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Editorial Reviews
Amazon.com
Lois Greenfield is uniquely adept at capturing the vibrancy and joy of dance. Part choreographer, part photographer, she does more than seize dancers in motion in her images--they seem to define the essence of movement itself. In this book, she has categorized her dancers as either earthbound or airborne, and it is hard to decide which images are more exhilarating. In the first set, a shot of a dancer taken the moment her toes hit the ground, with her body and filmy skirt still very much aloft, captures the fleeting experience of the transition. A dancer changes form beneath her stretchy curtain of a costume, seemingly grappling with gravity itself. Another is earthbound as she leaps up with an elongated tights leg pinned to the ground and anchoring her from below. Groups of dancers commingle, Pilobolus-style, and reshape the scope of human form. In the air, Greenfield's subjects fly, merge, and collide in a symphony of shapes that she somehow, unbelievably, captures on film.
Lois Greenfield is uniquely adept at capturing the vibrancy and joy of dance. Part choreographer, part photographer, she does more than seize dancers in motion in her images--they seem to define the essence of movement itself. In this book, she has categorized her dancers as either earthbound or airborne, and it is hard to decide which images are more exhilarating. In the first set, a shot of a dancer taken the moment her toes hit the ground, with her body and filmy skirt still very much aloft, captures the fleeting experience of the transition. A dancer changes form beneath her stretchy curtain of a costume, seemingly grappling with gravity itself. Another is earthbound as she leaps up with an elongated tights leg pinned to the ground and anchoring her from below. Groups of dancers commingle, Pilobolus-style, and reshape the scope of human form. In the air, Greenfield's subjects fly, merge, and collide in a symphony of shapes that she somehow, unbelievably, captures on film.
All of the nearly 100 black-and-white photos in the book were shot in a studio with vacant backdrops so that the images sail forth unimpeded by background distractions. Greenfield offers short notes on many of the pictures that include information about the dancer as well as fascinating notes on how she achieved the image. Of one shot of three dancers seemingly pinned over each other and stuck like magnets to the same wall, she writes: "The dancers are running sequentially headlong into the wall. The first person is held up by the pressure of the second body. The third guy has to grab the top of the wall across the width of the two bodies. The moment I shot is when the outside man, Ned, just lets go from the wall."
Airborne is a breathtaking treat for lovers and dance and photography alike.
LA Times
"We've all seen photos of dancers caught in midleap. But there's only one photographer who captures the dazzling freedom of trained bodies tumbling, darting or falling through space to form stylized silhouettes. 'Airborne: The New Dance Photography of Lois Greenfield' offers a generous sampler of these black-and-white images, best known from advertisements for a brand of expensive watches. Brief essays by the director and curator of the Musee de l'Elysee in Switzerland, explain how Greenfield fits into the history of photography and the photographer adds brief commentaries about her work with the dancers."
--This text refers to an out of print or unavailable edition of this title.
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