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I Ain't Sorry for Nothin' I Done: August Wilson's Process of Playwriting
 
 
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I Ain't Sorry for Nothin' I Done: August Wilson's Process of Playwriting (Paperback)

~ (Author)
Key Phrases: slow drag, white theaters, Yale Rep, Joe Turner, O'Neill Conference (more...)
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I Ain't Sorry for Nothin' I Done: August Wilson's Process of Playwriting + The Dramatic Vision of August Wilson + Conversations with August Wilson (Literary Conversations Series)
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  • This item: I Ain't Sorry for Nothin' I Done: August Wilson's Process of Playwriting by Joan Herrington

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  • Conversations with August Wilson (Literary Conversations Series) by Jackson R. Bryer

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Editorial Reviews

Product Description

The most successful African-American playwright of his time, August Wilson is a dominant presence on Broadway and in regional theaters throughout the country. Herrington traces the roots of Wilson's drama back to the visual artists and jazz musicians who inspired award-winning plays like Ma Rainey's Come and Gone, Fences and The Piano Lesson. From careful analysis of evolving playscripts and from interviews with Wilson and theater professionals who have worked closely with him, Herrington offers a portrait of the playwright as thinker and craftsman.


About the Author

Joan Herrington

Product Details

  • Paperback: 180 pages
  • Publisher: Limelight Editions (July 1, 2004)
  • Language: English
  • ISBN-10: 0879102705
  • ISBN-13: 978-0879102708
  • Product Dimensions: 8.3 x 5.9 x 0.6 inches
  • Shipping Weight: 9.6 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.com Sales Rank: #767,972 in Books (See Bestsellers in Books)

    Popular in this category: (What's this?)

    #65 in  Books > Literature & Fiction > History & Criticism > United States > African American

More About the Author

Joan Herrington
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I Ain't Sorry for Nothin' I Done: August Wilson's Process of Playwriting
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12 of 12 people found the following review helpful:
5.0 out of 5 stars A Helpful Guide for the Wilson Novice, November 30, 2001
By A Customer
This is a useful, informative and well-researched account of Wilson's creative process. While those looking for critical essays or critiques of Wilson's plays will find it a bit thin, that is neither the intent nor focus of the book. It is devoted to the process by which Wilson creates, sythesizes, molds and finishes (or avoids finishing) his works. A valuable guide to Ma Rainey, Fences, Jitney and Joe Turner, as well as Wilson's success on Broadway and beyond. With an update that includes Piano Lesson and Seven Guitars, this text could prove to be an indispensible guide for the dramatic scholar interested in Wilson's work, mentors and influence.
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