African Roar is a fiction anthology initially drawn from the very best stories published from 2007-2009, in the StoryTime weekly literary ezine dedicated to publishing African writers. Between these covers you will find eleven stories that stand as a testament to the upsurge of talented African writers boldly utilising the cutting edge of technology and the writing craft to be read globally. Spanning Africa and the African Diaspora in past, present and future, each story has a fresh and diverse vision that opens up new vistas of experience. From the lucid terrors of domestic violence through the eyes of a child, and the anguish of those left behind by a fleeing Diaspora, to a full circle, when the prey becomes the hunter and has the opportunity for revenge, and a dryly humourous look at what it's like to lose a quarter of your brain, to name just a few of the treasures that lie within. Edited by Emmanuel Sigauke & Ivor W. Hartmann.
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5.0 out of 5 stars
Parables and Metaphors,
By
This review is from: African Roar: An Eclectic Anthology of African Authors (Paperback)
Parables and metaphors dominate the narrative in African Roar, a recently released collection of short stories edited by Emmanuel Sigauke and Ivor W. Hartmann. Marketed as representing a cross section of contemporary African authors, this slim volume makes a big sound and is worth reading for the quality of its voice and tambor, for the depth of its rhythm and texture.Because of the generally light nature of parables, one could be forgiven for thinking that this anthology would make for fun summer reading under the beach umbrella. It's not and it won't. Rather, African Roar deals with complex issues such as domestic abuse, romantic fidelity and friendship treachery, the hopelessness of chronic unemployment, political corruption and personal rage. It's a weighty collection handling some of the most compelling problems in the world today, and it does so with depth, integrity and richness. Take for example Masimba Musodza's "Yesterday's Dog" which presents Stanley, a middle aged man who was a victim of torture at the hands of Rhodesian Security Forces many years ago as a college student. When the story opens, Stanley holds the reader's sympathy for having endured being "hauled [like] a rabbit out of a cage by its ears" and who "howl[s] like a wild animal with its paw in a trap" when the military police brutally arrest him in front of his family based on false charges. During his time in custody Stanley is beaten, waterboarded, and electricuted. Interspered with the detailed descriptions of torture Musodza offers several references to animals such as baboons and chained dogs. The metaphor is apt and prompts the reader to reflect on the nature of humanity. Who is the animal when one human is torturing another? The victim who is called a dog, or the one who beats the victim like a dog? Like all good parables, the reader learns something as the story progresses. In this case, the reader's identification with Stanley as a hero and survivor wanes. This shift in sympathy comes about when Stanley's vocation -- "the place where he worked" -- is revealed. In short, Stanley becomes that which he survived. "He was that old man now," a torturer who was "commending himself to the mercy of those who were his victims." The victim goes on to be a victimizer, and thus by perpetuating the pain and dehumanization of others he becomes "yesterday's dog." Because of African Roar's title and the forwarding remarks about how this collection is written primarily by writers of the African Diaspora, one could also be forgiven for thinking this is a book only about African issues. It's not and it isn't. Rather, African Roar confronts and challenges the reader from every continent. One important way in which this is achieved is through narrative voice and perspective. A good example can be found in "Big Pieces, Little Pieces" by Novuyo Rosa Tshuma. In this instance, the narrator's use of "you" oddly personalizes the pain, thereby making the reader become the storyteller in such a way that the sick in the belly feeling, the ache in the soul expression of a mother's death can't be separated from the words on the page. The reader is the read. Are "you" feeling this because "you shut your eyes tight and drag the snot back up your nose . . . because it's all your fault" that Mama is dead? Or because Tshuma the author so handily builds a convincing character full of guilt and childlike responsibility. Once "you" recover from the weight of the drama, the poignancy of the personalized voice and the loss of childhood innocence, the universal consequences of domestic violence is felt. Is wife battering just an African experience? Of course not! Men batter women around the world, on every continent. It's an underrated bane of female existence. And it is certainly not "just" an African issue. Perhaps it's just that what happens in Africa is a parable for what happens to all of humanity. Finally, lest one think that all of the stories in African Roar are grim reminders of human frailty, there is the comedic "Quarterback & Co." by Chuma Nwokolo, Jr to lighten our spirits. In a satire of corporate culture, Nwokolo has produced a remarkable piece of African style magical realism. Without giving too much away, it can be safely shared that one of the main characters is a pot smoking mosquito named Quarterback who saves a diasporic efficiency analysis manager working in the U.K. from sleep deprivation. But only for a time. And to hear the ending of the story, get a copy of African Roar and listen for yourself.
4.0 out of 5 stars
Colourful and Passionate words from Africa,
By
This review is from: African Roar: An Eclectic Anthology of African Authors (Paperback)
The African Roar Anthology 2010 is a colourful collection of 10 short stories by established authors across the continent of Africa. The Anthology was co-edited by Ivor Hartmann (Editor of Story time E-zine) and Emmanuel Sigauke (Founder of Wealth of Ideas Blog, author and poet). What immediately becomes apparent as you read through the stories is that the Anthology is a flavourful snapshot of the writing talent in Africa. The Anthology opens with `Big pieces and Little pieces' by Novuyo Rosa Tshuma. This is a story written in the first person. Tshuma's choice of language allows the story to flow into a front row peak into the lives and interactions of an African family plagued by domestic violence. The perpetrator is father and the abuse is narrated through the eyes of father's child. The child feels guilty for what father did to mother. This is truly a riveting piece of story telling that will linger in your thoughts long after you have read it. It is an accurate depiction of issues that many families experience in the world today. The `Nestbury Tree' by Ayodele Morocco-Clarke is a fast paced humorous and suspenseful account of an altercation between the Shepherd of the church and mum. The Shepherd wants the Nestbury Tree to be cut down because he believes it is a haven for witches. However, mum is in opposition to this and is adamant that the tree is NOT coming down. Mums reason; the tree was brought all the way from Kingston, Jamaica and planted by her father's very own bare hands. Despite efforts from a Pastor to pour water on the blazing argument, the Shepherds war on the Nestbury tree escalates to a humorous level. However, what eventually happens to the tree and to mum is quite unexpected.The Co-editors have also offered their commendable contributions; `Love Lost' by Ivor Hartmann and `A Return the Moonlight' By Emmanuel Sigauke. `Yesterday's Dog' by Masimba Musodza deals with the challenges experienced with forgiveness and reconciliation in a racially divided country following a civil war in Rhodesia/Zimbabwe. Other contributors include NAMA Award wining Zimbabwean author `Christopher Mlalazi' with his story `Cicada in the Shimmer', Kola Tubosun, Beaven Tapureta, Chuma Nwokolo Jr, Nana A Damoah and Ayesha H. Attah. African Roar is definitely a collection that can be enjoyed. It is available at all major internet bookstores.
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