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by Alan Moore, WATCHMEN (paperback) Paperback – 1995

1,516 customer reviews

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Paperback, 1995
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Product Details

  • Paperback
  • Publisher: DC Comics (1995)
  • ASIN: B003ASKR2A
  • Product Dimensions: 10 x 6.6 x 0.8 inches
  • Shipping Weight: 1.3 pounds
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (1,516 customer reviews)
  • Amazon Best Sellers Rank: #1,525,856 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

164 of 180 people found the following review helpful By j_3_h on October 13, 2005
Format: Hardcover Verified Purchase
If you don't already know, the other reviews will fill you in on the Watchmen's story and it's significance to the comic medium. I'm here to tell you about this edition of the book, which is basically an oversized version of the long out of print Graphitti Designs hardcover version complete with all of that edition's exclusive extras (which is fantastic since that out of print volume goes for major bucks on Ebay when it does rarely surface). Until now, that Graphitti Designs edition was the one to own...This tops it due to it's oversized pages and superior quality printing.

Want to see how this story was originally about about Captain Atom, Blue Beetle, and the Question (along with other Charlton characters) and how it changed to what it is? There is a very indepth look at the original proposal included here.

Want to see early Gibbon's art? it's here. How about rarely seen teaser strips published long before the first issue? Again included. Alan Moore's script samples? You got it.

Bottom line, I can't think of anything that could possibly be done or included that would make a superior edition to this.
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392 of 455 people found the following review helpful By Lawrance Bernabo HALL OF FAMEVINE VOICE on October 7, 2000
Format: Paperback
Comic books superheroes are basically fascist vigilantes, with Superman and his dedication to truth, justice and the American way being the exception that proves the rule. Both "Watchmen" and "The Dark Knight Returns," the two greatest examples of graphic storytelling, deal explicitly with the underlying fear the ordinary citizenry have of the demi-gods they worship. The one inherent advantage that "Watchman" has over Frank Miller's classic tale is that it requires no knowledge of the existing mythos of its characters because Dr. Manhattan, Ozymandias, Rorschach, Nite Owl, Silk Spectre, the Comedian and the rest of the former members of the Crimebusters.
The brainchild of writer Alan Moore ("Swamp Thing," "V for Vendetta," "From Hell") and artist Dave Gibbons ("Rogue Trooper," "Doctor Who," "Green Lantern"), "Watchmen" was originally published by DC Comics in twelve issues in 1986-87. Moore and Gibbons won the Best Writer/Artist combination award at the 1987 Jack Kirby Comics Industry Awards ceremony. The central story in "Watchmen" is quite simple: apparently someone is killing off or discrediting the former Crimebusters. The remaining members end up coming together to discover the who and the why behind it all, and the payoff to the mystery is most satisfactory. But what makes "Watchmen" so special is the breadth and depth of both the characters and their respective subplots: Dr. Manhattan dealing with his responsibility to humanity given his god-like powers; Nite Owl having trouble leaving his secret identity behind; Rorschach being examined by a psychiatrist. Each chapter offers a specific focus on one of the characters, yet advances the overall narrative.
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189 of 226 people found the following review helpful By Allen W. Wright on July 2, 2002
Format: Paperback
If you've ever read anything with the title "Comics aren't just for kids anymore", you've probably heard about Watchmen. So, is it really that good?
Oh god, yes.
It's hard to review the collection without resorting to cliches -- and I'll employ one now. It gets better everytime I read it. I see new layers and depth.
"God exists. And he's an American." Most superhero comics take place in a world almost the same as our own. But surely, people running around in tights, people with god-like powers would make an impact. In Watchmen, they do. America won Vietnam -- thanks to a god-like hero. Electric cars exist. Classic comic books got cancelled when the real superheroes came along. Oh, and Richard Nixon is still president into the 1980s. (Too bad about those dead reporters, isn't it?)
This is series a big ideas, human characters and personal moments. It looks at retired heroes (thanks to 1970s anti-superhero legislation) who investigate the death of one of their own. The book also features flashbacks, autobiography excerpts, comic book interludes and more.
Truly engrossing writing by Alan Moore and art by Dave Gibbons.
Oh, and comics aren't just for kids anymore. (g)
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21 of 23 people found the following review helpful By A Customer on March 4, 1999
Format: Paperback
Me for one. I've pushed this on every person I know, from teachers to family to friends, and most have turned it away because it has pictures in it. Their loss. This is a dark story, obviously, but it also has moments of unbridled humanity. It dissects everything. Life, love, death, war, comic books as a medium (name any novel that did such a great job of exploring its own medium), the superhero as a romantic/mythologic figure for the century... so much more. Every reading will reveal something else to you. I haven't read enough books to rightly judge it as the 'greatest book ever written'. However, I'm happy to call it the best book _I've_ ever read, and in its rich, meaty representation of an alternate 20th century, it gives us a painting of our world, and all the things that have made our century the most turbulent, dangerous, mind-numbing, and exciting ever. Vietnam, movies, Watergate, JFK, comics... nothing is left untouched. I've read it eight times. I'll read it again. So will you.
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