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96 of 104 people found the following review helpful:
5.0 out of 5 stars
Superb cast in deluxe, restored edition of DVD, September 15, 2004
Agatha Christie's mysteries changed the genre. With twists, turns and credible watertight plotting her novels divorced themselves from the hackneyed conventions of the genre. Sidney Lumet's superb film of Christie's novel looks marvelous on this deluxe DVD from Paramount. The rich, colorful cinematographer of Geoffrey Unsworth ("2001: A Space Odyssey") looks terrific. Lumet's assured hand guides the film without hesitation to a truly stunning conclusion. Paramount has remastered the soundtrack for Dolby Digital 5.1 giving the sound a richer feel than previous video editions of the movie. While it doesn't quite convey the detail one might hear in a brand new movie, it does a great job of improving an already great mystery movie.
After working on a case, Hercule Poirot (Albert Finney) travels home on the Orient Express hoping for a relaxing journey. Instead, when the train is caught in the show he's drawn into a mystery on the very train he's traveling on. A millionaire named Ratchett (Richard Widmark) has been brutally murdered. Who could the murderer be and what was his or her motive? Poirot must work this out and discover which of the train's passengers committed the crime. He discovers an unusual link between the millionaire and many of the passengers on the train. Is this the vital link that will help him solve the crime?
Featuring a stellar all cast of Hollywood and London stage and screen veterans, "Murder on the Orient Express" chugs along on the charm of the performers, a solid script by Paul Dehn ("The Spy Who Came in the Cold", "Goldfinger", "Beneath the Planet of the Apes") and outstanding direction by Sidney Lumet ("The Verdict", "Deathtrap", "Network", "Prince of the City"). The casting is a bit unusual. While Albert Finney probably wouldn't be most fan's first choice for Poirot, he gives a marvelous performance as Agatha Christie's detective. I've read reviews criticizng Finney's performance and, while he may not be the "ideal" Poirot his interpretation is unique and works perfectly for this film.
I'm pleasantly surprised that Paramount has sprung for all the extras here. We get a documentary that can be viewed all at once or by segments. The documentary features interviews with Sidney Lumet, producers John Brabourne, Sean Connery, Jacqueline Bisset, Michael York, Richard Goodwin, writer-director Nicholas Meyer ("Star Trek II: The Wrath of Kahn", The Seven Percent Solution) and the grandson of Agatha Christie discussing the hard road to producing the film. Evidently, Christie reluctantly agreed to give the rights to the film to the producers at first but was won over when she found out that producer Brabourne had worked on "Tales of Beatrix Potter". Lumet comments on the difficulty in having Finney play Poirot as he was too young for the role (Alec Guinness and Paul Scofield were Lumet's first and second choices). The marvels of make up helped sell Finney in the role and the fact that he played against audience expectations worked for him in the role. Lumet recounts a funny story where the cast got together to read the script together the first time couldn't hear the cast. Why? Because the stage actors were in awe of the theater actors and vice versa. Lumet's challenge was honing an acting style that was consistent between all the very different performers. "Murder" is one of those few mysteries that live up to its potential despite considerable odds against it doing so. It's clear that the cast respect and love Lumet-how else to explain Connery, Bisset and York agreeing to appear in a documentary on the making of the film for the DVD? There's also a discussion of the real life inspiration for part of the story-the Lindbergh kidnapping. Another marvelous documentary by the talented Laurent Bouzereau, his work has become the standard against which all other writer/producer/directors of extras on DVDs should be measured. His work here as on "Duel", "E.T." and other DVDs continues the tradition of digging up the past to enlighten those of us who couldn't possibly have been there.
"Agatha Christie: A Portrait" gives us insight into the mysterious life of the elusive novelist. We're also told almost as much about her most famous creation Poirot who appears almost as elusive as the novelist herself. This eight minute featurette puts a human face on a remarkable mystery novelist who helped reinvent the genre. We also get the original theatrical trailer which demonstrates how much work went into restoring and transferring this beautifully shot film. Smudged with loads of analog blemishes, the comparison between the trailer and the film indicates the great work that went into improving this film for DVD. There's no commentary track but Lumet's insightful observations in the documentary more than make up for the lack of such a track.
Beautifully restored with enhanced sound, "Murder on the Orient Express" probably didn't look this good when it showed in theaters in 1974. The outstanding international cast of screen and stage veterans along with Dehn's sharp adaptation and Lumet's assured direction makes "Murder" one of the best films made from one of Christie's convoluted mystery novels. It's a joy to watch.
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18 of 18 people found the following review helpful:
4.0 out of 5 stars
Elegant, stylish murder mystery..., September 1, 1999
By A Customer
...but turn on the closed captioning, because as one reviewer pointed out Albert Finney's heavy accent and often garbled speech could try anyone's comprehension, not to mention patience. But Finney is still excellent, though he falls short of David Suchet, who is the quintessential Hercule Poirot.But enough about that. They rarely make films this lavishly entertaining anymore. "Murder on the Orient Express" is visually striking to say the least; the Orient Express and its various set pieces are magnificently rendered, and at no small expense either. The all-star cast is impressive; from Lauren Bacall's scene-stealing American chatterbox to Anthony Perkins' disturbing, PSYCHO-reminiscent secretary, the cast list adds emphasis to the idea of the house-party whodunit. The film is, essentially, a Hollywood party on a grand scale. Although the film is sluggish at times and the unraveling of Agatha Christie's labyrinthine plot doesn't work as well on the screen as it does on paper, this is still great fun, the perfect Saturday night movie for viewers who like a dose of wit and intelligence with their entertainment.
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42 of 50 people found the following review helpful:
5.0 out of 5 stars
Excellent whodunnit with a surprising twist, July 30, 2004
To me the definitive Hercule Poirot will always be Peter Ustinov, but in 1974 Albert Finney tackled the role in this excellent adaptation of the Agatha Christie novel of the same name and the movie continues to this day as one of my very favorite whodunnit's - thank goodness it is finally making its way to DVD.
Starring a cast that is simply incredible this movie set the standard for the Ustinov star studded movies that would follow (starting with 1978's DEATH ON THE NILE). Included on the list of stars are such names as Sean Connery, Jacqueline Bisset, Sir John Gielgud, Richard Widmark, Vanessa Redgrave, Ingrid Bergman and Anthony Perkins.
Aboard the Orient Express a businessman (played by Widmark) with a mysterious past is murdered in the middle of the night. Desperate to resolve the matter before they arrive at the next major stop on the line (to avoid a lengthy police investigation) Hercule Poirot is persuaded by an executive for the train company to begin his own investigation. An avalanche over the line gives Poirot plenty of time to interview all the passengers and make his conclusions as to the guilty party (or parties).
When Finney's Poirot faces off with the fellow passengers and describes his account of how the murder was committed and by whom you will be amazed - astounded. It's this very element and the star power of this movie that carries this intriguing mystery far above the standard whodunnit fare.
The movie is well plotted, the acting beyond reproach and the direction steady and inspired. MURDER ON THE ORIENT EXPRESS is a triumph in every respect, and when you consider it takes it's story from the worlds most read and respected mystery author it's not difficult to see why.
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