Over 130 images paired with essays from Nick Jans record the splendor of this great American wilderness. From intimate singular images to hauntingly beautiful landscapes, Alaska finds new expression under the artful lens of Art Wolfe.
For more than 15 years Art Wolfe has been documenting Alaska, from the rainforests of the Southeast to snow-shrouded mountains to the northern expanses of the Brooks Range and beyond. Wolfe brings a painters sensitivity to light, pattern, and composition in his photography of landscape and wildlife, and Alaska is his personal vision of a truly awesome landscape.
"Wolfe does a superb job of capturing the intense colors writers can only allude to." -- Journeys
About the Author
Art Wolfe is considered a master of light and composition. His photography has been gathered in many books, including Pacific Northwest (see page 20) and Migrations. He lives in Seattle. Nick Jans is a teacher and writer living in Ambler, Alaska. He is a contributing editor to Alaska magazine and author of The Last Light Breaking.
"Art Wolfe's photographs are a superb evocation of some of the most breathtaking spectacles in the world." -- Sir David Attenborough
Over the course of his nearly 40-year career, photographer Art Wolfe has worked on every continent and in hundreds of locations. His stunning images interpret and record the world's fast-disappearing wildlife, landscapes and native cultures, and are a lasting inspiration to those who seek to preserve them all. Wolfe's photographs are recognized throughout the world for their mastery of color, composition and perspective.
"Art Wolfe's work tells a story that is overwhelming, breathtaking, and vast." - Robert Redford
Wolfe's photographic mission is multi-faceted. His vision and passionate wildlife advocacy affirm his dedication to his work. By employing artistic and journalistic styles, he documents his subjects and educates the viewer. His unique approach to nature photography is based on his training in the arts and his love of the environment. His goal is to win support for conservation issues by "focusing on what's beautiful on the Earth." Hailed by William Conway, former president of the Wildlife Conservation Society, as "the most prolific and sensitive recorder of a rapidly vanishing natural world," Wolfe has taken an estimated one million images in his lifetime and has released over sixty books, including the award-winning "Vanishing Act", "The High Himalaya", "Water: Worlds between Heaven & Earth, Tribes", "Rainforests of the World", "The Art of Photographing Nature", as well as numerous children's titles. Graphis included his books "Light on the Land" and the controversial "Migrations" on its list of the 100 best books published in the 1990s.
"There's a stunning clarity and vibrancy in Art Wolfe's wildlife portraits, which are careful, often haunting, compositions." - The New York Times Book Review
In 2000 he published his signature work "The Living Wild", which has more than 70,000 copies in print worldwide and garnered awards from the National Outdoor Book Awards, Independent Publisher, Applied Arts and Graphis. In 2001 WP published the award-winning "Africa", and in 2003 "Edge of the Earth,Corner of the Sky", which captured significant publishing awards, including IPPY (Independent Publishers), Benjamin Franklin (Publishers Marketing Association), and National Outdoor Book Award. Wolfe's latest books are "Travels to the Edge: A Photo Odyssey" (2009), "Alaska, 10th Anniversary Edition" (2010), and "Dogs Make Us Human" (2011).
"Art has the broadest range of excellence of any nature photographer I know." - Galen Rowell
Art Wolfe is the proud recipient of the Photographic Society of America's Progress Medal for his contribution to the advancement of the art and science of photography; he has been awarded with a coveted Alfred Eisenstaedt Magazine Photography Award as well as named Outstanding Nature Photographer of the Year by the North American Nature Photography Association. The National Audubon Society recognized Wolfe's work in support of the national wildlife refuge system with its first-ever Rachel Carson Award. He is a member of Canon's elite list of renowned photographers "Explorers of Light" and Microsoft's Icons of Imaging. Magazines all over the world publish his photographs and stories, and his work is licensed for monograph retail products as well as advertising. Numerous North American and international venues have featured his traveling exhibits.
"The intensity, texture, and strange density of Art Wolfe's photographs are truly astonishing." -- Peter Matthiessen
Wolfe has ventured into the world of television production with "On Location with Art Wolfe," "Techniques of the Masters" and as host of "American Photo's Safari", which aired on ESPN 1993-1995. In May 2007 Art made his public television debut with the high definition series "Art Wolfe's Travels to the Edge," an intimate and upbeat series that offers unique insights on nature, culture, and the new realm of digital photography. The thirteen-episode first season garnered American Public Television's 2007 Programming Excellence Award--unprecedented for a first season show. The thirteen-episode second season garnered five Silver Telly Awards, their highest honor, for outstanding achievement. It has been broadcast more than 180,000 times in the United States alone and is seen in Asia, Europe, South America, and the Middle East.
"It is in the wild places, where the edge of the earth meets the corners of the sky, the human spirit is fed." -- Art Wolfe
The son of commercial artists, Wolfe was born on September 13, 1951 in Seattle and still calls the city home. He graduated from the University of Washington with Bachelor's degrees in fine arts and art education; in 1999 he was named to the UW Alumni Association's magazine list of 100 "most famous, fascinating and influential" alumni of the 20th century. Wolfe spends nearly nine months a year traveling, carefully researching the locations as well as pre-visualizing the photographs he wants to take. He is an Honorary Fellow of the Royal Photographic Society, a Fellow of the International League of Conservation Photographers and serves on the advisory boards for the Nature's Best Foundation and Bridges to Understanding. He donates performances and work to environmental and educational groups every year; his lecture series is also in demand for corporate conventions and trade shows. Wolfe maintains his gallery, stock agency, production company and digital photography school in the SODO district of Seattle.
Whether this book of color photographs accurately shows what Alaska really looks like, I don't know, because I haven't been there yet. But having finished it, I'm planning my trip!
But I can say this is a great book of photographs of nature. Anyone who loves to look at photographs will love this book. Wolfe demonstrates that he is one of the greatest living outdoor photographers. His sense of light and composition is unexcelled. Almost every picture has a strong sense of line, either vertical, horizontal or diagonal. And the range of light is exceptional, often including in the same picture the darkest blacks and the brightest whites.
The handling of sky is as sublime as that of any of the 19th century American landscape painters. I'm certain that there must be plain blue skies in Alaska but every one of Wolfe's skies has clouds that are fleecy, or glowering, or mysterious. And the light that falls on the landscapes illuminates them with a strange beauty whether casting deep, hard-edged shadows that make a rugged peak look even more majestic; or soft shadows that fall across a brush-covered hillside and create a subtle modulation of green; or the red rays of the magic hours of dawn and dusk.
Occasionally his pictures take on a strange abstraction that requires a careful examination to discover what one is looking at, like the pictures of white ice floes on the surface of an inky-black river or the network of crevasses on a glacier with a few spots of emerald blue in the white field, where the snow has melted into a pond reflecting the sky.
Wolfe is a master of color field photography. Consider the brownish, grayish web of fine lines with several smears of white across it that resolves into a portrait of musk oxen with white horns and muzzles. Or the white arctic foxes in the snow with a bare hint of orange on their undersides. Or the receding green hillsides distinguished only by differing textures with a tiny browsing caribou in the foreground.
The text by Nick Jans is sometimes overly poetic and almost unnecessary given the photographs although explaining just what it is that makes tundra tundra has some interest. However when I turn the page to see just the top halves of the heads of two fierce little owls peeking at me with yellow eyes hidden amongst a row of wildflowers in the Arctic Wild Life Refuge, words disappear from my mind.
Most people agree that Alaska is one of the last great wildernesses and that we are unlikely to see anything more exciting in our lives. Art Wolfe has captured the excitement of Alaska. He has also captured the excitement of great photography.
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