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The Age of Chopin: Interdisciplinary Inquiries [Paperback]

Halina Goldberg (Editor)

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Book Description

May 7, 2004

This multidisciplinary collection addresses Chopin's life and oeuvre in various cultural contexts of his era. Fourteen original essays by internationally-known scholars suggest new connections between his compositions and the intellectual, literary, artistic, and musical environs of Warsaw and Paris. Individual essays consider representations of Chopin in the visual arts; reception in the United States and in Poland; analytical aspects of the mazurkas and waltzes; and political, literary, and gender aspects of Chopin's music and legacy. Several senior scholars represent the fields of American, Western European, and Polish history; Slavic literature; musicology; music theory; and art history.


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Editorial Reviews

Review

"Emanating from a 1999 interdisciplinary conference at Indiana University, Bloomington, these 13 essays are grouped under four headings: Memories, Images, and Dreams, Analytical Perspectives, Gender, Genre, Genius, and Chopin Appropriated. Likely of interest to inexperienced readers will be the comparison of Eugène (Eugene) Delacroix's 1837 self-portrait with his incomplete 1838 portrait of Chopin; the history of Waclaw Szymanowski's Chopin monument in Warsaw, which was unveiled in 1926, destroyed by the Germans in 1940, and reconstructed in 1958; the reception of Chopin's music with its national character as reflected in 19th-century Polish periodicals; and the spreading popularity of Chopin's music in the US from 1839 to 1900. More specialized essays propose that waltzes Chopin chose to publish were those depicting dancers' physical motions; describe contexts in which Chopin's music is found in ballet, cinema, and television; and examine the Polish spirit, Polish race, and Chopin as a wieszes, or prophet/patriot. Other articles propose that the forerunner of Chopin's nocturnes was the Italian vocal nocturne and investigate the meanings of 19th-century French thinking and whether it was exclusively masculine. Summing Up: Recommended. Upper-division undergraduates through faculty; general readers." —J. Behrens, The Glenn Gould School, The Royal Conservatory of Music, Choice, December 2004

(J. Behrens, The Glenn Gould School, The Royal Conservatory of Music Choice 2004)

About the Author

Halina Goldberg is Assistant Professor of Musicology at Indiana University. Her research centers on the musical and cultural environment of Chopin's Warsaw, performance practice issues, questions of reception, and the musical, social, and political creation of national constructs.


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Inside This Book (learn more)
First Sentence:
The Romantics tended to understand the relationship between artist and home in terms of an unavoidable, but nonetheless desirable, state of homelessness, positioning the artist as an alienated and dispossessed self. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
biographic criteria, utwory jego muzyczne, vocal nocturne, dance motive, waltz motive, durational reduction, piano nocturne, neighboring motions, musical criteria, national composer, female genius, gazette musicale, waltz music, polish composers
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, George Sand, Fryderyk Chopin, Polskie Wydawnictwo Muzyczne, Karol Szymanowski, Historical Chants, United States, November Uprising, Julian Fontana, Franz Liszt, Halina Goldberg, Jim Samson, World War, Adam Mickiewicz, Les Sylphides, Ignacy Jan Paderewski, Jane Stirling, Musical Criterion, Waclaw Szymanowski, Leaves Are Falling, Maja Trochimczyk, Muzyka Chopina, Oxford University Press, Chopin's Prelude, Fryderyka Chopina
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