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15 of 15 people found the following review helpful:
5.0 out of 5 stars
An Extraordinary Collection of Short Stories, September 6, 2000
There is little doubt that Trevor is a master of his craft and perhaps the greatest living short story writer in the world today. After Rain, a volume of twelve stories, explores such subjects as infidelity, homosexuality, religious conflicts, and violence. What makes these stories so powerful, however, is not the subjects they deal with, but the portrayal of the characters thoughts, emotions, and responses. Trevor is able to examine such human conditions as jealousy, rage, sadness, regret, and hope in a non-judgmental light that leaves the reader looking into oneself to gain further insight. His writing style is nothing short of remarkable. He is eloquent and simplistic, never revealing more than he should, making the unspoken a compelling component of his story. If you have not yet read Trevor, I urge you to wait no longer. His literary grace will surely leave a lasting impact on you as a reader and as a human being.
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8 of 8 people found the following review helpful:
4.0 out of 5 stars
HUMAN NATURE INSIGHTFULLY PORTRAYED, December 14, 2004
Following on the heels of his beguiling Felicia's Journey, the incomparable Irish storyteller, William Trevor, brings us a collection of 12 poignant tales that illuminate the human condition.
Acknowledged by many to be the master of his oeuvre, Trevor commands our attention with dignity and subtlety. Amazingly adept at shifting perspectives from male to female in varying locations and scenes, the author's championship form is evident in After Rain.
His initial offering, "The Piano Tuner's Wives" is an incisive rendering of a middle-aged second wife's jealousy. Haunted by the happiness her husband once shared with another, she seeks to establish her place in surprising ways.
A lifelong bond between two women is broken in "A Friendship" when the clever plotting of one backfires. Timothy, the gay protagonist, in "Timothy's Birthday" seems to seek to punish his parents for their perfect marriage. He refuses to visit them for his birthday celebration as he has always done. Instead, he sends a friend with an excuse. The disreputable Eddie delivers his hurtful message, then steals from the older couple.
Trevor's spare prose shimmers in this story's summary paragraph: "They didn't mention their son as they made their rounds of the garden that was now too much for them and was derelict in places. They didn't mention the jealousy their love of each other had bred in him, that had flourished into deviousness and cruelty. The pain the day had brought would not easily pass, both were aware of that. And yet it had to be, since it was part of what there was."
Another story takes place in the fields of Ireland today. Here, Trevor displays his gift for knowing the female heart as a young woman challenges the culture and mores bred into her parents' bones.
Trevor's work is meat compared to the broth of some of today's fiction. He continues to astound as he explores the complexities of family relationships with sympathetic candor. After Rain is one more triumph.
- Gail Cooke
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8 of 8 people found the following review helpful:
4.0 out of 5 stars
A Rich Collection from a Master Craftsman, May 7, 2002
By A Customer
"After Rain" is a stellar proof that William Trevor is one of the most respected Irish short story writers. As a literary artist, Trevor is known for his elegant and hushed rendering of the psychic state of his characters. In addition, Trevor is also a humanist of great empathy, allowing him to uncover hidden or neglected angles of seemingly pedestrian situations. One story in this collection, "Gilbert's Mother," amply demonstrates Trevor's empathy. The story opens with a crime scene, told from an objective, clinical tone akin to a newspaper report. Just when you expect the next scene to develop the mystery further, Trevor switches the lens to a bystander, a woman, who, for the remainder of the story, contemplates whether her troubled son would be capable of committing such a crime. Trevor developed her skillfully, weaving with ease strained dealings between mother and son, as well as painful details of her past. The true crime to be solved here is how external circumstances beyond our control irrevocably sever our emotional ties from our loved ones, preventing us from ever knowing them fully. A few pieces in this collection seem less inspired and not as well-executed. Some authorial comments that serve to wrap up stories seem forced. And as much as I admire Trevor the stylist, the elegance of language may border on the self-righteous when situations described do not warrant such treatment--minor quibbles in an otherwise fine collection.
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