21 of 22 people found the following review helpful:
4.0 out of 5 stars
inspiring film about an inspirational man, June 19, 2005
Jonathan Demme's "The Agronomist" is a documentary about Jean Dominique, the Haitian civil rights leader and radio journalist who was gunned down by unknown assassins on April 3, 2000. A passionate believer in a free and open press, Dominique founded Radio Haiti in the early 1960's and became know as the "voice of the people" for over four decades of that nation's turbulent, strife-torn history. Through a succession of coups and counter-coups that seemed to forever rock the country, Dominique remained committed to securing freedom for the citizens of his beloved island nation, even if that meant having to do so as a frequent political exile living in the United States. That his own life ended tragically - as is so often the case when brave individuals step out to try to make the world a better place - is of less importance than that people of goodwill pick up the banner and carry forth his message of social justice and equality for all people. Demme has done just that by putting together this inspiring and thought provoking documentary.
In constructing his film, Demme has chosen to rely primarily on the many interviews Dominique gave over the course of his lifetime. Thus, even though Dominique is dead, we are able to hear his story in his own words, a distinct advantage for those of us who knew little or nothing about the man and what he accomplished prior to our seeing this movie. We learn firsthand of all the dreams and fears, hopes and disappointments that came to define this one individual who truly made a difference in his world. In addition to these interviews, Demme also provides insights from Dominique's supportive wife and family as well as from some of the common folk in Haiti who were inspired by Dominique's vision.
As the movie unfolds, Demme provides us with a well-delineated history of Haiti in the last half century, showing us the political turmoil and human suffering that have, sadly, come to define life in that benighted country. This includes the installation and overthrow of both Duvalier regimes ("Papa Doc" and "Baby Doc"), the election then overthrow of Aristide by the forces of Cedras, then the return to power of Aristide at the hands of an international force led by the United States. The saddest part of the movie comes near the end with the realization that, even with a democratically elected government in place, life has not become appreciably better for the average Haitian, for the violence, suppression and government corruption seem as intense today as at any time in Haiti's past.
Still, despite these many setbacks, Dominique's vision of a world where every person is free to speak his mind without fear continues to flourish in the hearts of men and women everywhere. This film is a tribute to that spirit.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
Voice Of A People (Review Of Film, Not DVD), June 8, 2005
Radio, when used correctly, can get you killed.
It's the most powerful, most personal medium. Nothing else on planet Earth can reach more oppressed people-the poorest, the illiterate and semi-illiterate-with the same information at one time. It explains and reflects issues, events, and people. It provides company as well as context. At its best, its mixture and manipulation of supplied sound nourishes the spirit and offers hope for a better tomorrow and, perhaps, even eventual liberation.
So Jean Leopold Dominique, a member of Haiti's light-skinned mulatto elite, was tuned in to this power. He purchased a radio station. In the 1970s, he turned himself onto the potential of expanding democracy through a free medium. ("Radio, then," says Dominique, "was not a news medium. It was entertainment.") He found freedom through his frequency. He committed class suicide using his (broadcast) voice to rally for peasant power. His reward: a violent death after being twice exiled from his homeland.
Jonathan Demme, the filmmaker behind "The Silence Of The Lambs" and "Philadelphia," was, of course, unaware that Dominique was going to be assassinated in April 2000, outside of Radio Haiti's studios; Demme had begun interviewing Dominique in 1986 for a documentary on the beleaguered island. They hit it off. So, on and off, the duo's filmed talks continued until 1999.
Those interviews form the spine of "The Agronomist," a tribute to Dominique's life, his wife, and Haiti's potential and constant strife. (The title comes from the profession he abandoned once broadcasting took hold.) Dominique's widow, Michele Montas, co-owner of Radio Haiti, assists Demme in telling the story of her husband's powerful existence as a broadcaster and a grassroots political activist.
This film chronicles the constant battle for free speech in a nation of U.S.-supported dictators and, subsequently, democratically elected presidents who allowed others to use dictator tactics on their behalf. ("It's 7 a.m.," Dominique broadcasts one morning in the 1990s. "They try everything-to gnaw at us; to bury us; to electrocute us; to drown us; to drain us; it's been going on for more than 50 years. Is there a reason for it to stop? Yes-one: Things much change in Haiti.") The same politically inspired censorship that Dominique experienced when he formed a film club in the 1960s dogged him throughout his career at Radio Haiti. He said he did two things that caught too many angry, oppositional ears: broadcasting in Kreyol (Creole) and providing "in-for-ma-tion"-political commentary and reporting. "Risky business," Dominique told Demme more than once. Later on in the film, he says directly but not arrogantly: "I know I am attacked because I'm doing my job the way it should be done."
At first glance, Dominique doesn't look like a national hero. Pipe ever prominent, physically slight but not frail, he reminded this reviewer of a kind of mulatto Jacques Cousteau. Then he talks, and the energy in his voice takes over. He animates his words with almost comical expressions and with eyes that, when widened to make a point, look ready to pop out of his head. His pronunciation exposes his values ("coming TO-GETHER, doing things TO-GETHER"). The fact that he wears his heart, Haiti, on his sleeve is as visible as his wide, big-tooth, grin. His literal smelling of trouble is comical.
Some of Haiti's best are among those contributing to the story. Wyclef Jean and Jerry "Wonder" Duplessis expertly handle the score, and Edwidge Danticat, the great author, is one of the film's associate producers.
Victory seems illusionary, particularly viewing "The Agronomist" in the context of today's headlines. Radio Haiti is no more. As of June 2005, the men charged with his murder have either been killed in jail or escaped when Aristide was forced to pack his bags during last year's coup. The killing's masterminds are still unknown, and evidence has been "lost." Surviving an attempt on her life in Haiti after her husband's death, Montas now lives and works in America. Nevertheless, the film ends on a triumphal note. A correct choice, since, according to Jean Dominique: "You cannot kill truth; you cannot kill justice; you cannot kill what we are fighting for."
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