In Aftershocks, Richard S. Wheeler plunges the reader into the midst of the earthquake in which thousands died, and tens of thousands were left homeless and destitute. Acts of heroism, self-sacrifice, depravity, and horror took place in equal numbers against a backdrop of such monumental destruction that many thought it Armageddon.
Wheeler's story of the great calamity is built around its victims, the people of San Francisco: an architect more concerned with what the destruction spells for his career that what it means to his family; a photographer who captures the history of the moment in the faces of the stricken rather than in the rubble of the buildings; a city engineer whose involvement in the corruption of the city's municipal government takes an awful toll; a missionary who has enough faith in God's love to aid the refugees but who cannot find a place for the love of a fellow human being; a soldier obsessed with getting rich from the helpless, despairing people he is supposed to help.
In Aftershocks, Wheeler introduces such historic earthquake-era figures as Enrico Caruso, John Barrymore, Jack London, and General Frederick Funston as he reconstructs San Francisco in its glittering heyday: its great hotels, its temples of finance, its literary and artistic centers--as well as its notorious Barbara Coast and Chinatown, its rat-infested sewers and graft-infested city hall. In his recent novel Second Lives, Richard S. Wheeler memorably re-created Gilded Age Denver; in Aftershocks, that Bohemia-by-the-Bay, San Francisco, comes to vivid life in its most despairing time.
