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Saki Mafundikwa is a graphic designer, typographer and teacher. He holds an MFA from Yale University and has worked and taught in New York City. Returning to Zimbabwe, he founded the country's first graphic design and new media college, the Zimbabwe Institute of Vigital Arts. The college opened in 1999 and continues to operate under extremely difficult conditions as the country goes through its most challenging era since independence.
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Product Details
Hardcover: 192 pages
Publisher: Mark Batty Publisher; First Edition edition (October 1, 2006)
Afrikan Alphabets: The Story Of Writing In Afrika is the impressive result of author Saki Mafundikwa's 20-year effort to collect information on writing systems throughout Africa. Pictographs, mnemonic devices, syllabaries and alphabets are all graphically presented with pronounciation guides, and color photographs of people, art and documents, and brief essays concering the histories of various writing scripts. A superb reference guide and a fascinating linguistic history.
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This book is fantastic in covering the history of indigenous African scripts, a subject many are unaware of. However, the author should have begun by discussing the beginning of African writing which took place in Ancient Kemet (Egypt). He did not discuss it at all. Perhaps one could claim that it is because the script is no longer in use, but then why did the author discuss some contemporary scripts that are not in use? The only other reason I could think of is because Egypt is already so well known and he wanted to focus on the Sub-Saharan groups that are more disregarded. Fair enough, but then the author should have discussed the Meroitic script of the ancient Nubians of Kush and noted the lack of global interest in deciphering this ancient alphabet.<br /><br />Otherwise, the book is fantastic and the Zimbabwean author a blessing to the global community of people of African descent. His understanding of the unity of our people is unsurpassed and refreshing in light of the separatism we are taught to practice among ourselves.
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cool. good quality, good info. extensive stuff on the symbolic level. I liked that. The encoding of meaning in shapes, and the manifestations of meaning in sound. yum stuff.
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This book provides a very interesting survey of an area often neglected in discussions of writing systems; indeed, as the author and the preface-writer Tadadjeu indicate, it is often assumed (though not by linguists) that African languages were seldom written before the introduction of alphabets (mainly by European colonisers) in modern times. The material covers the origins and characteristics of a wide range of scripts used to write various African languages.<br /><br />The main problem with the book involves a considerable element of `Afrocentrism': the recent tendency (especially in the USA and elsewhere in the African diaspora) to exaggerate the role of Africa in world culture, by way of reaction to the previous, often racist down-playing of Africa's contributions to history and intellectual life (and to institutions such as slavery). Examples are the ready acceptance of Bekerie's extreme and often dubious claims about the Ethiopic `abugida' (intermediate between an alphabet and a syllabary), and the seriously exaggerated claims made for the Cameroonian Shu-Mom system (made especially strongly in the preface). Afrocentric pseudo-historical works are cited without any acknowledgment of their highly marginal status. Quasi-mystical notions involving `harmony' and spirituality are foregrounded in places.<br /><br />There are also some oddities, commencing with the decision to spell the words Africa and African with K rather than C, on the ground that K is the letter normally used for the sound in question in Africa itself. The C-K contrast arises only in the context of the modern use of the roman alphabet, where either letter would serve. The Romans used the form with C because this was how they transliterated all Greek loans which had kappa (K) in the original.Read more ›
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