"AfroCuba" focuses on the rich AfroCuban influence in the visual art of Cuba during the post-revolutionary period. It represents the first opportunity for U.S. audiences to appreciate nearly four decades of artistic production shaped by the influential forces of AfroCuban religion, social struggle, questions of cultural heritage, and personal and diplomatic relations with Africa. Representing the work of twenty-six artists residing in Havana and Santiago de Cuba, "AfroCuba" includes sixty prints and drawings masterfully executed in a variety of techniques, among them lithography, collagraph, woodcut, screen print, and ink and crayon drawing. The book includes essays by curator and art historian Judith Bettelheim, an expert on the African diaspora, with a foreword by Keith Morrison, an essay by Cuban artist and curator Alexis Esquivel, excerpts from David Mateo's Looking at Cuban Printmaking (Havana 2001), and a technical glossary by Sylvia Solochek Walters. Cuban artist and critic Tonel (Antonio Eligio Fernandez) served as curatorial consultant.
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survey of leading modern-day Cuban artists,
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This review is from: Afrocuba (Paperback)
Bettelheim has put together a gallery of art works by 25 noted younger, contemporary, Cuban artists. The closing section is on Belkis Ayon, who died in 1999. A representative work of each of the artists faces a one-page essay on him or her. Many of the pictured works are from the past year or two. The oldest are from the 1970s. It's an eye-opening catalog displaying the liveliness and imagination in Cuban art works on paper over the past 30 years. One sees that Cuban art has not been retarded by U. S. efforts to ostracize Cuban under the Castro regime; and that as far as its art goes, Cuba reflects the latest in modern and contemporary art with respect to content and style, and in some cases political and social perspective. The Afrocuban works on paper contain all of the irony, postmodern collage, and abstract and biological forms of art of any country, while at the same time reflect earthy African roots and the social tensions and artifices of Cuba. A professor of art history at San Francisco State U., Bettelheim area of concentration is the African Diaspora.
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