Against Nature [Paperback]

Joris-Karl Huysmans (Author)

Book Description

Publication Date: March 26, 2009

Against Nature by Joris-Karl Huysmans is a novel in which very little happens; its narrative concentrates almost entirely on its principal character, and is mostly a catalogue of the tastes and inner life of Jean Des Esseintes, an eccentric, reclusive aesthete and antihero, who loathes 19th century bourgeois society and tries to retreat into an ideal artistic world of his own creation. Against Nature containes many themes which became associated with the Symbolist aesthetic. In doing so, it broke from naturalism and became the ultimate example of decadent literature. Jean Des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris which has left him disgusted with human society. Without telling anyone, he absconds to a house in the countryside. He fills the house with his eclectic art collection and decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.

Editorial Reviews

Language Notes

Text: English (translation)
Original Language: French --This text refers to an out of print or unavailable edition of this title.

About the Author

Nicholas White is Lecturer in French at Royal Holloway College, University of London.
--This text refers to an out of print or unavailable edition of this title.

Product Details

• Paperback: 176 pages
• Publisher: Wilder Publications (March 26, 2009)
• Language: English
• ISBN-10: 1604596716
• ISBN-13: 978-1604596717
• Product Dimensions: 8.9 x 6 x 0.5 inches
• Shipping Weight: 10.4 ounces (View shipping rates and policies)
• Average Customer Review: 4.1 out of 5 stars  See all reviews (37 customer reviews)
• Amazon Best Sellers Rank: #1,189,216 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

57 of 60 people found the following review helpful:

1.0 out of 5 stars A poor substitute for Baldick's translation, June 8, 2003

By 

Theolonius (Iceland) - See all my reviews

This review is from: Against Nature (Oxford World's Classics) (Paperback)

Frankly, I wrote this commentary on Margaret Mauldon's translation of A Rebours to divert the buyer to a much better one, that is, the classic translation by Robert Baldick, also available from Amazon.com.
This new modernized translation is supposed to be truer to the french original text, but it is not so. It's thorny and crammed with clashing sentences and too many words. Take for instance the prologue,
"Cramped and confined within those old frames where their great shoulders stretched across from side to side..."
Now compare this with Baldick's version which is more to the point,
"Imprisoned in old picture-frames which were scarcely wide enough for their broad shoulders.."
It's also obvious that Baldick's translation is much truer to the musical language that Huysmans wrote his book in. In fact Baldick mentions it in his preface to the translation. His assesment of A Rebours is also valuable for the understanding of the author's accomplishment.
The only thing valuable in this poor substitute is the appendix which consists of Huysmans' preface to A Rebours written twenty years after the novel. But to compare Baldick's translation, written in the late fifties, with this grammatical scramble is like comparing a nightingale's song to a cricket's. I sincerely recommend you rather buy Baldick's translation over this one.

64 of 69 people found the following review helpful:

5.0 out of 5 stars Damn right., November 19, 2001

By 

GeoX "GeoX" (Men...Of...The...Sea!) - See all my reviews

This review is from: Against Nature (Oxford World's Classics) (Paperback)

Against Nature utterly captivated me. Never before had I read a novel that dared throw any and all narrative convention to the winds with such mad abandon. Huysmans himself thought the public would have no interest in it, and to be perfectly honest, I can't for the life of me see why he wasn't absolutely correct. And yet, for some reason, I just couldn't get enough. Chapters that do nothing more than expound upon Des Esseintes's favorite painters or Latin writers amount to little more than reader abuse, but I found them endlessly fascinating regardless. No doubt part of this was nothing more than shocked delight at the sheer perversity of the little experiment, but I don't think my interest was entirely predicated on novelty--Huysmans is actually quite a good writer (I read the Penguin edition, as translated by Robert Baldick, for what its worth), and Des Esseintes's whims, desires, and recollections are often so extravagantly bizarre as to be quite funny. And then, of course, there's the 'plants' chapter, which is quite probably the most grotesque and macabre thing I've ever read. It's a bit of a shame that it's stuck right in the middle of the book, as it does make the subsequent material seem a bit anticlimactic, but then again, if Huysmans had any sort of regard for narrative structure, he wouldn't have written this diabolical piece of work in the first place. If Zola was Pink Floyd, Huysmans was the Sex Pistols. You need to read Against Nature.

30 of 31 people found the following review helpful:

5.0 out of 5 stars Best edition of decadent classic, August 21, 1997

By 

Michael Gebert - See all my reviews

This review is from: Against Nature: A New Translation of `A Rebours' (Penguin Classics) (Mass Market Paperback)

Assuming that this "Viking" edition is in fact the Penguin edition or some relation, this is by far the preferred edition of Huysmans' strange masterwork. The translation by Robert Baldick, Huysmans' most trustworthy biographer, is not only NOT slightly censored like the earlier English one reprinted by Dover... it's also a much livelier read. Which is important because, after all, there's not much of a conventional plot here; the story such as it is depicts the gradual enervation of a decadent aristocrat as he exhausts the pleasure to be found in every pleasure he can think of.

Huysmans was literature's great complainer, capable of finding the misery and ennui in any situation-- even bachelorhood in late 19th century Paris. And while the book is regarded mainly as a manual for decadent living (Dorian Gray kept it by his bed), full of recherche and recondite indulgences, Huysmans' depiction of the unending quest for novelty and sensation is also drolly funny at times-- as in the scene in which an impotent des Esseintes takes up with a ventriloquist in the hopes that she can get a rise out of him by impersonating her own husband threatening violence outside the door while they copulate