From Publishers Weekly
Craveri's account of the French aristocratic circles in which conversation emerged as an art offers a rich blend of personalities, anecdotes, scandal and genuinely amusing letters to flesh out an intellectual argument leading from early 17th-century aristocratic entertainment to the Enlightenment salon. Craveri, a contributor to the
New York Review of Books, develops her theme by examining the careers of several prominent women who carved social and intellectual space for themselves in their homes and served as models for successive generations. The Marquise de Rambouillet set the stage when she retreated from Louis XIII's inhospitable court to build her famed Blue Room, designed specifically for refined entertainment. Even in this early phase, says Craveri, an emphasis on style and wit led to some blurring of class distinctions. A generation of women who had gathered under Rambouillet's roof continued the fashion, shaped by literary interests, religion, delicately and passionately expressed tastes, love affairs and female friendships and rivalries. By the next century, the British identified wit and elegance, developed in the salons, as the quintessential French quality that allowed all manner of ideas to be expressed. This intriguing book is peppered with untranslatable words that miraculously don't weigh it down.
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From The New Yorker
Craveri argues that when, in the sixteen-twenties, the Marquise de Rambouillet offered her home as a place for the French nobility to gather she was unwittingly fermenting a revolution. The next century and a half constituted the golden age of conversation, which allowed the aristocracy to establish a new order, based not on the strictures of church or crown but on manners. Craveri's narrative paints a series of brilliant portraits of those (mostly women) who presided over the new sphere. Her thesis that the politesse of the nobility was the foundation of égalité is subtly provocative, but it ignores the legions who were excluded from the salons, and who took up arms against the bantering classes. For Craveri, the aristocracy is elegant, witty, and honorable to the end, when salons were held in prison as the conversationalists awaited the guillotine.
Copyright © 2005
The New Yorker
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