After Fall, Winter 2012 NR CC

Amazon Instant Video

(26) IMDb 6.5/10
Available in HD

After Fall, Winter is a secretive, dangerous and sexy love story about a French dominatrix who falls in love with a New York writer in Paris.

Starring:
Eric Schaeffer, Lizzie Brocheré
Runtime:
2 hours 12 minutes

Available in HD on supported devices.

After Fall, Winter

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Product Details

Genres Drama
Director Eric Schaeffer
Starring Eric Schaeffer, Lizzie Brocheré
Supporting actors Lizzie Brocheré, Anna Gaylor, Rebecca James, Jimmy King, Sylvie Loeillet, Sydney McCann, Christian Mulot, Akéla Sari, Eric Schaeffer, Chloé Stefani, Niseema Theillaud, Deborah Twiss, Matthias Van Khache
Studio FilmBuff
MPAA rating NR (Not Rated)
Captions and subtitles English Details
Rental rights 3-day viewing period. Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

Customer Reviews

Have watched it several times and makes a great conversation piece. last scene made me cry.
Elizabeth K
Just because a movie is suppose to be different from others with a suprise kind of ebeding does not make the movie good or worth it sorry but it doesn't.
E. Myers
This is not necessarily a problem if we just suspend disbelief and focus on the main point.
Charles R. Williams

Most Helpful Customer Reviews

11 of 11 people found the following review helpful By Buddy S VINE VOICE on May 9, 2012
Format: Amazon Instant Video
Michael (played by Eric Schaeffer) is a middle aged author who has hit rock bottom - his latest novel is in the process of being rejected by a string of publishers and he is heavily in debt, depressed and suicidal. At the urging of a friend, he leaves New York City for a visit to Paris. Once in Paris, he meets and immediately falls for Sophie (played by Lizzie Brocheré), an alluring 20 something hospice counselor. Initially, Sophie rejects Michael's advances, but after she sees a vulnerability in his macho facade, she decides to give a relationship with him a chance.

As the relationship develops, each harbors an important secret -- Sophie moonlights at a second job as a dominatrix, while Michael frequents dominatrices, where he gets some satisfaction from being physically abused and verbally humiliated. The couple's failure to make these disclosures to each other has disastrous and disturbing consequences.

Much of the film is focused on dialogue between Michael and Sophie, and most of it is engaging and seems realistic. The film, however, is too long (at 2 hours and 10 minutes) and could use some serious editing. Also, portions of the plot seemed unduly contrived. As examples: It seems unlikely that someone who is as deeply depressed as Michael, to the point of seriously considering suicide, would have the emotional fortitude to continually pursue Sophie after she repeatedly rejects his advances. It also seems unlikely that a dominatrix and a customer of dominatrices would meet by chance, as Sophie and Michael did. And the Shakespearean ending of the film strains credulity.

Despite the flaws, I found the film to be engrossing and haunting. I attribute this to the performance of Ms.
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12 of 13 people found the following review helpful By Sumatran on February 3, 2012
Format: Amazon Instant Video
It is difficult to capture the charm and wit that we all hope we have when we are dating. Let's face it, movies have been trying for years. Typically it is too sacchrine or just completely misses the realism mark. AFTER FALL, WINTER's strength is a tremendous script by writer/director/star, Eric Schaeffer. He is known for his dialogue and his approach to the realities of love / relationsips, and this film is a high water mark.

At times heartbreaking and at other times truly uncomfortable, I found myself both wanting to look away and unbelievably riveted. If you are a student of relationships... If you think the real stories about sexuality aren't told that often... If you like your stories told with a bit of edge and a large dose of realism... AFTER FALL, WINTER will not disappoint!

Recommended.
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9 of 11 people found the following review helpful By Pauline Triage on February 29, 2012
Format: Amazon Instant Video Verified Purchase
I rented this movie because it was supposed to be a frank look at BDSM - the female lead is a dominatrix and the male lead is a guy who goes to dominatrixes whenever he's in a shame spiral, which appears to be constantly. Although this movie does depict some very realistic BDSM, it still falls back on the tired moral saw of portraying this lifestyle as overwhelmingly negative - right up to and including a demented dominatrix character who sets up dungeon in a grimy old warehouse and is perfectly willing to murder a client if he asks. As someone who's admitted publicly many times in the past that he's procured and enjoyed the services of these women, Eric Schaeffer does them a grave disservice with this repulsive idea - and with the idea that BDSM in and of itself is a strong enough dark force to rip these lovers apart the second it rears its head. Every time Eric Schaeffer's Michael experiences a setback - whether it be receiving word that yet another publisher has passed on his book or when Lizzie Brochere's Sophie says something that hurts his feelings - he runs off to spend hundreds of dollars on a dominatrix, even though he's supposed to be over half a million dollars in debt. This gives me the unsavory feeling that Schaeffer is only using BDSM to make some tedious point about his self-loathing, not to try and achieve genuine insight into the lifestyle.

Other drawbacks. The script is ham-handed; the traditional gender roles in a dating situation are sort of reversed here, which is something that's clear to see but that is still mentioned, over and over again, in the script, as if Schaeffer thinks his audience is so dumb they have to be told in the most prosaic manner what's going on.
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2 of 2 people found the following review helpful By Dr. Ian F. Hancock on September 25, 2013
Format: Amazon Instant Video
What did the presence of "gypsies" in the film add to the plot? And why the predictable begging, lying, cursing, child exploitation/abandonment and stealing to flesh out the image? Mr. Schaeffer especially should be more sensitive to the plight of the marginalized, especially in light of the ongoing treatment of Roma in France today.
Ian Hancock
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1 of 1 people found the following review helpful By Golf Chic on May 29, 2013
Format: Amazon Instant Video Verified Purchase
I cannot compare this to anything. Parts of the story were very pleasant and some not so pleasant. I really think the ending was hard to watch. It was a good story and it grabbed your attention , but I was rather disturbed about the ending. It can be something you may have to turn away from .
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3 of 4 people found the following review helpful By Paul E. Lovrien on March 9, 2013
Format: Amazon Instant Video
Love the negative reviews because I felt such different sensations watching the movie...I admit the flaws those reviews mention BUT.......... Let's Discuss: Ask yourself, "Does a writer ever write reality?" If so, then why? To what end? The inner pain/problem/conflict is vital to a writer. Not only this, but also the transformative property of acting out a neurosis fantasy. If we writers write nothing but reality, then we cannot cure ourselves and regain balance. Sometimes we might try looking at movies like this one, "AS IF" they were a sort of nightmare image which solves both shame and love conflicts. The claim of this movie being some kind of "EGO PROJECT" is a deep misunderstanding of all art: Dostoyevsky's words are almost nothing but Dostoyevsky's pain. Dostoyevsky's novels read in sequence have a personal progression. Shakespeare's tragedies also have an obvious progression...the flight from Hamlet to Timon of Athens is an ego project. Art is a psychological healing project. The more we meddle consciously to make it not so, the flatter and more uninspired the final result. Our conscious efforts, at best, will only give us a novel like "The great gatsby"...whereas the kind of writing that pours out of neurosis gives works like "The Idiot", Strindberg's "Inferno", Paradise Lost or Macbeth. This process is further confused as we add the writer's personal experiences which may seem utterly impossible, even though such things really happened or got said. Now my next contention: I have no interest whatsoever in BDSM, but in movies we often do not have time to establish the inner lives of characters without finding visual means to do so. We NEED INFLATIONS as a shortcut and an archetype. This movie seems as if it is not in any way realistically about BDSM...Read more ›
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