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Born in 1975 and raised in Dungiven, Co. Derry, Cara comes from a family steeped in traditional Irish music. At 14 years old she won the acclaimed All Ireland Traditional Singing Trophy and from there went on to earn her reputation as an outstanding vocalist with the young Irish band, Oige. In 1995 Cara replaced singer Kate Rusby in the new folk super-group, The Equation. It was as a member of The Equation that Caras musical partnership with Equation co-founder Sam Lakeman began, and since the mid-90s when the two left the band that partnership has developed at a rapid pace. Unusually sophisticated and yet completely unpretentious, their music reveals refreshing imagination and considerable flair and it belies the fact that they are both in their early 30s. While Cara Dillon is still relatively unknown on this side of the pond, After The Morning is sure to make her a favorite of North American folk music fans.
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Most Helpful Customer Reviews
4 of 4 people found the following review helpful:
3.0 out of 5 stars
Not what I was expecting,
By Fractured Fantasy (Melbourne, Australia) - See all my reviews
This review is from: After the Morning (Audio CD)
Cara Dillon has been one of the artists I regularly listen to with great joy. Her voice and interpretation of the folk genre are phenomenal. Play either of her two previous albums and you'll be amazed. I've had many friends listen to Cara Dillon and become instant fans. Sadly, this album is not quite up to the standard I've come to expect from this artist.In this album Cara Dillon begins to experiment and blend different musical styles. Rock/pop and bluegrass influences are certainly clear. Although Ms Dillon wasn't what you'd considerer a 'hard core' folk artist, she was pretty much solidly in the folk genre. When I listen to certain tracks on this album, I feel as if they have been watered down to meet public expectations, rather than a unique blend of styles. In some cases the final product just ended up sounding awkward or strange. Usually I like music that defies classification but this album seemed to be the perfect example of the pitfalls awaiting artists when they venture forth out of their niches. Despite the problems I see in this album, there are tracks that get the balance right. It is very clear that Cara Dillon is in an experimental phase, or has taken some bad advice on how to widen her audience. Her strength is certainly with her folk roots and I hope that she'll remain true to them. If you are a fan, you might want to buy this album out of curiosity but don't buy it expecting to hear folk music.
2 of 2 people found the following review helpful:
5.0 out of 5 stars
Wonderful 3rd Album!,
By RC Metcalf (Colorado, USA) - See all my reviews
This review is from: After the Morning (Audio CD)
I am really enjoying this album... The first song does veer towards pop rather than traditional, but it is an excellent song! There are also several awesome songs that tend more toward the traditional... like The Snows They Come The Soonest and Bold Jamie. Then there's Garden Valley, written by Scotland's modern poet laureate, Dougie MacLean, that Cara does a magnificant job with. Granted, there are a few songs that don't highlight Cara's ability as well as they could, but her beautiful voice can compensate for a lack in any song.
2 of 3 people found the following review helpful:
5.0 out of 5 stars
Cara's best yet,
By
This review is from: After the Morning (Audio CD)
This is definitely Cara's strongest and best album to date. After the Morning has Cara successfully combining folk with a little bluegrass to produce a beautifully melodic album with every track a winner and one that should appeal to a wider listening audience. Standouts for me were Brockagh Braes and Garden Valley but I haven't skipped a track when playing the album since I first heard it a few months ago. Her angelic voice and Sam Lakeman's arrangements are more confident on this album than the previous two albums - this is one I definitely recommend.
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