Customer Reviews

After Many a Summer Dies the Swan

5 star:		(15)
4 star:		(2)
3 star:		(3)
2 star:		(2)
1 star:		(1)

 

 

Most people read Huxley's Brave New World (under duress, maybe, in school) and possibly Chrome Yellow and Eyeless in Gaza, his two other popular novels. However, After Many a Summer is a wonderful, not-very-long novel that displays Huxley's superb sarcastic wit.

In this novel, Huxley plays on man's fear of death. He creates a somewhat W. R. Hearst-like rich businessman who wants to use his money and power to cheat Death, and a scientist who has no compunctions against using any means to lengthen life, without questioning what quality that extended life really has. The ending is a real surprise.

This is one of Huxley's most enjoyable novels to read. It is also a timely one that can be read in the light of the new genetic research pusing the boundaries of science. As in Brave New World, Huxley was frighteningly accurate in his prophesies.

A lot of the reviews here make valid points: the philosophical asides are brilliant but tedious for people who don't like philosophy. The characters (the entire plot in fact) do sometimes seem like an afterthought, employed to support the 'big' ideas, but that's not to say they're two-dimensional.

However, when reading a book like this it's important not to get too focused on only one of the many interesting ideas that fly like sparks from Huxley's mind. Explorations of mortality, eroticism, class struggle, mysticism, greed, ...etc. are all presented dispassionately enough. As such, they're like colors on Huxley's palette; and it's not rewarding to complain about a particular shade of green.

The thing that struck me was that Huxley is very specific about the character types he chooses to include here. His decision to pit the grasping Stoyte against the impossibly saint-like Propter elaborates an inner-dialogue one can imagine Huxley was having to reconcile his own idealized world-view with the reality he had encountered in America. In doing this Huxley provides justification and outlines a strategy for implementing his utopian vision.

For me; it's this attempt to reconcile the world of ideas with reality that, like with much of Hesse's work, seems to be the focal point of the book. I'm looking forward to reading Huxley's later books to see how he develops this attempted reconciliation.

This is Huxley's "American" novel, in which he manages to lampoon the more outrageous aspects of American popular culture- and in particular California culture- while still managing to get in a few digs at his own countrymen. It's hard to discuss in depth without disclosing too much, but suffice it to say that it's got plenty of Huxley's wit along with his social commentary and a hilarious ending. If you liked Waugh's "The Loved One" you'll find this much to your liking as well.

I first read this book thirty years ago as an adolescent, and it made a big impression on my impressionable, snobbish mind. And it was (is) funny!

Reading it and some other Huxley material this year, I am struck by how singleminded AH is in his ideas. Every essay, every story, at least after the 1930s, is driven by his desire to show how humanity is lost in a maze of materialist illusion. He is a mystic, and if that tickles you, perhaps his extended intellectual diaglogs in this book will interest you. Otherwise, just read the deliciously satirical parts. (His detached prose describing the movements of A nearly naked young starlet's body is a tour de force of clinical eroticism).

His literary skills are enormous, his description of southern california in the 30s rang true in the 70s when I lived there and read it, and still do. His humour, arch, esoteric, but sharp, can be a joy. When he gets serious, that's when he has a problem as he lapses into portentous nonsense about the ground of being, the One, etc. Huxley was a acid head long before he started dabbling with drugs - and his mystical discussions make little sense, unless you are already of that mind. Aesthetically, they are highly repetitive and rather irritating.

Readers who want an introduction to his work would do better, I think, to begin with his best, Brave New World. In that one, he used his considerable gifts to their best advantage, and kept his endless and indulgent maundering to a minimum.

Right along with "Brave New World", Aldous Huxley writes with great wit and care. His observations on society and wealth are insightful. I enjoy Huxley's style and topics. It was an eye-opening experience.

I'll let you read the other reviews for the details. I wish only to add that I read this book more than forty years ago and its images are still bright and clear in my mind to this day.

True, it may not qualify as "a literary masterpiece" in academic circles, but surely the clarity of those images in my mind after all these years qualifies it for some kind of prize! I was delighted to find it back in print.

Huxley may not have had a scientist's clear understanding of Darwin's Theory of Evolution. Indeed the artistic license he took with that theory may well have given many fighting the Creationism vs. Evolution battle some misinformation to fuel their firey debates, but his insights into human nature, his fascination with and revulsion for America and Americans rings as true and insightful today as it did in 1939.

Read this book! It will tickle your funny bone and keep you thinking for decades to come.

Read it. You will be amazed. Interspersed between essay-like monologues by the characters unfolds a plot unlike any morally ambitious sci-fi novel. Huxley's ability as an author is proven once again by his knack to boil together science, romance, religion, ignorence, government theory, and one hell of a dramatic climax, into a delectable stew that will have you curseing your inability to read any faster. It is unforgettable.

While not exactly a masterpiece, Huxley's "After Many a Summer . . ." is a brilliant literary high-wire act, combining all his usual predilections: Vedanta-inspired philosophical dialogues, poetic digressions, a smattering of ingenious erotica, and a great deal of vitriol to pour over the heads of the materialists, nihilists, and profiteers of the modern age. Among Huxley's most clever inventions in this work must be counted the apocryphal musings of a rakish Earl of the late Enlightenment, whose quest for immortality gives the novel occasion for its final, bleak estimate of human desire-- these exercises in the 18th Century aphorism are both a wonderful evocation of that sensual, godless era and a comic counterpoint to the heroic transcendentalism of the novel's great sage, Propter.

This is an enjoyable read. Huxley is strong on his philosophical ideals and he moves (sometimes pushes) the story at hand in a certain direction specifically to go on a 10 page rant regarding those ideals. Its definitly worth reading, especially if find it interesting when authors write books about the future that actual come quite true in the decades ahead. I suggest reading this 3rd if you plan to read several of his books...definitly hit up Brave New World, and move to something wild then to this one.

I'll be a little partial.I love Huxley.I have read and reread this book since the 80's. The dialogues are simply wonderful.You'll love all the characters.Yes it`s a novel of ideas, hope there'll be a lot like this one around now! A short and funny treaty of Misticism versus Cinicism, and a lot more!