highly recommended for any public or academic library with an interest in art, anthropology, and/or African studies.?Eugene C. Burt, Art Inst. of Seattle Lib.
Copyright 1998 Reed Business Information, Inc.
Copyright 1998 Reed Business Information, Inc.
Language Notes
Text: English (translation)
Original Language: German
Original Language: German
Product Details
Would you like to update product info or give feedback on images?
|
Customer Reviews
|
There are no customer reviews yet.
|
|||
|
Video reviews
|
Tag this product(What's this?)Think of a tag as a keyword or label you consider is strongly related to this product.
Tags will help all customers organize and find favorite items. |
Sell a Digital Version of This Book in the Kindle Store
If you are a publisher or author and hold the digital rights to a book, you can sell a digital version of it in our Kindle Store.
Learn more
