From Publishers Weekly
Having already tackled the new millennium's most explosive government document,
The 9/11 Commission Report, in bestselling comic form, former Marvel Comics executive editor Jacobson and journeyman artist Colón go for a less scripted take on recent history with this vivid graphic take on the wars that erupted after 9/11. Not relying on one single source allows Jacobson and Colón to be more wide-ranging in their examination of the war on terror. As journalism, Jacobson's work is nothing particularly fresh, relying on a steady march of bullet-point news squibs about the Afghanistan and Iraq wars and sidebar background material to fill out its densely packed pages. Colón's chaotic and highly physical artwork helps bring the occasionally dry recitation to life; his liberal use of bloody war-zone carnage shockingly illustrates how little such things are shown by the Western media. Jacobson keeps his tone as even as possible, save for the unavoidable details of hypocrisy or incompetence (of which there are sadly many), helping to make the book an excellent choice for educators looking for an accessible single-volume take on the subject. All in all,
After 9/11 stands apart as the graphic novel equivalent of a particularly cogent
Frontline report.
(Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
Paperback
edition.
From School Library Journal
Grade 10 Up—In this follow-up to
The 9/11 Report: A Graphic Adaptation (Hill & Wang, 2006), Jacobson and Colón offer readers an incisive report on the U. S. government's activities, in both foreign and domestic theaters, in response to the perceived threat of continuing terrorist incursions. Densely packed panels explicate diplomatic, political, military, and popular discussions; edicts; and activities through narrative, carefully chosen quotes, and images that vary in style from photorealism to symbolic idioms. An example of the latter is the iconic sound of a submachine gun, accompanied by a spray of blood, to indicate each assassination cataloged here. Both teen researchers and those with an interest in American foreign affairs will find this a helpful guide to events, although the period it covers is necessarily brief and still open-ended. Panel layout is less felicitous than in most graphic-novel-style nonfiction, but readers can graze a page to cull its messages rather than needing to follow a specific path. A must for any collection supporting American history and government curricula.—
Francisca Goldsmith, Halifax Public Libraries, Nova Scotia Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
Paperback
edition.