6 of 6 people found the following review helpful:
4.0 out of 5 stars
Bird scissors frat life in wickedly delightful satire, September 20, 2003
Fans of Sarah Bird have every reason to rejoice. Her publisher, Ballantine Books, decided to republish three of her earlier works, and "Alamo House" will remind us that as early as 1986 (when "Alamo" was first published), Ms. Bird possessed talent as both a social observer and satirist. Her abilities continued to grow, and her most recent novel, "The Yokota Officers Club," firmly established her place in modern literature. "Alamo House" allows us a chance to learn how Ms. Brid's talents have matured and grown.
"Alamo House" ladels out sarcastic observations about decadent fraternity life, women's attempts to batttle against obnoxious male adversaries and students' quixotic jousts into adulthood. Every character is delightfully skewed, and Bird gives each just enough humanity to captivate our imagination and invite our sympathies. Recalling or recoiling against her own days as a graduate student at the University of Texas, Bird paints a grim, warped picture of undergraduate males, residing in an alcoholic-induced stupor at the appropriately-titled SUK fraternity. When not hosting midnight parties -- replete with music played at decibel levels more appropriate for a rock concert, drunken men engaging in projectile vomiting contests and lascivious undergrads trying to ply willing sorority sisters with enough alcohol to unfurl condoms -- SUK seems to live only to torment the depressed denizens of Alamo House.
As benighted as is the SUK house, the Alamo House holds its share of sadsacks as well. Repressed house leaders, grad students whose passion for esoterica is eclipsed only by their perpetual presence in college and an exchange student whose mispronunciations and malapropisms leave no doubt as to her understated wisdom -- the women who initially are resigned to daily/weekly/monthly degradation need an awakening.
The cryptic and beautiful Collie, through her own words and actions, ignites rebellion, and the novel's protagonist, Mary Jo, senses both personal salvation and social consciousness through the charismatic, enigmatic Collie. Joining these two women is Fayrene, whom Bird paints as so overweight that she literally has difficulty fitting into anything smaller than a tent. As the three women galvanize Alamo House into acts of rebellion and genuine self-definition, the novel veers away from pure satire into an interesting discussion of the possibilities and limitations of 1980s feminism.
Bird never permits politics to interfere with fun, however, and she clearly enjoys poking holes into sacred cows, whether they be political icons like Lady Bird Johnson, incompetent professors (often drunk, oblivious or skirt-chasing) and post-graduate curriculum. "Alamo House" is so humorous that the reader can simply point to any paragraph in the novel to discover some tart observation or hyperbolic exaggeration. At times, the novel tends to be excessively frothy, nearly wallowing in its own descriptive detail. Yet, its pace and punch never lose momentum, and Mary Jo's wacky odyssey becomes our own.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
I wish there were more than 5 Stars, October 14, 2003
By A Customer
March 14, 2000
I can't believe this book is out of print. it is so well written, so funny, absolutely one of the best books i've ever read. --This text refers to an out of print or unavailable edition of this title
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4 of 4 people found the following review helpful:
4.0 out of 5 stars
Remember the Alamo..., November 30, 2003
By A Customer
I happened to read an article about Sarah Bird in the Austin American Statesman and it mentioned the re-release of three of her books. After reading brief descriptions of them, I ran out and bought them. Alamo House is a scream. It's an easy and quick read making you feel as if you, too, live right there in Alamo House with Mary Jo, Fayrene and Collie. I can't wait to pass my copy on to my friends who attended the University of Texas.
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