On a wild, windy April day in Manhattan, when Mary first meets John Keane, she cannot know what lies ahead of her. A marriage, a fleeting season of romance, and the birth of four children will bring John and Mary to rest in the safe embrace of a traditional Catholic life in the suburbs. But neither Mary nor John, distracted by memories and longings, can feel the wind that is buffeting their children, leading them in directions beyond their parents’ control. Michael and his sister Annie are caught up in the sexual revolution. Jacob, brooding and frail, is drafted to Vietnam. And the youngest, Clare, commits a stunning transgression after a childhood spent pleasing her parents. As John and Mary struggle to hold on to their family and their faith, Alice McDermott weaves an elegant, unforgettable portrait of a world in flux–and of the secrets and sorrows, anger and love, that lie at the heart of every family.
After This
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Editorial Reviews
From Publishers Weekly
Plimpton's dark, rich voice and wry wit make her a fine choice for interpreting the stark realism of McDermott's latest character study. Set mostly in the 1960s and '70s in Catholic Long Island, the novel tests the troubled waters stirred by the sexual revolution and the Vietnam War. The challenge of this kind of narration is that McDermott's characters never speak the depths that are inside them. While they may be thinking about how desperately they love their children or how cruelly life can lash out at the innocent, what they speak are quotidian platitudes about the weather or the passage of time. Plimpton handles such reticence with aplomb, teasing out the underlying meanings of McDermott's carefully constructed tableaux. While Plimpton deals handily with the working-class Brooklyn and Long Island accents that comprise the bulk of the cast of characters, her renderings of the British elites that Annie encounters on her year abroad sound a bit stilted. She is much more at ease with the rough-and-tumble Midlands bloke Annie eventually hooks up with. Overall, this is a strong performance of a subtle and complex piece of writing.
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Adult/High School—John and Mary Keane, good Irish Catholics raising four children and sharing their lively family with a spinster "aunt," feel the impact of the 1960s on their family: the sudden freedom of the sexual revolution, the controversy and tragedy of the Vietnam War, and the growing irreverence of popular culture. Their story, which spans the years from the end of World War II to the 1970s, is as ordinary as it is compelling and as suspenseful as it is inevitable. The characters are so human and sympathetic that readers can barely leave them on the last page. The narrative unfolds in economical yet rich language, using flashbacks and foreshadowing to provide insight into characters, hints at world events, and exquisite images. The story is episodic: the meeting and marriage of Mary and John, outings at the ocean, a frightening storm and a fallen tree, the death of their firstborn in Vietnam, the pregnancy of an unmarried daughter, the renovation of the neighborhood church. These mostly ordinary events become extraordinary in the telling, making this a fine read for teens who appreciate family stories.—Jackie Gropman, Chantilly Regional Library, Fairfax County, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
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Customer Reviews
Most Helpful Customer Reviews
49 of 58 people found the following review helpful
Format:Hardcover
Alice McDermott is a good writer. She casts a wise and loving eye over her turf, the suburban New York City Irish Catholic scene during the baby boom years. In several books, especially Charming Billy, she successfully evokes the humor and pathos of her chosen people. She's particularly good on the bonds of family, the ways in which fealty to one's tribe can simultaneously prop up and chafe a soul.
Unfortunately, After This is not one of her better novels. It's not even a novel, actually, but a series of linked episodes about the Keane family as they make their non-reflective way from the fifties to the seventies. This structure can work, and has, back to Sherwood Anderson's Winesburg, Ohio, which used a series of small moments in small lives to say something profound about a place and a time. But the episodes in After This are too elliptical to build upon, and the fractured structure becalms the plot.
McDermott has set herself the challenge of writing something interesting about determinedly average people. Mother Mary has almost resigned herself to spinsterhood when she meets John, an older WW II veteran, at a lunch counter in Manhattan. They marry, move to the suburbs, create four children. The oldest, Jacob is a tender, often feckless boy. His younger brother Michael, more wised-up and aggressive, torments Jacob throughout their childhood. Bookish Annie stands in for the aspiring intellectuals in blue collar families, and baby Clare is a simpler girl, beloved by all. Because McDermott leaps from person to person, we don't spend enough time with any one of the Keanes to become invested in their doings. The most sympathetic character in the book is Mary's friend Pauline. Pauline at least has a feisty, resentful attitude toward the world she lives in, which lends poignancy to her late-life breakdown.
This is a book of small moments. The big events - WWII and Vietnam, the love affairs and accidental pregnancies - happen offstage. We get the reverberations in the lives of the Keanes, but it's hard to sympathize with such passive people. Take Jacob getting drafted as a perfect example. It's 1970, and he draws a low draft number. There's no real debate about whether he'll go to Vietnam, which is odd in itself, since most young men of his age and intelligence debated this endlessly. We don't see his decision-making or learn how he feels about the war; he's simply swept away on the tide of government policy. He's surrendered before the first shot is fired, which makes it hard to work up the requisite pity for the bad fate that befalls him.
The hard-bitten Catholicism of the Irish provides the background music of this book. Since the Church and the Parish are so central to the Keanes, it's logical for the reader to wonder whether McDermott sees Catholicism as a good or bad force in their lives. Even though there are scenes of confession and communion, priestly musings and absolutions, and a nun's anti-feminist rant, you'll finish the novel still wondering. The Keanes treat Catholicism like the weather: something to accept or avoid, but not to question.
There are two good set pieces in the middle of the book, which would have worked equally well as standalone short stories. One involves Michael getting drawn into the social scene at an oddball bar near his upstate New York campus, which is his way of rebelling against the humdrum life he sees lined up in front of him like another shot of cheap whiskey. The other is a funny send-up of British academia during Annie's year abroad. And there are specific passages that achieve a quiet grace, including a lovely scene about grace itself that happens right at the end of the book during Clare's wedding.
If you came of age in the New York area during the Eisenhower/Kennedy/Johnson years, you can read After This for the way McDermott's precise prose evokes the sense memory of that time - like pawing through the old Polaroids someone in the family tucked away in a drawer. If you're looking for new insights about the era, or to be swept up in the drama of an Irish American family wrestling with its fate, look elsewhere.
Unfortunately, After This is not one of her better novels. It's not even a novel, actually, but a series of linked episodes about the Keane family as they make their non-reflective way from the fifties to the seventies. This structure can work, and has, back to Sherwood Anderson's Winesburg, Ohio, which used a series of small moments in small lives to say something profound about a place and a time. But the episodes in After This are too elliptical to build upon, and the fractured structure becalms the plot.
McDermott has set herself the challenge of writing something interesting about determinedly average people. Mother Mary has almost resigned herself to spinsterhood when she meets John, an older WW II veteran, at a lunch counter in Manhattan. They marry, move to the suburbs, create four children. The oldest, Jacob is a tender, often feckless boy. His younger brother Michael, more wised-up and aggressive, torments Jacob throughout their childhood. Bookish Annie stands in for the aspiring intellectuals in blue collar families, and baby Clare is a simpler girl, beloved by all. Because McDermott leaps from person to person, we don't spend enough time with any one of the Keanes to become invested in their doings. The most sympathetic character in the book is Mary's friend Pauline. Pauline at least has a feisty, resentful attitude toward the world she lives in, which lends poignancy to her late-life breakdown.
This is a book of small moments. The big events - WWII and Vietnam, the love affairs and accidental pregnancies - happen offstage. We get the reverberations in the lives of the Keanes, but it's hard to sympathize with such passive people. Take Jacob getting drafted as a perfect example. It's 1970, and he draws a low draft number. There's no real debate about whether he'll go to Vietnam, which is odd in itself, since most young men of his age and intelligence debated this endlessly. We don't see his decision-making or learn how he feels about the war; he's simply swept away on the tide of government policy. He's surrendered before the first shot is fired, which makes it hard to work up the requisite pity for the bad fate that befalls him.
The hard-bitten Catholicism of the Irish provides the background music of this book. Since the Church and the Parish are so central to the Keanes, it's logical for the reader to wonder whether McDermott sees Catholicism as a good or bad force in their lives. Even though there are scenes of confession and communion, priestly musings and absolutions, and a nun's anti-feminist rant, you'll finish the novel still wondering. The Keanes treat Catholicism like the weather: something to accept or avoid, but not to question.
There are two good set pieces in the middle of the book, which would have worked equally well as standalone short stories. One involves Michael getting drawn into the social scene at an oddball bar near his upstate New York campus, which is his way of rebelling against the humdrum life he sees lined up in front of him like another shot of cheap whiskey. The other is a funny send-up of British academia during Annie's year abroad. And there are specific passages that achieve a quiet grace, including a lovely scene about grace itself that happens right at the end of the book during Clare's wedding.
If you came of age in the New York area during the Eisenhower/Kennedy/Johnson years, you can read After This for the way McDermott's precise prose evokes the sense memory of that time - like pawing through the old Polaroids someone in the family tucked away in a drawer. If you're looking for new insights about the era, or to be swept up in the drama of an Irish American family wrestling with its fate, look elsewhere.
21 of 24 people found the following review helpful
Format:Hardcover
I thought this was a marvelous little gem. It's a novel that's formed by the interconnection of several stories about the Keane family (and isn't that really what life is all about...interconnected stories?) This is an "ordinary" family: one son goes to Vietnam, another goes off to college, a daughter travels to London for her education, another stays home (no spoiler). But it's in their very ordinariness that this book shines.
I get tired of reviews from readers who can't enjoy a book without an adventure-a-minute plot. There IS a place for books like that, but this is not one of them. It's a character-based book, and the characters come alive. I feel as if I know every single one of them; as if they could have been my next door neighbors or the family down the block.
Some say Alice McDermott is a "Catholic writer." I was never brainwashed with religion like some; I see her as a universal writer. The religion here is a backdrop to the lives of the characters; something that gives their life structure and community, but not necessarily meaning. They have to find the meaning within themselves.
The writing is so powerful -- and authentic -- that I re-read passages just to review the author's construction of sentences. I will not easily forget the family members that populated this book.
I get tired of reviews from readers who can't enjoy a book without an adventure-a-minute plot. There IS a place for books like that, but this is not one of them. It's a character-based book, and the characters come alive. I feel as if I know every single one of them; as if they could have been my next door neighbors or the family down the block.
Some say Alice McDermott is a "Catholic writer." I was never brainwashed with religion like some; I see her as a universal writer. The religion here is a backdrop to the lives of the characters; something that gives their life structure and community, but not necessarily meaning. They have to find the meaning within themselves.
The writing is so powerful -- and authentic -- that I re-read passages just to review the author's construction of sentences. I will not easily forget the family members that populated this book.
10 of 11 people found the following review helpful
By Wendy Kaplan
Format:Hardcover
You didn't have to grow up Catholic, like the families in this book, to identify entirely with its story. You just had to be there.
For those of us whose childhoods intersected with the "Sixties" as popular culture understands it, the shock of being raised one way (e.g., wearing white gloves to a department store; dressing up to go to the movies) with a deep and constant value system--and having that system completely ridiculed, turned upside down and labeled obsolete in just a few tumultuous years, was all too real, and is memorably described in this book.
Here, we meet the Keanes, good, decent middle-class devout Catholics who raise their four children around their church, Catholic school, and all the social values that come with that lifestyle. There is no divorce. There is no abortion (at least as far as these people understand life). Vietnam is a faraway and uninteresting place. And then, seemingly overnight, everything changes.
We see the four Keane children, two boys and two girls, encounter every cliche of the Sixties, except that if you lived it, it was all too real: unwanted pregnancy, unwanted draft into the horrible Vietnam War, sex without love or any commitment, drugs -- the litany is endless. Even the Keanes' beloved church is "modernized" to the point that it no longer seems a church.
Some of the characters survive, able to accept the changes and act accordingly. Others do not. All makes perfect sense.
I have ordered this book for a dear friend who DID grow up Catholic, but that is not a prerequisite to experiencing this wonderful, special book. Highly recommended.
For those of us whose childhoods intersected with the "Sixties" as popular culture understands it, the shock of being raised one way (e.g., wearing white gloves to a department store; dressing up to go to the movies) with a deep and constant value system--and having that system completely ridiculed, turned upside down and labeled obsolete in just a few tumultuous years, was all too real, and is memorably described in this book.
Here, we meet the Keanes, good, decent middle-class devout Catholics who raise their four children around their church, Catholic school, and all the social values that come with that lifestyle. There is no divorce. There is no abortion (at least as far as these people understand life). Vietnam is a faraway and uninteresting place. And then, seemingly overnight, everything changes.
We see the four Keane children, two boys and two girls, encounter every cliche of the Sixties, except that if you lived it, it was all too real: unwanted pregnancy, unwanted draft into the horrible Vietnam War, sex without love or any commitment, drugs -- the litany is endless. Even the Keanes' beloved church is "modernized" to the point that it no longer seems a church.
Some of the characters survive, able to accept the changes and act accordingly. Others do not. All makes perfect sense.
I have ordered this book for a dear friend who DID grow up Catholic, but that is not a prerequisite to experiencing this wonderful, special book. Highly recommended.
Most Recent Customer Reviews
5.0 out of 5 stars
Haunting, powerful... she weaves magic through the pages
Alice McDermott's inspired, understated and unconventional writing style reaches inside and creates characters that come alive... Read more
Published 19 months ago by L. Collins
2.0 out of 5 stars
Just not for me.
The story started with such potential, but jumped several years into the future and fizzled out. I felt the author only skimmed the surface of her characters, leaving the reader... Read more
Published 23 months ago by Blue Dove 73
4.0 out of 5 stars
After This
Senayt Alemu
After This Alice McDermott
As one of the potential winners of the Pulitzer Prize, McDermott was able win me over with this book, After This. Read more
After This Alice McDermott
As one of the potential winners of the Pulitzer Prize, McDermott was able win me over with this book, After This. Read more
Published 23 months ago by tiffdan
4.0 out of 5 stars
set pieces
All in all, I really liked this book. The slow, languid pace somehow fits the story perfectly. My one complaint is that the story treats time almost like a stone skipping over... Read more
Published on May 6, 2010 by Mara Zonderman
4.0 out of 5 stars
A fine literary novel
New York City office worker Mary is 30 years old, unmarried, and a good Catholic girl keeping house for her father and bachelor brother when she meets John Keane at a restaurant... Read more
Published on February 27, 2010 by Nina M. Osier
5.0 out of 5 stars
Collage
Collage, an art form putting a group of different pictures or photographs on one large board, all different, yet adding up to one. Read more
Published on October 24, 2009 by Josephine Briggs
2.0 out of 5 stars
just ok
it was just ok. i found the ending to be a bit unsatisfying. throughout the book mcdermott intimates that we'll find out what happens to all the characters but the end leaves the... Read more
Published on June 7, 2009 by pmlmrcs
2.0 out of 5 stars
half read, moving on
I have given this book more than it deserves - half a read.
I love novels about family life, marriage, raising kids. But this book was "much ado about nothing. Read more
I love novels about family life, marriage, raising kids. But this book was "much ado about nothing. Read more
Published on March 22, 2009 by rainy day reader
3.0 out of 5 stars
Low expectations
After reading the final few pages, I decided that this book is about celebrating life, although the family that the book follows for a generation is anything but joyous. Read more
Published on February 16, 2009 by Patti
1.0 out of 5 stars
Tedious
This book reads like a series of exercises from a writing class: Describe, in detail, using the five senses as much as possible, the following: a family day at the beach, an... Read more
Published on December 11, 2008 by C. Nevi
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