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> Album Title Goes Here <

4.4 out of 5 stars 158 customer reviews

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Audio CD, September 25, 2012
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Editorial Reviews

Album Title Goes Here is the highly anticipated album from dance music A-lister deadmau5. He overhauled his studio in his hometown of Toronto where he locked himself in and went on a creative spree to finish the album. With plenty of unreleased tracks Album Title Goes Here will easily match the critical acclaim as his other album releases.

Product Details

  • Audio CD (September 25, 2012)
  • Number of Discs: 1
  • Label: Ultra Records
  • ASIN: B008S80P38
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (158 customer reviews)
  • Amazon Best Sellers Rank: #45,391 in Music (See Top 100 in Music)

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Customer Reviews

Top Customer Reviews

Format: MP3 Music Verified Purchase
I am not into this kind of music, until less than a year ago, so any terminology, and lingo or jargon that pertains to this kind of music - I don't know it. I don't need to know it. I just know I like this. I've never like anything "dance" my whole life. I listened to Nine in Nails, but that's about as techno as I go. But I saw Deadmau5 play with Foo Fighters last year, and that got me hooked. I loved this album. I don't think it is as good as Random Album Title, however, it is still quite amazing. I can't stop listening to it on repeat.
The only song I absolutely dislike is Failbait with Cypress Hill. I have never been a fan of them, and I deleted that song from my playlist. My favorite songs on the album are Professional Griefers and fn pig. Both are outstanding songs.
So, I suppose this isn't much of a review as it is just my opinion coming from a guy that would prefer metal over this music, but with that said, deadmau5 has turned me on to a new kind of music. He is the master of this craft. And this cd is a perfect example!
4 Comments 48 of 52 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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Format: MP3 Music Verified Purchase
Contrary to popular belief, deadmau5 isn't your average sellout DJ. Yes, he has given permission to use his songs in pop culture (I'm looking at you, Jersey Shore), and the mau5head is a widely recognized symbol nowadays, but that's mainly due to his singles, read Ghosts N Stuff and Raise Your Weapon (which I consider great songs).

Despite his breakthrough into mainstream acceptance, I can hardly call most of his songs "mainstream", by no means. If we just go back to his last albums (i.e. 4x4=12, which is my favorite album), you see that there are songs as Cthulhu Sleeps, which at 11:00 and using a repetitive sound progression is prone to annoy the masses, rather than entertain them.

This new album I bought kind of scared. For Lack of a Better Name has both Ghosts and the masterpiece Strobe, but the rest of the songs are subpar. Still, I decided to buy it. What a pleasant surprise.

Superliminal is a heavy track. Fantastic, though a little repetitive.
Channel 42 is a highlight, but with Wolfgang Gartner it was foolish not to expect it, especially after Animal Rights. It's easily one of the best songs in the album, its upbeat and happy and has some nice drops, without being brutal.
The Veldt is fantastic as I already knew thanks to Youtube. Reminisces his slow tunes like the beginnings of Strobe and Raise Your Weapon, but with vocals. The mix is very balanced and the vocals help those not into repetitive riffs.
Fn Pig as also there, a fantastic 8+ minute majestic piece with all the mood changes you could expect from a song. The buildup and the drops are orchestrated fantastically. This is probably the best song in the album.
Professional Griefers, wow.
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4 Comments 27 of 31 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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Format: MP3 Music Verified Purchase
Holistic Overview:

After spinning the CD >album title goes here<, I noticed it has the distinguishable "Deadmau5" sound throughout the first portion, but the execution is definitely different from his previous work for better or for worse. Overall, it is a very distinct album by him but is definitely not what comes to mind when fans think of Deadmau5. Fans may bicker about how good (or bad) this album may be, but it is worth a listen. There will be parts or songs that everyone is sure to enjoy but equally as much, there will others where everyone will not. I give 4 stars instead of 5 because I know there are other albums of his that rank better but it is not simply a 3 star because it still has many redeeming qualities. New listeners to Deadmau5 should be advised to pick up one of his other albums before giving this one a listen but I encourage fans to give this album a few spins before jumping to any conclusions.

Detailed Overview:

Transitions:
The most noticeable aspect of the whole album which may bother some electronic enthusiasts is the lack of transitions between each song. Personally, one of the best parts about electronic music are the seamless and elegant transitions between songs, none of which this album has to offer- each song is stand alone. However this does not mean that the order does not matter; similar songs are set back to back against one another and complement each other well.

Buildups:
For the majority of the songs, the beginning of each has a fairly slow buildup and depending on the song, either has a rewarding or disappointing drop. Comparatively to his previous albums, this one is a bit slow and is not meant for the impatient but given the time, I think the buildups are a distinct part of this album.
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2 Comments 19 of 22 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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Format: Audio CD
ATGH has a completely different feel from any of his previous three efforts. Personally I prefer the electro/house style he delivered on Random Album Title and For lack of... to the more varied styles and collaborations on 4x4=12. I like the structure and flow his music once had. Flow is something sorely missed on Album Title goes here. Each song for the most part stands on its own with little or no transition to the next. He makes an obvious case to evolve his sound with this record but i still prefer tracks like "Closer" which reminds me of earlier work. A few more stand out tracks in my mind but unfortunately I found myself skipping or getting bored with 1 too many.
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