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African Dance: An Artistic, Historical and Philosophical Inquiry
 
 
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African Dance: An Artistic, Historical and Philosophical Inquiry [Paperback]

Kariamu Welsh-Asante (Editor)

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Book Description

January 1997
This is a collection of essays written by scholars and professionals on the field of Dance and African American Studies covering four major areas of the disciplines. It provides historical, philosophical and aesthetic information on the subject matter drawing from the African continent and the African Diaspora.
--This text refers to an out of print or unavailable edition of this title.

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Editorial Reviews

Review

African Dance is a compilation of essays by distinguished writers, critics, and artists in the field of Dance and African American Studies who address several areas and disciplines of African dance both on the continent and in the diaspora. Sir Rex Nettleford, the distinguished Jamaican choreographer, professor and writer, stresses in the foreword that the continuity between all dances that derive from Africa and the significance of this book. Nettleford argues that African dance is a dominant, pervasive and empowering force in African communities. The four areas covered in African Dance are tradition, tradition and continuity, tradition transformed, and tradition contextualized. African, Brazilian, Caribbean, and African American scholars each focus on some aspect of African dance which provide the patterns that connect. African Dance is text and, as such, it is a document that can be used for historical, philosophical and aesthetic information. African Dance is an impressive contribution to an heretofore neglected aspect of African studies. -- Midwest Book Review

From the Back Cover

This book is a compilation of essays by distinguished writers, critics, and artists in the field of Dance and African American Studies who address several areas and disciplines of African dance both on the continent and in the diaspora. Sir Rex Nettleford, the distinguished Jamaican choreographer, professor and writer, stresses in the foreword to the book, the continuity between all dances that derive from Africa and the significance of this book. African dance, he argues, is a dominant, pervasive and empowering force in African communities.

The four areas covered in the book are tradition, tradition and continuity, tradition transformed, and tradition contextualized. African, Brazilian, Caribbean and African American scholars each focus on some aspect of African dance which provide the patterns that connect. "African Dance" is text and, as such, it is a document that can be used for historical, philosophical and aesthetic information. Besides Sir Rex Nettleford, other contributors to this book include Pearl Primus, Mawere Opoku, Katrina Hazzard-Gordon, Myriam Evelyse Mariani, Cynthia S'thembile West and Omofolabo Soyinka Ajayi. --This text refers to an out of print or unavailable edition of this title.


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Inside This Book (learn more)
First Sentence:
Very early in her research the investigator learned that people who truly dance are those who have never bartered the fierce freedom of their souls, never strangled their hunger for rhythmic movement, nor frustrated their joyous physical response to music and song. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
transcendental dance, vital aliveness, national dance company, possession dance, dance research, dance arena, black dance, side fringes, ritualistic observances, dance culture, congo square
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Rio de Janeiro, West Africa, United States, Sao Paulo, New World, Oxford University Press, Ivory Coast, John Canoe, Los Angeles, University of California Press, African Americans, Robert Farris Thompson, Forced Landing, North America, Pearl Primus, South Carolina Gazette, West Indies, Englewood Cliffs, Greenwood Press, Jimmy Slyde, Journal of Negro History, Cecil Taylor, Chuck Green, Jazz Dance
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