From Publishers Weekly
Shanower won 2001's Will Eisner Comics Industry Award for Best Writer/Artist for this extraordinary project: the first part of a seven-volume graphic novel about the Trojan War. He has researched every imaginable source about the war, from ancient legends to medieval romances to contemporary scholarship, and synthesized them into a fantastically rich narrative. He's also delved deep into the architectural history of Mycenaean Greece, so that the dress and settings in the book look like Bronze Age artifacts, rather than the Classical Greek styles normally associated with the story. The book begins with the story of Paris, the milk-white bull and the kidnapping of Helen, and goes up to the start of the war Shanower still has a ways to travel before touching the material of the Iliad. He treats the material as historical fiction rather than mythology, as a tale of people, not of gods, though the supernatural aspects of the story are worked in through dreams and visions. Shanower subtly alters his visual style for every flashback sequence: when Priam relates the story of Herakles, the images are cartoonish and the characters larger than life. His dialogue is formal but not florid, and the narrative flow is clear and simple. But the story also has many amazing scenes for an artist the erotic entanglement of Achilles and Deidamia, the feigned madness of Odysseus, the launching of the thousand ships to rescue Helen and lay waste to Troy and Shanower makes the most of them, with a fine-lined style in black and white drawings evoking woodcuts and classical paintings.
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