Against Interpretation: And Other Essays [Paperback]

Susan Sontag (Author)

Book Description

Publication Date: August 25, 2001

First published in 1966, this celebrated book--Sontag's first collection of essays--quickly became a modern classic, and has had an enormous influence in America and abroad on thinking about the arts and contemporary culture. As well as the title essay and the famous "Notes on Camp," Against Interpretation includes original and provocative discussions of Sartre, Simone Weil, Godard, Beckett, science-fiction movies, psychoanalysis, and contemporary religious thinking. This edition features a new afterword by Sontag.

Editorial Reviews

Review

"Susan Sontag's essays are great interpretations, and even fulfillments, of what is really going on."--Carlos Fuentes

"A dazzling intellectual performance."--Vogue

"Susan Sontag is a writer of rare energy and provocative newness."--The Nation

"The theoretical portions of her book are delightful to read because she can argue so well. . . . Her ideas are consistently stimulating."--Commentary

"She has come to symbolize the writer and thinker in many variations: as analyst, rhapsodist, and roving eye, as public scold and portable conscience."--Time

From the Publisher

The first collection of essays by the brilliant critic and writer to be published in book forrn, containing her best writings between 1961 and 1965. --This text refers to an out of print or unavailable edition of this title.

See all Editorial Reviews

Product Details

• Paperback: 336 pages
• Publisher: Picador; 1st edition (August 25, 2001)
• Language: English
• ISBN-10: 0312280866
• ISBN-13: 978-0312280864
• Product Dimensions: 8.3 x 5.5 x 0.9 inches
• Shipping Weight: 6.4 ounces (View shipping rates and policies)
• Average Customer Review: 4.6 out of 5 stars  See all reviews (12 customer reviews)
• Amazon Best Sellers Rank: #75,028 in Books (See Top 100 in Books)

More About the Author

Susan Sontag was born in Manhattan in 1933 and studied at the universities of Chicago, Harvard and Oxford. She is the author of four novels, a collection of stories, several plays, and six books of essays, among them Illness as Metaphor and AIDS and Its Metaphors. Her books are translated into thirty-two languages. In 2001 she was awarded the Jerusalem Prize for the body of her work, and in 2003 she received the Prince of Asturias Prize for Literature and the Peace Prize of the German Book Trade. She died in December 2004.

Most Helpful Customer Reviews

21 of 21 people found the following review helpful

5.0 out of 5 stars Outstanding Effort June 11, 2006

By Steiner VINE™ VOICE

Format:Paperback

This may be Sontag's most rigorous and important collection of essays, complete with topics ranging from Levi-Strauss to Godard. In it is her famous essay "On Camp," which would later make her a superstar in the New York artistic community.

Sontag is worried about intellectual interpretation, the erudite and narrow approach to understanding a work of art. She calls on us to "show how it is what it is, even that it is what it is, rather than to show what it means." Her approach is far reaching and yet acute and highly attuned to the intellectual aspects of the fine arts.

This collection includes fabulous essays on Sartre, Bresson, Beckett, Lukacs, Resnais, and many others. It is evidence of her astonishing ability to think seriously and with tremendous beauty about that which is most important.

43 of 48 people found the following review helpful

5.0 out of 5 stars Susan Sontag's first bunch of essays. November 11, 2003

By "ranagrossa"

Format:Paperback

This is historically the first delivery of the now world-renowned essays by Susan Sontag. Mrs Sontag considers herself primarily a novelist: and,of course, she has every right to do so, but I have the feeling that her novels do not come near in any way to her essays' quality.
In this batch, which is arguably her most famous one, although probably not her best, you can feel all young Sontag's vigour and fire. She is often far nastier in tone than in her later works. She tears to pieces John Gielgud's staging of Hamlet, Gyorgy Lukacs's literary criticism, calls George Steiner "superficial"(!), and destroys contemporary American novelists (they're obsessed with "content" intended as a discussion of moral issues).
The most beautiful piece in this collection are probably the "Notes on Camp". Camp is something which should not be either too beautiful or too ugly; it moves the "connaisseur" because, through its outdated or timelessly ridiculous exterior, it can be felt as the product of an earnest endeavour, a result of the investment of human passion.
Some other essays are more superficial than accustomed, and in the Preface, Sontag aknowledges that she maybe could have taken away some, which were written as simple reviews for magazines. But we can still find the characteristic quality of Sontag's "writing" (meaning "écriture" as defined by Roland Barthes, for those who follow...); an endless redefining, putting into perspective each word or concept introduced, which means that really everything is left in suspence and subject to caution, pointing towards new research to be done.

59 of 70 people found the following review helpful

5.0 out of 5 stars Sontag's best book December 6, 2003

By T. Baughman

Format:Paperback

To begin with: It is time for people to stop ranting about Ms. Sontag's opinions about 9-11. LET IT GO, PEOPLE! Shut up and read this book. It will open a whole world of art and ideas for you. You will discover a series of brilliant discussions of Sartre, Beckett, Claude Levi-Strauss, Godard, Robert Bresson, Michel Leiris, Alain Resnais and Norman O. Brown. Moreover, read and consider the famous essays "Against Interpretation," "On Style" and "Notes on Camp." In the end, you will find that these essays have greatly influenced your aesthetic sensibilities. You will also find yourself seeking out the works of the writers and filmmakers discussed in this book. What more can a reader ask for?