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Alchemy: Science of the Cosmos, Science of the Soul [Paperback]

Titus Burckhardt (Author)
5.0 out of 5 stars  See all reviews (4 customer reviews)


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Book Description

November 1991
Spiritual attainment has frequently been described as a transformation whereby a human's leaden, dull nature is returned to its golden state. This wonderfully insightful volume introduces some of the metaphors useful for establishing attitudes required for the soul's advancement: trust, confidence, hope, and detachment. It is a reminder that when any substance or entity undergoes dissolution, it must eventually be resolved or re-crystalized in a new, possibly higher and more noble form.
--This text refers to an out of print or unavailable edition of this title.


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Language Notes

Text: English, German (translation)

About the Author

Eminent Swiss metaphysician and scholar Dr. Titus Burckhardt was devoted to studies in art, art history, and oriental languages, and embarked upon journeys through North Africa and the Near East. In addition to writing books in German, he translated many important works from their original Arabic.
--This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 218 pages
  • Publisher: Element Books Ltd (November 1991)
  • Language: English
  • ISBN-10: 0906540968
  • ISBN-13: 978-0906540961
  • Product Dimensions: 7.9 x 5.4 x 0.6 inches
  • Shipping Weight: 8 ounces
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #2,541,136 in Books (See Top 100 in Books)

More About the Author

TITUS BURCKHARDT, a German Swiss, was born in Florence in 1908 and died in Lausanne in 1984. An eminent member of the perennialist school, he is perhaps best known to the general public as an art historian. He won much acclaim for producing and publishing the first successful full-scale facsimiles of the Book of Kells, a copy of which he presented to Pope Pius XII at his summer residence at Castel Gandolfo. He later acted as a specialist advisor to UNESCO, with particular reference to the preservation of the unique architectural heritage of Fez. Besides his studies in Islamic art, mysticism, and culture, such as Introduction to Sufi Doctrine, Fez: City of Islam, and Moorish Culture in Spain, his best known works are: Sacred Art in East and West, Siena: City of the Virgin, Chartres and the Birth of the Cathedral, and Alchemy: Science of the Cosmos, Science of the Soul. Two notable compendiums of his work have also been published: Mirror of the Intellect: Essays on Traditional Science and Sacred Art and The Essential Titus Burckhardt: Reflections on Sacred Art, Faiths, and Civilizations, both translated and edited by William Stoddart.

 

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36 of 37 people found the following review helpful:
5.0 out of 5 stars Alchemy., December 26, 2004
_Alchemy: Science of the Cosmos, Science of the Soul_ by traditionalist author Titus Burckhardt is a unique book which examines the science of alchemy in the light of its traditional interpretation. Burckhardt quotes extensively from such figures in the traditional school of thought as Rene Guenon, Mircea Eliade, and Julius Evola (who all had written on alchemy), as well as Carl Jung, the depth psychologist who attempted to understand alchemy in terms of the collective unconscious (relating it to the process of individuation). Burckhardt begins by noting that contrary to the modern historical and scientistic interpretation, alchemy was not so much a forerunner of modern day chemistry and science as it was a process of spiritual growth embodied in tradition. Burckhardt notes how alchemy had its origins in the Egyptian deity of Thoth-Hermes and in the writings of Hermes Trismegistos which came out of Egypt. Later, alchemy was to come to play an important part in all the world's great religious traditions, including Hindu, Buddhist, Chinese, and primitive Japanese religions as well as the three monotheistic religious traditions Judaism, Christianity, and Islam. Much of this book is spent discussing various source materials from these three monotheistic religious traditions as they relate to alchemical transformation. Burckhardt notes that alchemy did not derive from a desire to enrich oneself by transmuting base metals into gold as had originally been conjectured. Rather, the gold came to represent a spiritual state attained by the alchemist. Much of this book is spent discussing the seven base metals as they relate to the seven planets and the four elements (air, earth, fire, water) as well as the ether. In addition, the concept of the "chemical marriage" of sulphur and quicksilver, sun and moon, king and queen to achieve gold is explained. Various symbols including the ouroborus, the caduceus (or staff of Hermes), the Christian cross, and the seal of Solomon are explained in terms of the alchemical meaning. In addition, alchemy is related to the system of yoga and the kundalini, as well as other far eastern traditions. The athanor or the oven in which the alchemical elixer is prepared is also explained in terms of its symbolism. Burckhardt also includes a section discussing the life of Nicolas Flamel, a fourteenth century alchemist who came into contact with a special alchemical treatise. In addition, the Emerald Tablets are discussed, which reveal the principle "whatever is below is like that which is above" showing the direct relation between macrocosm and microcosm (Man). This represents an excellent source on alchemy as revealed through the lens of the traditionalist school of thought and the perennial philosophy.
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14 of 14 people found the following review helpful:
5.0 out of 5 stars A Review By Professor S. H. Nasr, December 23, 2007
Interest in alchemy has been greatly enhanced during this century through studies and research carried out in this field by historians of science and also by psychologists. The historians of science have thought in their studies to discern in alchemy a primitive chemistry and the roots of the modern science whose name derives from alchemy. The psychologists, beginning with C. G. Jung, who devoted two works to the subject, regard alchemy as a psychology couched in the language of metallurgy. Rarely has a study been made of alchemy as a science of the soul in the light of a spiritual principle that manifests itself at once in the soul and in the cosmos and therefore relates soul and cosmos, or the microcosm and the macrocosm, intimately to one another. In fact one can say that the book under review is the first work in which integral alchemy, as a spiritual science of the soul but related both in language and inner correspondence to the cosmos, has been elucidated both with precision and in depth. As the author says, "spiritual alchemy was not necessarily involved in outward metallurgical operations, even when it made use of them as similes. It is nevertheless to be supposed that originally the inward and outward work went hand in hand, for, within the framework of an organic civilization orientated towards man's highest goal, a craft can only have meaning when it serves a spiritual way" (p. 92). In this as well as many other passages the author has expounded not only the principles of alchemy but also of all traditional cosmology, and even of art which is closely connected with it.

To penetrate into the meaning of alchemy would require under normal conditions, when this tradition was fully alive, an initiation into the "mysteries" through which the meaning of its symbols and method and its often extremely abstruse and complex language would become revealed. In the absence of an actual possibility of following such a way, the only alternative is to begin from where alchemy ends and thence come "downward," if one may so express oneself. That is, alchemy seeks to lead man by stages from the materia prima to the state of purity which makes possible the wedding of soul and Spirit, the moon and the Sun. Now, if one possesses knowledge of the spiritual life through other means, through the "Greater Mysteries" rather than through the "Lesser Mysteries" of alchemy, and if one also possesses an intuition of the spiritual significance of traditional art, then it is possible to descend from the spiritual to the material and to unravel many of the mysteries of alchemy without being taught its language stage by stage. It is noteworthy that the author of this work has written several outstanding books on Islamic esotericism or Sufism as well as on the traditional art of East and West. He has applied knowledge of both the above subjects as well as his intimate knowledge of the metaphysical and cosmological doctrines of other traditions (especially of Hinduism, where Tantrism presents many striking resemblances to alchemy) to the clarification and elucidation of basic alchemical symbols and doctrines. In this manner he has made clear certain questions which no other contemporary book had been able to explain satisfactorily.

The chapters of the book, starting with a short historical introduction, deal with nearly every aspect of alchemy, from an explanation of its language to the discussion of planets and metals, the elements, the materia prima, sulfur, quicksilver and salt and the alchemical marriage. There is also a very important chapter devoted to the "alchemy of prayer," while several chapters are devoted to specific alchemical authors or works such as Nicolas Flamel and the "Emerald Tablet."

One of the most important chapters of the book is on the "stages of the work" and its correspondence to the stages of the spiritual life as taught in different traditions, proving without doubt the inner nexus between alchemy and the spiritual way. The discussion here of the technique of invocation, so central to spiritual realization in many traditions, and its connection with the actual "spiritual technique" of alchemy is very revealing.

In addition to the text, the book abounds in illustrations from different alchemical manuscripts, some made available for the first time in this work. The meaning of these illustrations is given wherever they appear, adding a very helpful "visual" commentary to the text.

The appearance of this book in English should correct once and for all many errors prevalent in this field. It should make clear to historians of science, of whom at least some would agree with this point of view, that although alchemy did give birth indirectly to chemistry, yet if we are to study it scientifically we must take full account of its unified world view according to which the events in the soul of man and in nature are inextricably connected; this inner correspondence between man and nature is something that has been forgotten by modern man including the chemists. It should also show up the serious limitations and errors of any purely psychological interpretation of alchemy such as would seek to study the psyche without reference to the luminous world of the Spirit which alone can comprehend the soul, in the sense of both encompassing and understanding. For students of art and comparative religion in general this work is also of great significance.

From the point of view of translation this book has been well done; its presentation is also excellent, with very few errors. A short list of the names and dates of alchemists and a bibliography of works on the subject add to its usefulness. One could wish, however, that some of the sentences which appear only in Latin had been followed by their English translation thus making this easier to read for all and sundry.
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10 of 10 people found the following review helpful:
5.0 out of 5 stars East and West Meet in the Realization of Alchemy, December 25, 2006
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If you've ever heard the phrases 'aqua vitae', 'the chemical wedding', 'the philosopher's stone' and wondered from whence these concepts came, Titus Burckhardt sums them up nicely in this cogent little publication that is more a tractate than a book, more a treatise than an introduction. Mr. Burckhardt treats the subject of alchemy with both the practicality of the operative form of the art, and the spirituality of the speculative form it takes. The text unfolds laconically, introducing the main topics of the royal art in neat little chapters that stick to the subject at hand and finally realizes the prize in the explanation of the 'great work' (another phrase you may have heard of). A wonderful addition to any student's library, esoteric or no.
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